March 2005 - Ada_list - University of Waikato Mail Lists

by Helen Varley Jamieson

The next open walk-through in UpStage will be held on Wednesday 6 April, at 6pm New Zealand time. There is a possibility of having a second session at a more civilized hour for people in Europe - if you're interested please reply to this email. The walk-throughs, which usually last around 1-2 hours, give you hands-on experience of UpStage and how you can use it as a creative online tool. Wednesday 6 April: 11pm California (Tuesday 5th) 2am New York 6am UK 9am Finland 4pm Sydney, Australia 6pm New Zealand Check http://www.worldtimeserver.com for your local time. If you want to join us as an audience member, come directly to: http://upstage.org.nz:8081/stages/presentation. If you want to log in and play, email me first for a username and password, then go to: http://upstage.org.nz:8081 and log in. see you on Wednesday, h : ) -- ____________________________________________________________ helen varley jamieson: creative catalyst helen(a)creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.writerfind.com/hjamieson.htm ____________________________________________________________

16 years

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FW: [Ada_list] FILE- url: http://www.file.org.br

by Brit Bunkley (Staff WG)

The URL: http://www.file.org.br > Here is another Brazilian Festival: > > Be careful in sending the materials. I sent a DVD last year a week before > the deadline via Courier Post - costing $60. I had to put a value on the > package (for $8) in order for them to send it. It took over two weeks to > make it Brazil (after tracking through 2 US cities and 4 European cites in > 4 days before being sent to Brazil a week or so later, I gave up > tracking). When in Brazil, customs wanted to charge $40 for duty, so FILE > would not pick it up, and it was returned two months later. I was charged > an additional $100 by NZ Post for the return of the $3 DVD (which never > made it to Sao Paulo), plus the duty. I finally got out of paying this > return fee after several phone calls to NZ post. > > So the moral of this story is make sure you spell out "Educational > Purposes only...for festival" in large letters on the package. Better yet, > send a DVD/CD in a slim jewel box case in a letter envelope backed with > thin cardboard. It then doesn't need a customs declaration, and is a $3 > airmail letter, and give it at least 2 weeks. This should/may work. > > > FILE NEWSLETTER/// > ELECTRONIC > LANGUAGE > INTERNATIONAL > FESTIVAL MARCH 25TH 2005/// SÃO PAULO/// BRAZIL/// > 25 DE MARÇO DE 2005/// SÃO PAULO/// BRASIL/// > > FILE 2005 announces that due to technical problems with the entry form for > the 2005 event, entries deadline will be extended to may 1st, 2005. If you > had any problem with your FILE 2005 form before, we recommend you to clean > your memory cache and try again. > We are sorry for the inconvenience. > > FILE - Electronic Language International Festival is opening registrations > for its sixth edition, that will be held at Sesi Paulista's cultural > space, in Sao Paulo, Brazil, from October 3rd to 22th, 2005. The call for > entries is open from March 17 to May 1st, 2005. Submissions are free and > open to professionals, researchers and students of the electronic > language. You must fill out all the entry form fields and submit it on- > line. > For more information visit: [+] > > PROBLEMAS TÉCNICOS > FILE 2005 anuncia que devido a problemas técnicos com os formulários de > inscrição online, o prazo final foi extendido até o dia 01 de maio de > 2005. Recomendamos a aqueles que tentaram a inscrição anteriormente limpem > a memória cache do seu computador e tentem novamente. > Pedimos desculpas pelo ocorrido. > > O FILE festival internacional de linguagem eletrônica está abrindo > inscrições para a sua sexta edição que acontecerá no espaço cultural do > Sesi Paulista em São Paulo, Brasil, no período de 3 a 22 de outubro de > 2005. As inscrições estão abertas de 17 de março a 1 de maio de 2005. A > inscrição é gratuita e aberta a profissionais, pesquisadores e estudantes > de linguagem eletrônica de âmbito internacional. > Para mais informações visite: [+] > > > > > -------------------------------------------------------------------------- > ------ > > Click here to unsubscribe > Caso não queira receber a newsletter clique aqui > > Cheers, > > > > Brit > > > > > > > > Brit Bunkley > > Head of Sculpture, > > Lecturer in Digital Media > > Phone: 06 925 3801 ex 62273 > > Quay School of the Arts > > Whanganui UCOL > > http://www.quayschool.ac.nz > > http://britbunkley.com/ > > ____________________________________________________ > Learn real skills for the real world - Apply online > at http://www.ucol.ac.nz or call 0800 GO UCOL > (0800 46 8265) or txt free 3388 for more information > and make a good move to UCOL - Universal College of > Learning. > > Enrol with a public institute and be certain of your > future > ____________________________________________________ > > _______________________________________________ > Ada_list mailing list > Ada_list(a)list.waikato.ac.nz > http://list.waikato.ac.nz/mailman/listinfo/ada_list ____________________________________________________ Learn real skills for the real world - Apply online at http://www.ucol.ac.nz or call 0800 GO UCOL (0800 46 8265) or txt free 3388 for more information and make a good move to UCOL Universal College of Learning. Enrol with a public institute and be certain of your future ____________________________________________________

16 years

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FILE

by Brit Bunkley (Staff WG)

Here is another Brazilian Festival: Be careful in sending the materials. I sent a DVD last year a week before the deadline via Courier Post - costing $60. I had to put a value on the package (for $8) in order for them to send it. It took over two weeks to make it Brazil (after tracking through 2 US cities and 4 European cites in 4 days before being sent to Brazil a week or so later, I gave up tracking). When in Brazil, customs wanted to charge $40 for duty, so FILE would not pick it up, and it was returned two months later. I was charged an additional $100 by NZ Post for the return of the $3 DVD (which never made it to Sao Paulo), plus the duty. I finally got out of paying this return fee after several phone calls to NZ post. So the moral of this story is make sure you spell out "Educational Purposes only...for festival" in large letters on the package. Better yet, send a DVD/CD in a slim jewel box case in a letter envelope backed with thin cardboard. It then doesn't need a customs declaration, and is a $3 airmail letter, and give it at least 2 weeks. This should/may work. FILE NEWSLETTER/// ELECTRONIC LANGUAGE INTERNATIONAL FESTIVAL MARCH 25TH 2005/// SÃO PAULO/// BRAZIL/// 25 DE MARÇO DE 2005/// SÃO PAULO/// BRASIL/// FILE 2005 announces that due to technical problems with the entry form for the 2005 event, entries deadline will be extended to may 1st, 2005. If you had any problem with your FILE 2005 form before, we recommend you to clean your memory cache and try again. We are sorry for the inconvenience. FILE - Electronic Language International Festival is opening registrations for its sixth edition, that will be held at Sesi Paulista's cultural space, in Sao Paulo, Brazil, from October 3rd to 22th, 2005. The call for entries is open from March 17 to May 1st, 2005. Submissions are free and open to professionals, researchers and students of the electronic language. You must fill out all the entry form fields and submit it on-line. For more information visit: [+] PROBLEMAS TÉCNICOS FILE 2005 anuncia que devido a problemas técnicos com os formulários de inscrição online, o prazo final foi extendido até o dia 01 de maio de 2005. Recomendamos a aqueles que tentaram a inscrição anteriormente limpem a memória cache do seu computador e tentem novamente. Pedimos desculpas pelo ocorrido. O FILE festival internacional de linguagem eletrônica está abrindo inscrições para a sua sexta edição que acontecerá no espaço cultural do Sesi Paulista em São Paulo, Brasil, no período de 3 a 22 de outubro de 2005. As inscrições estão abertas de 17 de março a 1 de maio de 2005. A inscrição é gratuita e aberta a profissionais, pesquisadores e estudantes de linguagem eletrônica de âmbito internacional. Para mais informações visite: [+] -------------------------------------------------------------------------------- Click here to unsubscribe Caso não queira receber a newsletter clique aqui Cheers, Brit Brit Bunkley Head of Sculpture, Lecturer in Digital Media Phone: 06 925 3801 ex 62273 Quay School of the Arts Whanganui UCOL http://www.quayschool.ac.nz http://britbunkley.com/ ____________________________________________________ Learn real skills for the real world - Apply online at http://www.ucol.ac.nz or call 0800 GO UCOL (0800 46 8265) or txt free 3388 for more information and make a good move to UCOL Universal College of Learning. Enrol with a public institute and be certain of your future ____________________________________________________

16 years

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Fw: call: submissions for 15th Videobrasil

by luke

VIDEOBRASIL OPENS SUBMISSIONS FOR THE 15TH EDITION OF THE FESTIVAL 15th Videobrasil International Electronic Art Festival >From September 6 to 11 /// Exhibition runs until October 2, 2005 Submissions: http://www.videobrasil.org.br Information: 15festival(a)videobrasil.org.br SESC Pompéia - São Paulo /// http://www.sescsp.org.br Submissions for the 15th Videobrasil International Electronic Art Festival, promoted by SESC-SP, and supported by Prince Claus Fund, are now open. This edition of the Festival will adopt a new structure placing greater emphasis on research and production from the so-called southern circuit. Works will be selected for three exhibitions: "Contemporary investigations", "New vectors" and "Southern panoramas". The first of these exhibitions will stress innovation in research, while "New vectors" will focus on emergent producers or groups. "Southern panoramas" aims to bring together works that broaden the current state of southern production art. The jury will award one piece from each exhibition, and other works will be able to receive special mention. The regulations and enrolment form are already available from the Associação Cultural Videobrasil website and the deadline for submissions is set for April 15, 2005. The selection committee will assess work from Latin America, Caribbean, Africa, South-East Asia, Eastern Europe, Middle East and Oceania. To make submission easier, for the first time ever enrolment forms can be filled out directly through the Associação's website. Off-line submissions sent via normal mail will also be accepted. The Festival was created in 1983 and is today the most important electronic art event in the southern hemisphere. The exhibition aims to stimulate research into new mediums and encourage interchange among the nations of the southern circuit. Each edition of the Festival brings retrospectives and especially commissioned works from major names in global electronic art. av. imperatriz leopoldina #1150 cep.05305-002 são paulo sp brasil tel: 55 11 3645 0516 fax: 55 11 3645 4802 e-mail: info(a)videobrasil.org.br VIDEOBRASIL ABRE INSCRIÇõES PARA A 15» EDIÇÃO DO FESTIVAL 15¼ Festival Internacional de Arte Eletrônica Videobrasil De 6 a 11 de setembro /// Exposição até 2 de outubro de 2005 Inscrições: <http://www.videobrasil.org.br>http://www.videobrasil.org.br Informações: <mailto:15festival@videobrasil.org.br>15festival(a)videobrasil.org.br Sesc Pompéia - São Paulo /// <http://www.sescsp.org.br>http://www.sescsp.org.br Estão abertas as inscrições para o 15¼ Festival Internacional de Arte Eletrônica Videobrasil. Promovido pelo SESC-SP e com apoio do Prince Claus Fund, o Festival apresenta nesta edição uma nova estrutura, valorizando ainda mais a pesquisa e a produção do chamado circuito sul. As obras serão selecionadas para três mostras: "Investigações contemporâneas", "Novos vetores" e "Panoramas do sul". A primeira enfatizará a inovação nas pesquisas. "Novos vetores" será voltada para realizadores ou coletivos emergentes, enquanto "Panoramas do sul" reunirá trabalhos que ampliam o estado da arte da produção do sul. Uma obra de cada mostra será premiada pelo júri, que poderá oferecer também menções especiais. O regulamento e o formulário de inscrição já estão disponíveis no site da Associação Cultural Videobrasil, e a data-limite de envio é o dia 15 de abril de 2005. A comissão de seleção avaliará obras da América Latina, do Caribe, da África, do Sudeste Asiático, da Europa do Leste, do Oriente Médio e da Oceania. Para facilitar as inscrições, pela primeira vez elas poderão ser feitas diretamente no site da Associação. Inscrições off-line, por correio, também serão aceitas. O Festival foi criado em 1983, e é hoje o mais importante evento de arte eletrônica do hemisfério sul. A mostra estimula a investigação de novos meios e o intercâmbio com países do circuito sul. A cada edição o Festival comissiona obras e promove retrospectivas de nomes importantes da arte eletrônica mundial. Realização: Apoio: av. imperatriz leopoldina #1150 cep.05305-002 são paulo sp brasil tel: 55 11 3645 0516 fax: 55 11 3645 4802 e-mail: info(a)videobrasil.org.br Caso não queira mais receber informações da Associação Cultural Videobrasil, remova seu e-mail de nossa lista <mailto:info@videobrasil.org.br?subject=REMOVER>clicando aqui. ______________________________________________ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre

16 years

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Wrestling with Angels

by Edward Picot

New on The Hyperliterature Exchange for March 2005 - Edward Picot reviews "Sampler", a DVD+ from Alan Sondheim, which contains close to five gigabytes of text, images and video. Sondheim is one of the best-known and longest-established new media artists. Since 1994 he has been developing a huge project which he calls the "Internet Text", an "extended meditation on cyberspace"; and the "Sampler" DVD+ provides a representative cross-section of this work. The review is at http://hyperex.co.uk/reviewsondheim.php . The Hyperliterature Exchange is a directory/review of new media writing for sale online; please visit and browse at http://hyperex.co.uk . - Edward Picot personal website - http://edwardpicot.com

16 years

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hihi

by adam

heyho Many thanks to all those that came to re:mote. We had a great time and I hope you did too! Over the next weeks the post re:mote team (same as the pre re:mote team ;) will put the documentation online so keep your eyes on www.remote.org.nz :) adam Adam Hyde ~/.nz r a d i o q u a l i a http://www.radioqualia.net Free as in 'media' contact: email : adam(a)xs4all.nl phone : +64 21 1746 741 (new zealand mobile)

16 years

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Fwd: Print View of Writers for the Future - trAce Online Writing Centre booklet now available

by Helen Varley Jamieson

>The trAce Online Writing Centre is delighted to announce the >publication of the Print View of Writers for the Future. > >This publication marks the culmination of Writers for the Future, a >two-year project exploring innovative ways of writing using the >internet and funded by NESTA, the National Endowment for Science, >Technology and the Arts. The booklet is beautifully designed and >offers an accessible and inspiring introduction to new media >writing. It includes contributions from Kate Mosse, Tim Wright, Kate >Pullinger, and Christina Patterson, plus comments from NESTA >Futurelab, The British Library, Channel 4, and Arts Council England. > >The booklet will be of use to anyone interested in reading, creating >and teaching new media writing and is suitable for both adults and >children. > >It is available free of charge to libraries, schools, universities, >colleges and community groups of all kinds. We can also supply to >individuals. If you would like to receive copies for distribution or >display please contact us with your requirements at >mailto:writersforthefuture@ntu.ac.uk and we will arrange for >despatch during the week beginning 21st March. > >Writers for the Future is funded by NESTA: http://www.nesta.org.uk >It is managed by trAce at Nottingham Trent University and De Montfort >University. Contact: mailto:writersforthefuture@ntu.ac.uk >+44 (0)115 8483533 http://www.writersforthefuture.com > > > > >the trAce Online Writing Centre >trace(a)ntu.ac.uk >http://trace.ntu.ac.uk >The Nottingham Trent University >Clifton, Nottingham NG11 8NS, UK >Tel: + 44 (0) 115 848 6360 >Fax: + 44 (0) 115 848 6364 > -- ____________________________________________________________ helen varley jamieson: creative catalyst helen(a)creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.writerfind.com/hjamieson.htm ____________________________________________________________

16 years, 1 month

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newall at sofa; poly

by Melanie Swalwell

Douglas wrote: > I was recently reminded of the Poly computer, designed at Wellington > Polytech in the early 80s and manufactured locally. As I > recall, it was > many times more expensive than competing machines (vic 20, spectrum, > etc), and had odd features. It ended up being sold exclusively in > China. Does anyone remember it? It is the digital Trekka, > but the web > has almost no record of it. > I'd be keen to hear some more about the Poly. Have you had any responses? If not, I've been told in the course of recent research (on specifically NZ developed gaming hardware) that there's a computer collector based in Palmerston North. (I can email you the details if you like.) Collectors are often extremely knowledgeable, so that might be one route to go down. I would be interested in hearing what you find out/what you are doing on this topic? While I'm at it, I might as well forward the message I sent yesterday to the gamesnetwork list, requesting help with locating other researchers researching local histories of game development etc....in case anyone has any contacts they can help me out with or forward this onto. thanks in advance, Melanie -- Dear Gamesnetwork, (+ADAers, etc) We are interested in making contact with people who are researching the local or regional histories of early game production and/or reception. And we'd like to enlist the network's help with this. Relatively little is known about the local scenarios that provide a backdrop to the global rollout of games and games systems. We are researching aspects of the early days of digital gaming in New Zealand and Germany, and we know a little about early game systems produced in other regions. But we'd like to know more. We would like to make contact with people who are also excavating some aspect/s of the local/regional histories of digital games. What are the histories of early game production etc in South America, Africa and Eastern Europe? We are currently looking for another speaker for an upcoming panel on this topic, but are also keen to make contact and exchange information more generally, and perhaps develop future projects. We expect that this covers work on: * local game hard- and software manufacture and reception; * uneven patterns of hard or software distribution; * DIY developments and local game cultures around these; * The remembering, collection, preservation and archiving of these early games. And there are no doubt more angles to this. If you're doing work in these or related areas, please send us an email and tell us about what you're doing. Now for our request for help from the network: We're particularly keen to get our message out to people who might not be linked in to existing game studies networks. If you know of anyone doing this type of research, and/or have contacts with game researchers or are on relevant lists, especially in regions of the world not currently well represented in DiGRA (eg. South America, Eastern Europe, Africa, etc), please consider forwarding our message on. (If it can be translated, so much the better!) Thanks in advance, Melanie Swalwell & Andreas Lange Emails: melanie.swalwell(a)vuw.ac.nz & lange(a)digitalgamearchive.org

16 years, 1 month

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little transmitter

by adam

hi! does anyone have a little transmitter, the type you buy at dicks smith for $60 or so that allows you to broadcast your video around the house to all your teles...know what i mean? if you have one, can we borrow it for remote on saturday? pretty please? :) adam Adam Hyde ~/.nz r a d i o q u a l i a http://www.radioqualia.net Free as in 'media' contact: email : adam(a)xs4all.nl phone : +64 21 1746 741 (new zealand mobile)

16 years, 1 month

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re:mote coffee for the masses

by zita

Dear Ada'ers Geeky stuff aside.... these are the really important bits... (tho not quite up to the standards set by the ADA symposium banquet..) Do any of you have a spare big coffee plunger, electric jug, or big chilly bin? We scored all this free Karajoz coffee at the Public Address blog do on sunday, and it would be great if we could all drink it on saturday (to make up for that early start) but we would need to borrow a big plunger or two... And maybe an electric jug? We have one, but we would probably need another one or two. And well, a chilly bin would mean the beer could be kinda coldish. usually i would borrow this sort of stuff off my parents, but they're in chch so that's not much use. sigh. Would be lovely to see lots of ADA'ers at the fest! (btw, there's heaps more stuff on the website now....) /z

16 years, 1 month

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Ada_list March 2005