August 2007 - Ada_list - University of Waikato Mail Lists

Fwd: ::fc-announce:: share prize 2008

by Sean Cubitt

Begin forwarded message: > From: "INFO SHARE FESTIVAL" <info(a)toshare.it> > Date: 21 June 2007 12:39:31 AM > To: <announce(a)fibreculture.org> > Subject: ::fc-announce:: share prize 2008 > > > Competition Announcement: Share Prize 2008 > > > > > Introduction > > > > > Piemonte Share announces the fourth edition of the Festival by > calling a competition > > > > > Piemonte Share Award . See registration form. > > > > > Registration > > > > > SHARE AWARD : DIGITAL ART PRIZE 2008 > > > > > Competition announcement > > > > > Art. 1 > > Subject > > Piemonte Share Festival announces the second edition of the Share > Prize 2008 for digital art. > > The competition jury will award a prize of ?2,500.00? to the work > (published or unpublished) which best represents experimentation > between arts and new technologies. > > The candidates for the prize (a short list of a maximum of 6 > competitors) will be guests at the 4th edition of the Share > Festival, taking place in Turin March 2008 at the Accademia > Albertina di Belle Arti, Turin. In order to be declared winner of > the prize, every artist has to take part in the 4th edition of > Share Festival, by preparing his or her work of art, to be properly > evaluated by jury and public. > The organization is available at offering all the costs regarding > the preparation of the 6 selected works as well as travel and > accommodation expenses for the artists, and, possibly, the prize > itself". > > Nomination of 6 candidates for the prize: by November, 2007. The > announcement will be published on the following website: > www.toshare.it > > The winner will be announced in March 2008 during the award > ceremony at Share Festival. > > > > > Art. 2 > > Aim > > The prize aims to discover, promote and sustain digital arts. > > > > > Art.3 > > Entry Conditions > > The contest is open to any Italian and foreign artist using digital > technology as a language of creative expression, in all its shapes > and formats and in combination with analogical technologies and/or > any other material (i.e. computer animation / visual effects, > digital music, interactive art, net art, software art, live cinema/ > vj, audiovisual performance, etc.). Each artist or group can enter > up to 3 works. Artists who are part of a group participating in the > contest may also enter up to 3 individual works. > > > Participating entries must be registered on the site www.toshare.it > using the registration form. > > > > > Registration and description of the competition entry forms should > be either in English or Italian; English is preferred. > > > > > Art. 4 > > Conditions of exclusion > > > > The competition is not open to: > > > > > - Jury members, organising body, their partners or relatives up to > the sixth degree inclusive > > - employees or collaborators of Jury members or announcement committee > > - anyone who drew up the competition or any associated document > > - any person working as a civil servant in Public Institutions or > Administrations unless it is specifically permitted by the > administration of affiliation > > - unfinished projects or work > > > > > Art. 5 > > Deadlines > > a. Entries must be registered on the site www.toshare.it by using > the registration form only. > > > > > b. Registration must take place by 12.00 pm on 30 September 2007. > Entries after that date, for whatever reason, will be excluded from > the competition. > > > > > Art. 6 > > Required documents > > Candidates must fill in the on line registration form available at > www.toshare.it > > Applications must contain the following information: > > - Title of the work > > - C.V. of artist or artists (in case of new groups of artists, each > member's C.V. is necessary) > > - Concise description of the work (max. 150 words). > > - URL documents concerning the work itself, where further details > of the work can be found (see Art. 6bis) > > - No material must be sent (paper, DVD, CD, etc) in addition to the > specific requests of the public notice. > > > > > Art. 6bis > > Further details on URL document > > Every participant must provide further details from those given in > the information on a specific web site. It must contain: > > - Description of the work (max 500 words) explaining the main > concept and technologies used > > - Images (.jpg) and/or video (.avi) and/or audio (.mp3) of the work > > - C.V. of artist or artists (in case of new groups of artists, each > member's C.V. is necessary) > > NB: competitors are responsible for the design and costs incurred > in producing the Web Site regarding the work for the contest. > > > > > > > > Art. 7 > > Selection jury > > The jury, meeting in non-public sessions, will select 6 works among > those presented for the contest within November, 2007. The > candidates for the prize (a short list of a maximum of 6 > competitors) will be asked to take part in the 4th edition of the > Share Festival, taking place in Turin March 2007 at the Accademia > Albertina di Belle Arti, Turin. > > The announcement will be published on the following website: > www.toshare.it > > The winner will be announced on March 2008 during the award > ceremony at Share Festival. > > > > > The jury is composed by: > > > > > Bruce Sterling (writer and journalist, Austin) - chairman > Piero Gilardi (artist, Turin) > Anne Nigten (managing director, v2 e DEAF, Rotterdam) > Oscar Abril Ascaso (curator Sonar, Barcelona) > Stefano Mirti (architect, Interaction design Lab, Milano) > > > > Art. 8 > > Information > > The Contest Information offices are located at Association The > Sharing premises. > > General coordination: Manuela De Caro > > tel. +39.011. 588.36.93 faxes: 0039.011.83.91304 > > manuela.decaro(a)toshare.it > > > > > Art. 9 > > Property and rights concerning projects and selected works > > With the registration to the contest, the authors of the winning > works grant The Sharing Association the right to publish and > reproduce the works, totally or partly, as part of cultural promotion. > > > > > Art.10 > > Publishing this notice > > This notice is made up of three pages and will be published via > Internet at the following address: www.toshare.it. News will also > be available via all interested parties. > > > > > ? two thousands five hundreds gross taxes and national insurance > contributions > > > SHARE FESTIVAL > Experiences in digital art & culture > Accademia Albertina di Belle Arti > Torino / 23-28 January 2007 > __________________________ > > The Sharing > Via Rossini 3 - 10124 > Torino - Italy > www.toshare.it > > > _______________________________________________ > ::fibreculture::announcements:: > To subscribe or unsubscribe from fibreculture announce, please > visit the List Info page: > http://fibreculture.org/mailman/listinfo/announce_fibreculture.org > > Fibreculture website: > http://www.fibreculture.org Sean Cubitt scubitt(a)unimelb.edu.au Director Media and Communications Program Faculty of Arts Room 127 John Medley East The University of Melbourne Parkville VIC 3010 Australia Tel: + 61 3 8344 3667 Fax:+ 61 3 8344 5494 M: 0448 304 004 Skype: seancubitt http://www.mediacomm.unimelb.edu.au/aboutus/staff/seanc.html http://homepage.mac.com/waikatoscreen/seanc/ http://seancubitt.blogspot.com/ http://del.icio.us/seancubitt Editor-in-Chief Leonardo Book Series http://leonardo.info "I'm very sorry and from now on I'm going to pay complete attention to everything" Paris Hilton

13 years, 5 months

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isea2008

by adam hyde

heyho it seems isea2008 has just extended its deadlines for conference papers etc. the site is up at http://www.isea2008.org anyone keen for putting any proposals forward? themes include: locating media wiki wiki ludic interfaces reality jam border transmissions i think the board are keen for more nz participation so anyone interested? adam -- adam hyde 'free as in media' ~/.nl http://www.flossmanuals.net http://www.simpel.cc http://www.radioqualia.net

13 years, 6 months

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Two Events in UpStage Next Week

by Helen Varley Jamieson

hi everyone, next week we have the first wednesday of the month, the 5th, so we will be in UpStage for the regular walk-through at 9pm NZ time - find your local time here: http://tinyurl.com/3e2uwt. as usual we'll be meeting on the Swaray stage, http://upstage.org.nz:8084/stages/swaray. if you want to come as audience, just click on the link. if you'd like to log in as a player, please email me for a log in. the walk-through is an opportunity for you to learn about how UpStage works, have a play, and chat about the 070707 festival and the shows that have been performed again since. speaking of which, the next 070707 show to get a second airing is "the old hotel", which will also be performed on the 5th, but at 9pm UK time; find your local time here: http://tinyurl.com/2kbsfa. "the old hotel" is a collaboration between artists in the UK, Australia and New Zealand, and it features an on-site component, on the site of an old hotel in london, with a proximal audience as well as the performers and audience in UpStage. read more about the show here: http://upstage.org.nz/blog/?p=92 and also on director Cherry Truluck's site: http://www.cherrytruluck.co.uk/. "the old hotel" is Cherry's final show for her MA at Wimbledon College of the Arts. the stage is http://www.upstage.org.nz:8084/stages/theoldhotel i hope you can join us for one or both of these events. h : ) -- ____________________________________________________________ helen varley jamieson: creative catalyst helen(a)creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz http://www.writerfind.com/hjamieson.htm ____________________________________________________________

13 years, 7 months

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Critical Spatial Practice discussion on -empyre- September 2007

by Melinda Rackham

September 2007 on -empyre- soft-skinned space : "Critical Spatial Practice" Moderated by Renate Ferro (US) and Tim Murray (US) with Millie Chen (Canada/US), James Way (Japan/US), Catherine Ingraham (US), Alice Micelli (Brazil/Germany), Maurice Benayoun (France), Teddy Cruz (US), Markus Miessen (UK/Germany) http://www.subtle.net/empyre Critical Spatial Practice entails the claiming of social responsibility at the intersections of art, geography, architecture, and activism. How might critical approaches to space and place empower creativity, enhance artistic activism, and encourage artistic and collaboration? The alignment of criticality with cyber configurations of space permits especially creative configurations of networks, resources, and discussions whose resulting configurations range from texts and performances to buildings and installations. ============================================================== Moderated by Renate Ferro (US) media artist, Dept. of Art, Cornell University, and Tim Murray (US), Curator of the Rose Goldsen Archive of New Media Art, Cornell University with special guests Maurice Benayoun (France) is a transmedia artist who explores the potentiality of various media from video, to virtual reality, Web and wireless art, public space large scale art installations and interactive exhibitions. He has designed interactive scenography for large scale architectural and exhibition projects. He teaches video and new media at University of Paris 1 (Panthéon-Sorbonne). Millie Chen (Canada/US) is an artist, writer, and curator who teaches art at the University of Buffalo. Her studio practice in Toronto, Ontario, and Buffalo, New York, includes a project of sonic-video installation based on river journeys down the Yangtze in China and the Niagara in Canada/USA. Teddy Cruz (USA) is a Guatemalan-born architect whose work dwells at the border between San Diego, California, and Tijuana, Mexico, where he has been developing a practice and pedagogy that emerge out of the particularities of this bicultural territory. Catherine Ingraham (US) is Professor of Architecture in the Graduate Architecture department at Pratt Institute in New York City, a program for which she was Chair from 1998-2005. Her numerous publications on the theory and history of architecture include her books, Architecture, Animal, Human: The Asymmetrical Condition and Architecture and the Burdens of Linearity. Alice Micelli (Brazil/Germany) has been developing a body of work focused on creating unexpected visualizations of extreme political issues. From Cambodia to Chernobyl, her conceptual videos and installations provide meanings of their own to narratives from places that are difficult to reach. Markus Miessen (UK/Germany) is an architect and writer who leads Studio Miessen, a collaborative agency for spatial strategy and cultural analysis. He is the co-author of Spaces of Uncertainty (with Kenny Cupers, Müller+Busmann), editor with Shumon Basar of Did Someone Say Participate: An Atlas of Spatial Practice, and co-editor with Basar and Antonia Carver of With/Without--Spatial Products, Practices and Politics in the Middle East. James Way (Japan/US) is an architect, writer, and designer working in Tokyo. He often collaborates on interactive installations that explore space and movement. Please join us at http://www.subtle.net/empyre _______________________________________ Regards Melinda -- Dr Melinda Rackham Executive Director Australian Network for Art and Technology (ANAT) PO Box 8029 Station Arcade South Australia 5000 ph: 61 8 8231 9037; fax 61 8 8231 9766 http://www.anat.org.au director(a)anat.org.au Australian Network for Art and Technology (ANAT) is supported by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments; the Australian Government through the Australia Council, its arts funding and advisory body, and the South Australian Government through Arts SA.

13 years, 7 months

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Portable Worlds 2nd Edition - Applications Now Open!

by ANAT Communications

Portable Worlds (Second Edition) - Applications Now Open! Touring Portable Intimate Mobile Art Media Release 28th August 2007 The Australian Network for Art and Technology (ANAT) is seeking applications for Portable Worlds Second Edition from artists make work with or for mobile phones. Artworks must be complete or near completion at the time of application. Applications need to be received by close of business October 19th 2007. The Second Edition hopes to attract works that explore notions of digital community, connection, scale and distance by seeking artwork that encounters mobile phones and portability in its display or creation. The Portable Worlds Second Edition is planned to tour major Australian regional centres with a view to international exhibition opportunities. ANAT is currently presenting its first edition of Portable Worlds, a touring exhibition of Australian Artists working with mobile and portable devices. The current exhibition focuses exclusively on artists working for the mobile phone screen, and has toured regional South Australian venues, to Tanks Art Centre in Cairns and to the International Pocket Film Festival in Paris. For application details, assessment criteria and to see works from the first edition please visit www.anat.org.au/portableworlds. No development funding is available. For more information please contact Portable Platforms Project Manager Sasha Grbich at sasha(a)anat.org.au. ANAT is assisted by the Australian Government through the Australia Council for the Arts http://www.ozco.gov.au its arts funding and advisory body, by the South Australian Government through Arts SA http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

13 years, 7 months

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OPENING INVITATION - Alex Monteith - 996cctv

by Mark Williams

Dear Friends You are invited to celebrate the opening of 996cctv - two closed circuit video works by Alex Monteith - this Thursday 30th at 5.30pm at the New Zealand Film Archive mediagallery. Internationally renowned surrealist film-maker, documentarian and artist Alex Monteith presents 996cctv - two closed circuit video works by Alex Monteith - a video installation based on the iconic cinema chase scene and the spinning tyre of a speeding vehicle. The artist and a Ducati 996S will be present. 996cctv - two closed circuit video works by Alex Monteith Opening celebration Thursday August 30, 5.30pm Pelorus Trust mediagallery New Zealand Film Archive Special thanks to motomart You have received this email because you have either signed up for our mail out or a member of the local arts community. if you no longer wish to receive these updates please reply to this message with 'unsubscribe' in the subject line. Thank you.

13 years, 7 months

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Double Vision in Second Life

by ANAT Communications

MEDIA RELEASE - 24 AUGUST 2007 DOUBLE VISION IN SECOND LIFE An extraordinary emerging practitioner is about to embark on an evolutionary journey of the networked and virtual reality environments of Second Life. ANAT is providing the opportunity for a young and emerging artist working with distributed, portable, online, wearable, gaming, mobile and emerging platforms to undertake a three-month mentorship with an established mentor of their choice. We are delighted to announce the mentorship recipient for 2007: Julian Stadon (Perth) will be mentored by Professors Christa Sommerer and Laurent Mignonneau, internationally renowned media artists working in the field of interactive computer installation and at the University of Art and Design in Linz, Austria where they head the Department for Interface Culture at the Institute for Media. Throughout the mentorship Julian will work on developing interactive augmented reality constructs, created within Second Life, to appear 3D when viewed through a head mounted display unit in a gallery environment. Second Life will extend into the physical realm and the viewer will immerse themselves in these fused spaces through interaction with them. Julian's practice investigates the spatial and formal differentiations between digital and physical environments, utilising virtual and augmented spaces, in conjunction with natural phenomena to question notions of identity within these spaces. He has recently completed a Master of Electronic Arts at Curtin University of Technology, Perth and has exhibited extensively since 2002. Julian comments, "utilising the Augmented Reality Tool Kit, I aim to insert certain coded shapes that, when viewed through head mounted displays trigger 3D modelled objects to appear as if physically present. These objects will situate themselves in a whole new space, as augmented virtuality". The ANAT emerging technology mentorship enables an emerging artist to explore new creative directions, to expand technical skills and increase knowledge of networks, debates and business practice and is supported as part of the Australian Government's Young & Emerging Artists Initiative through the Australia Council, its arts funding and advisory body. ANAT's Executive Director, Dr Melinda Rackham comments, "this is a particularly exciting time for the development of art practices within online worlds like Second Life, which have their own communities, economies and democratic systems. Artists like Julian, who have grown up immersed in technology, are now working to both challenge and enhance those worlds in ways that would not have been possible even a decade ago. We truly are at the cusp of a new age of virtually generated creativity". For more information please contact Gavin Artz, ANAT General Manager on (08) 8231 9037 or manager(a)anat.org.au. <Ends> ANAT is assisted by the Australian Government through the Australia Council for the Arts http://www.ozco.gov.au its arts funding and advisory body, by the South Australian Government through Arts SA http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

13 years, 8 months

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Fwd: [Urbanscreens-l] "clean city"

by su b

Thought those of you in auckland fighting to "preserve" your billboards might like this. su Begin forwarded message: > From: Sabine Niederer <sabine(a)networkcultures.org> > Date: 20 August 2007 2:10:18 AM GMT+12:00 > To: urbanscreens-l(a)listcultures.org > Subject: [Urbanscreens-l] "clean city" > > hi, just wanted to point out this blogpost on creativereview.co.uk > with beautiful photographs and a short video of Sao Paolo's empty > billboards after the “Clean City” directive from the city’s mayor, > Gilberto Kassab, which banned all outdoor advertising, including > shopfronts: http://www.creativereview.co.uk/crblog/an-anti- > advertising-advertisement/ > best, sabine >

13 years, 8 months

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Fwd: Call For Papers - Edited Collection on Digital Embodiment, Performativity and Globalization

by Danny Butt

A great looking CFP from someone who I remember from the "Postcolonial-L" listserv days in 1994.... x.d -------------------- Call for Papers: Edited Collection on Digital Embodiment, Performativity and Globalization Title: Everyday 3D Lives: Digital Embodiment, Performativity and Globalization Editor : Radhika Gajjala [ http://personal.bgsu.edu/~radhik ] In the recent past, there has been much talk of “web 2.0 “ and “web 3D” as new media. Educators and researchers all over the world are debating the pros and cons of such environments. MMORPGs (Massive(ly) multiplayer online role-playing games) such as World of Warcraft (WoW) and online 3D environments for social and economic activity. Immersive environments such as secondlife are being examined from multiple disciplinary lenses. This edited will include articles based in examinations of embodiment, performativity, gender, race, class, ethnicity, sexuality and globalization critically, and will be open to multiple disciplinary intersections. What sorts of convergences, conjunctures and connections emerge in relation to embodiment, identity and globalization specifically in 3D environment (such as secondlife) and MMORPGs? Researchers examining presence and absence or voice and voicelessness are increasingly mobilized to speak of identities emerging online, while binaries such as embodied/disembodied and global/local are deployed unproblematically in both utopian and dystopian viewpoints regarding the Internet. Performativity begins to shape exposure and privacy. Thus while claims are being made that the Internet is a “public sphere” in a Habermasian sense (Poster 1995) corporate privation and surveillance comes upon us in Internet mediated environments and we learn to negotiate our speaking within interstices of presences and absences, cooperation and isolation, community engagement and individual consumerism. Simultaneously hegemonic structures invested in particular ideologies of globalization and “free” markets learn to co-opt diverse identities and voices. Voice thus becomes a strategic construct in both cases. Notions of voice/voiceless and empowerment/ participation in such instances are appropriated by status quo discourses and are themselves mobilized for the oppression of the subaltern (Gajjala, forthcoming 2008). In the book on “Pedagogies of the Global”, the editor, Arif Dirlik writes that "Rather than erase difference by converting all to Euro/American norms of modernity, however, capitalist modernity, as it has gone global, has empowered societies once theoretically condemned to premodernity or tradition to make their own claims on modernity on the basis of those very tradition to make their own claims on modernity on the basis of those very traditions, as filtered through experiences of colonialism, neocolonialism, or simple marginalization by the forces of globalization "(Dirlik, 2006, 3). Digital media plays a significant role in aiding these connections and shaping these re-presentations. I am interested in research that examines these connections, representations and productions through critical theoretical lenses based in postcolonial theories, feminist theories, critical race theories and so on. 500 word abstracts due by October 1, 2007 and full articles of no more than 8000 words length due by September 2008. Email me with any queries - radhika(a)cyberdiva.org. Radhika Gajjala Associate Professor and Graduate Coordinator School of Communication Studies 302 West Hall Bowling Green State University Bowling Green, OH 43402 http://personal.bgsu.edu/~radhik http://www.cyberdiva.org/blog

13 years, 8 months

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Beyond 070707: the old hotel, 5 September, 9pm UK time

by S Brennan

"the old hotel" was performed at the 070707 UpStage Festival with a proximal component at a building site in London - the actual site of a former hotel. This new work leads on from the 070707 performance, starting with the same story but moving to a different perspective. Once again on-site and online audiences will be connected in the performance via UpStage. Here's the official invitation: You are cordially invited to attend a new work by Cherry Truluck, in collaboration with artists Suzon Fuks & James Cunningham (Igneous, Australia), Liz Bryce (E-Studio, New Zealand), director Mark Swetz and actor Carolyn Goodyear: 'The Old Hotel' 5th September 2007 at 9pm UK time Find your local time here: http://tinyurl.com/2kbsfa (duration 1 hour) at 38-40 Glenthorne Road, Hammersmith, London W6 0LS or online (please load up before 9pm to avoid disappointment) at http://www.upstage.org.nz:8084/stages/theoldhotel see attached flyer for more details or visit www.cherrytruluck.co.uk 'The Old Hotel' is Cherry's final MA Show for Wimbledon College of Art (http://www.wimbledonma2007.com) and has been made possible thanks to Strideline Ltd.

13 years, 8 months

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Ada_list August 2007