Ada_list November 2004

ada_list@list.waikato.ac.nz

23 participants
28 discussions

by tim＠soundbite.co.nz

theres an interesting review of Ars Electtronica in latest issue of Contemporary Magazine ".....this year's many exhibitions made it clear that digital art has turned a corner. The best works consciously distanced themselves from the whizz-bang obsession with technology itself, moving towards a more contemplative vision, where technology served as an invisible vehicle for pure aesthetic experience." http://www.contemporary-magazine.com/reviews68_2.htm -- "I call architecture frozen music" J.W.Goethe

16 years, 7 months

feedback for Creative New Zealand's new media research

by Danielle Tolson

Hi everyone Most of you will have been involved at some point in the consultation process that Creative New Zealand is undertaking around issues for artists and arts organisations working with New Media. This process has included the sector reference group meeting in Auckland on 6 May and the CNZ presentation at the ADA symposium on 2 October, which provided us with another opportunity to distribute working documents resulting from the sector reference group. We are now working on the next stage of our New Media strategy, and so I would appreciate any further feedback that you can contribute. If you were at the sector reference and ADA meetings, you will already have copies of the working documents, but I can email these to anyone who needs another copy. I'm aiming to collate this material by Wednesday 8 December, so please get any comments or suggestions to me by then. I am in Wellington all of this week and then in Auckland between Monday 6th- Wednesday 8th if anyone wants to call me with questions or arrange an in person meeting for discussion. My Wellington number is in the autosignature below, and you can call the Auckland CNZ office on 09 373-3066, and Robyn will switch you through to me (i.e. you don't pay for the toll call). I look forward to hearing from you soon. With thanks for all of the valuable contributions so far, Danielle Danielle Tolson Assistant Arts Adviser Creative NZ PO Box 3806 WELLINGTON ddi: 64 4 473-0184 Attention: Creative New Zealand staff are pleased to offer information and advice to prospective applicants. However actual funding proposals are the sole responsibility of the applicant. Information provided by staff should not be interpreted as a guarantee of success. This e-mail and its attachments are confidential and may be legally privileged. Please contact the sender before publishing or quoting information contained in this correspondence. Tihei Mauri ora Kaingakau ngä kaimahi ö Toi Aotearoa ki te arahi, ki te manaaki, ki te whakahoki i ngä patai a ngä kaitono pütea. Heoi, kei ngä kaitono te kawenga a ö rätou tono. Ko ngä täkoha körero kua hoatu e ngä Kaiwhakamaherehere Toi ki ngä kaitono kaua e pöhehe ka toa töu tono. He take muna tënei imeera me ana körero täpiri a ka whai mana hoki. Whakapä atu ki te kaitono i mua i tou tä, to whakahuatia körero mai i tënei tuhinga.

16 years, 7 months

CFP IJMedia and Cultural Politics

by Sean Cubitt

**apologies for crosspostings** international journal of media & cultural politics call for papers The International Journal of Media & Cultural Politics (MCP) is a new print journal launching with a special Double Edition in January 2005. MCP is committed to analyzing the politics of communication(s) and cultural processes. It addresses cultural politics in their local, international and global dimensions, recognizing equally the importance of issues defined by their specific cultural geography and those which traverse cultures and nations. MCP promotes critical, in-depth, engaged research on the intersections of sociology, politics, cultural studies and media studies. MCP aims to keep academic analysis in dialogue with the practical world of communications, culture and politics. MCP welcomes full-length research articles of up to eight thousand words and occasional short commentaries. Inaugural double edition January 2005 with sixteen specially commissioned short essays three full-length research articles yasmin jiwani on war talk vincent mosco on ground zero martyn lee on the death of radical thought kwela hermanns on ipr and traditional knowledge lena jayyusi on power and performativity mike cormack on gaelic language and the media eileen r meehan on transindustrialism and synergy chinyere stella okunna on invisible women 11 further special articles plus book reviews submissions of papers to mcp(a)leeds.ac.uk mcp published by intellect books: mcp website is www.intellectbooks.com/journals/mcp/index.htm editors: katharine sarikakis, university of leeds; karen ross, coventry university; neil blain, university of paisley Dr. Katharine Sarikakis Lecturer in Communications Policy and Course Director MA in Communications Studies Institute of Communications Studies University of Leeds Houldsworth Building Leeds LS2 9JT Tel: +44.113.3437603 Email: K.Sarikakis(a)leeds.ac.uk Managing Editor Media and Cultural Politics "Consistency is the last resort of the unimaginative." Oscar Wilde -- Sean Cubitt * Screen and Media Studies * University of Waikato * Private Bag 3105 * Hamilton * New Zealand * seanc(a)waikato.ac.nz * T: +64 (0)7 838 4543 * F: +64 (0)7 838 4767 *Akoranga Whakaata Purongo * Te Whare Wananga O Waikato * Kirikiriroa * Aotearoa* http://www.waikato.ac.nz/film

16 years, 8 months

Fast Capitalism

by Mark Harvey

Fast Capitalism... The electronic journal Fast Capitalism (www.fastcapitalism.com) invites papers for FC 1.2. Deadline is May 1, 2005. The journal addresses the impact of rapid information and communication technologies on self, society and culture in the 21st century. The focus of FC 1.2 is the future of the American left, but papers on other topics are welcome, too. Contact: aggerfastcap(a)uta.edu. _______________ Ben Agger Univ of Texas at Arlington

16 years, 8 months

participation

by Laurent Antonczak

INCIDENT.NET SERIES: LE NU / THE NUDE Appel à contributions / Call for participation /// Jusqu'au 28 février 2005 / Until February, the 28th of 2005 Merci de bien vouloir nous envoyer vos projets de netart/videoart par mél (incident(a)incident.net). Seules les oeuvres utilisant activement les technologies (interactivité, générativité, flux du réseau, etc.) seront retenues. Thank you to send us your netart/videoart projects by email (incident(a)incident.net). Only the works using technologies (interactivity, generativity, network, etc.) will be selected. http://incident.net incident(a)incident.net (english below) /// LE NU Le nu est un exercice bien connu dans l'enseignement artistique, permettant l'apprentissage de la relation entre le trait, particulier à chaque artiste, et l'anatomie, qui est une norme scientifique. Le statut de la nudité a évolué au cours des âges mais a souvent été le symptôme de notre ambivalence par rapport aux images; entre la pureté d'un corps d'avant la chute et la déchéance d'un corps se couvrant de feuilles ou de lambeaux d'étoffes. Que voile le nu? Entre "L'Origine du monde" (Courbet, 1866) et "Etant donnés: 1. La chute d'eau, 2. Le gaz d'éclairage" (Duchamp, 1946-1966), il y a l'écart entre ce qu'il y a à voir et ce qu'on ne peut pas voir. L'iris comme aveuglement, l'obscurité comme possibilité même du regard, fente où le monde trouve son origine et sa sexualité. La sensualité du nu est l'esthétique même du regard, qui ne peut être touché qu'à distance; un oeil touché par un corps devient aveugle. Il pourrait sembler au premier abord que notre époque est celle de la nudité standardisée et que l'obscénité est à présent celle d'autres corps, féminins, entièrement voilés de haut en bas, murés derrière l'aveuglement du regard masculin. Si la création artistique est une mise à nu, un dévoilement et un voilement dans un seul et même geste, où se trouve aujourd'hui notre nudité? Que devient le nu lorsque le corps peut être industriellement clôné et que les nano-technologies investissent notre chair? Quelle est la relation entre la nudité généralisée et cette autre forme de mise à nu à laquelle l'expérience esthétique nous convie? /// THE NUDE The Nude is a well-known exercise of the artistic process. It helps the studend built a relationship between various styles of strokes and the human anatomy, the scientific norm. Although nudity has evolved over the ages, it will always be a symptom of our ambivalent relation to images, halfway between the purity of the body and the downfall of it, whether this downfall be tattered canvas or in the ground. But what is the nude hiding? What lies between what can and can't be seen? For example in works such as: "The Origin of the World" (Courbet, 1866) and "Etant donnes: 1. La chute d'eau, 2. Le gaz d'eclairage" (Duchamp, 1946-1966), we find an interstice, a fissure where the world finds its origin, its sexuality. The sensuality of the nude is an esthetical concern, which can only be grasped from a distance. An eye touched by a body becomes blind. At first sight, it seems that in this age we have standardised nudity, however, obscenity is still present in female bodies. Clothed and hidden they forbid men's blind gazes. If art is to lay bare one's body and soul, if its role is both to veil and unveil in a single gesture, where is our nudity today? What is a nude when a body can be cloned and nano-technologies penetrate our flesh? And what relates a generalised nudity and the other form of bareness, which is dictated by the aesthetic? /// Merci pour votre participation! Thank you for your participation! http://incident.net incident(a)incident.net /// laurent antonczak lecturer in new media and graphic design Auckland University of Technology private bag 92006 auckland phone +64 9 917 9999 ext.8724 facsimile +64 9 917 9916 mobile +64 21 16 25 072

16 years, 8 months

Version Festival

by Zoe Drayton

SIX DAYS OF INNOVATIVE DIGITAL MEDIA! CONCERT / CLUB / LOUNGE / CINEMA / INSTALLATION / INTERNET / SEMINAR VERSION 04 Trans-media Festival DECEMBER 4 9 Sounds from outer space that turn into music and film Architectural drawings that come to life, then make music The Version Festival in Auckland presents a festival of future arts and entertainment featuring a unique mix of aural and visual delights in a variety of venues. Showcasing original performances by innovative digital media artists exploring creative new uses of technology, the acts presented at Version will entertain and stimulate with a unique mix of art, design, music, science and technology. Techno-savvy artists from each of the disciplines will collaborate to come up with original performances. These events are a combination of eclectic experiences gallery, lounge, cinema, seminar, concert and club. Version takes place in several Auckland venues from December 4 to 9. For more information see http://www.version.org.nz For images see: http://www.version.org.nz/press.html

16 years, 8 months

Fwd: Rhizome.org is looking for exciting, fresh web designers

by Helen Varley Jamieson

>Von: Kevin McGarry <kevin at rhizome.org> >Datum: 18. November 2004 01:05:56 MEZ >Betreff: RHIZOME_RAW: Rhizome.org seeks web designers > >Rhizome.org is looking for exciting, fresh web designers to build >upcoming online exhibitions. > >Rhizome Exhibitions is a new program in which invited artists, >curators, and writers select and exhibit works from the ArtBase, our >archive of indexed new media art. > >Our first exhibition, "Ya Heard: Sounds from the ArtBase," opened in >mid-November. We plan to launch a new exhibition every 6-8 weeks. >The next one is slated for late December or early January. Design >production will begin and end during the first 4 weeks of December. > >We are looking for a design that is open and instinctively >navigable. Simple, elegant and/or edgy html or css should do the >trick. Please, no Flash. You will work closely with the ArtBase >Coordinator to conceive, revise, and execute an interface that >illustrates the concepts set forth by the curators. Visiting the >current exhibition, "Ya Heard" ( ><http://rhizome.org/art/exhibition/ya_heard/>http://rhizome.org/art/exhibition/ya_heard/ >), should give you a good idea of the task at hand. > >This opportunity is paid. For students, there is the option to >perform the design as a for-credit internship. > >Please send a resume and links to a portfolio or previous websites, >both in the body of an email, to ><mailto:artbase@rhizome.org>artbase(a)rhizome.org. > >Please circulate this announcement freely. > > >Kevin McGarry >ArtBase Coordinator >Rhizome.org -- ____________________________________________________________ helen varley jamieson: creative catalyst helen(a)creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.writerfind.com/hjamieson.htm ____________________________________________________________

16 years, 8 months

Pervasive and Locative Arts Network (PLAN)

by Sonja van Kerkhoff

Pervasive and Locative Arts Network (PLAN) http://www.open-plan.org/ A new international and interdisciplinary research network in pervasive media and locative media has been funded as part of the Engineering and Physical Sciences Research Council (EPSRC <http://www.epsrc.ac.uk>) Culture & Creativity programme. The network will bring together practicing artists, technology developers and ethnographers with the aim of advancing interdisciplinary understanding and building consortia for future collaborative projects. It will be of relevance to people working in the arts, games, education, tourism, heritage, science and engineering. A call for proposals for their first meeting in February 2005 in the ICA, London. http://www.open-plan.org/index.php?sub hei konei ra, sonja ___________________________________________ Sonja van Kerkhoff webdesigner Teleacnot broadcasting, Hilversum, The Netherlands http://www.schooltv.nl tel: +31 (0)35 - 6293 367 ___________________________________________ eigen spul - own stuff: http://go.to/sonjavank

16 years, 8 months

Discontent

by Mark Harvey

Check this on-line thing out... - Mark Harvey Subject: CFP: Bile: The Journal of Discontent (no deadline, e-journal) View Full Header View Printable Version From: amstott(a)buffalo.edu Date: Fri, November 12, 2004 11:30 am To: cfp(a)english.upenn.edu Priority: Normal - Call for Submissions "Bile: The Journal of Discontent" Face it, youre angry. Theres a lot to be angry about. Bile is a new on-line journal of art, letters, media and politics that seeks to embrace your indignation and harness it as a trigger for progressive discussions and important debates. Bile seeks to berate injustice, scold weak thinking, rebuke the successes of the undeserving, and generally reprimand those who produce, market, legislate, or enforce maddening drivel. Yet Bile is most not a reactionary forum for the disappointed to pursue personal vendettas. Neither is it interested in conspiracy theories, jibes, or recklessness simply for the sake of being reckless. Bile is responsible, pro-active, intellectually credible, critically rigorous, and enormously disgruntled. We are now seeking bilious contributions on a range of topics. 4,000 to 6,000 word essays on all aspects of art, literature, and culture, but also works of intelligent satire, international, national, and regional politics, as well as anatomies of melancholy, histories of alienation or malcontentedness, riot, unrest, civil disobedience and the uses of anger. We also welcome 1,000 word book, film and television reviews. Bile is peer-reviewed, and has an international editorial board of academics and cultural practitioners. Our first issue will launch In February 2005. Editors Scott Stevens: stevenssm(a)hotmail.com Andrew Stott: amstott(a)buffalo.edu

16 years, 8 months

Curatorial Training at De Appel

by su ballard

PLEASE FORWARD TO ALL INTERESTED PARTIES CURATORIAL TRAINING PROGRAMME DE APPEL: CALL FOR APPLICATIONS De Appel, Centre for Contemporary Art in Amsterdam, will start the eleventh Curatorial Training Programme (CTP) from September 2005. This seven-month course gives six young international participants the opportunity to further develop their skills, guided by curators like René Block, Saskia Bos, Jan Debbaut, Hou Hanru, Maria Hlavajova, well known artists like Marlene Dumas, Tiong Ang, Fiona Tan and many (international) experts in the field of funding and arts management. Former CTP participants have profited greatly from this course, some have become directors of art centres or work as independent curators. The programme comprises courses at De Appel, excursions to exhibitions and art institutions both inside and outside of The Netherlands, and the curating of a show within the premises of De Appel. DO YOU KNOW QUALITATIVE CANDIDATES THAT COULD BE INTERESTED TO PARTICIPATE? Please have them send a motivation letter with CV and reference letters to De Appel before 31 December 2004. An international Jury will invite the twelve most promising candidates for an interview in February. Six of them will be admitted to the programme. Usually one out of the six participants has the Dutch nationality; the others originate from all over the world. The course language is English, therefore knowledge of this language in spoken and written form is imperative. Furthermore, candidates must have a degree in art or art history and relevant working experience in the field. For more information, please visit our website www.deappel.nl or contact Esther Vossen, CTP coordinator, at evossen(a)deappel.nl or +31 (0)20 6255651. Stichting DE APPEL Nieuwe Spiegelstraat 10 1017 DE Amsterdam The Netherlands T +31 (0)20 6255651 F +31 (0)20 6225215

16 years, 8 months

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Ada_list November 2004