Begin forwarded message:
> From: "INFO SHARE FESTIVAL" <info(a)toshare.it>
> Date: 21 June 2007 12:39:31 AM
> To: <announce(a)fibreculture.org>
> Subject: ::fc-announce:: share prize 2008
>
>
> Competition Announcement: Share Prize 2008
>
>
>
>
> Introduction
>
>
>
>
> Piemonte Share announces the fourth edition of the Festival by
> calling a competition
>
>
>
>
> Piemonte Share Award . See registration form.
>
>
>
>
> Registration
>
>
>
>
> SHARE AWARD : DIGITAL ART PRIZE 2008
>
>
>
>
> Competition announcement
>
>
>
>
> Art. 1
>
> Subject
>
> Piemonte Share Festival announces the second edition of the Share
> Prize 2008 for digital art.
>
> The competition jury will award a prize of ?2,500.00? to the work
> (published or unpublished) which best represents experimentation
> between arts and new technologies.
>
> The candidates for the prize (a short list of a maximum of 6
> competitors) will be guests at the 4th edition of the Share
> Festival, taking place in Turin March 2008 at the Accademia
> Albertina di Belle Arti, Turin. In order to be declared winner of
> the prize, every artist has to take part in the 4th edition of
> Share Festival, by preparing his or her work of art, to be properly
> evaluated by jury and public.
> The organization is available at offering all the costs regarding
> the preparation of the 6 selected works as well as travel and
> accommodation expenses for the artists, and, possibly, the prize
> itself".
>
> Nomination of 6 candidates for the prize: by November, 2007. The
> announcement will be published on the following website:
> www.toshare.it
>
> The winner will be announced in March 2008 during the award
> ceremony at Share Festival.
>
>
>
>
> Art. 2
>
> Aim
>
> The prize aims to discover, promote and sustain digital arts.
>
>
>
>
> Art.3
>
> Entry Conditions
>
> The contest is open to any Italian and foreign artist using digital
> technology as a language of creative expression, in all its shapes
> and formats and in combination with analogical technologies and/or
> any other material (i.e. computer animation / visual effects,
> digital music, interactive art, net art, software art, live cinema/
> vj, audiovisual performance, etc.). Each artist or group can enter
> up to 3 works. Artists who are part of a group participating in the
> contest may also enter up to 3 individual works.
>
>
> Participating entries must be registered on the site www.toshare.it
> using the registration form.
>
>
>
>
> Registration and description of the competition entry forms should
> be either in English or Italian; English is preferred.
>
>
>
>
> Art. 4
>
> Conditions of exclusion
>
>
>
> The competition is not open to:
>
>
>
>
> - Jury members, organising body, their partners or relatives up to
> the sixth degree inclusive
>
> - employees or collaborators of Jury members or announcement committee
>
> - anyone who drew up the competition or any associated document
>
> - any person working as a civil servant in Public Institutions or
> Administrations unless it is specifically permitted by the
> administration of affiliation
>
> - unfinished projects or work
>
>
>
>
> Art. 5
>
> Deadlines
>
> a. Entries must be registered on the site www.toshare.it by using
> the registration form only.
>
>
>
>
> b. Registration must take place by 12.00 pm on 30 September 2007.
> Entries after that date, for whatever reason, will be excluded from
> the competition.
>
>
>
>
> Art. 6
>
> Required documents
>
> Candidates must fill in the on line registration form available at
> www.toshare.it
>
> Applications must contain the following information:
>
> - Title of the work
>
> - C.V. of artist or artists (in case of new groups of artists, each
> member's C.V. is necessary)
>
> - Concise description of the work (max. 150 words).
>
> - URL documents concerning the work itself, where further details
> of the work can be found (see Art. 6bis)
>
> - No material must be sent (paper, DVD, CD, etc) in addition to the
> specific requests of the public notice.
>
>
>
>
> Art. 6bis
>
> Further details on URL document
>
> Every participant must provide further details from those given in
> the information on a specific web site. It must contain:
>
> - Description of the work (max 500 words) explaining the main
> concept and technologies used
>
> - Images (.jpg) and/or video (.avi) and/or audio (.mp3) of the work
>
> - C.V. of artist or artists (in case of new groups of artists, each
> member's C.V. is necessary)
>
> NB: competitors are responsible for the design and costs incurred
> in producing the Web Site regarding the work for the contest.
>
>
>
>
>
>
>
> Art. 7
>
> Selection jury
>
> The jury, meeting in non-public sessions, will select 6 works among
> those presented for the contest within November, 2007. The
> candidates for the prize (a short list of a maximum of 6
> competitors) will be asked to take part in the 4th edition of the
> Share Festival, taking place in Turin March 2007 at the Accademia
> Albertina di Belle Arti, Turin.
>
> The announcement will be published on the following website:
> www.toshare.it
>
> The winner will be announced on March 2008 during the award
> ceremony at Share Festival.
>
>
>
>
> The jury is composed by:
>
>
>
>
> Bruce Sterling (writer and journalist, Austin) - chairman
> Piero Gilardi (artist, Turin)
> Anne Nigten (managing director, v2 e DEAF, Rotterdam)
> Oscar Abril Ascaso (curator Sonar, Barcelona)
> Stefano Mirti (architect, Interaction design Lab, Milano)
>
>
>
> Art. 8
>
> Information
>
> The Contest Information offices are located at Association The
> Sharing premises.
>
> General coordination: Manuela De Caro
>
> tel. +39.011. 588.36.93 faxes: 0039.011.83.91304
>
> manuela.decaro(a)toshare.it
>
>
>
>
> Art. 9
>
> Property and rights concerning projects and selected works
>
> With the registration to the contest, the authors of the winning
> works grant The Sharing Association the right to publish and
> reproduce the works, totally or partly, as part of cultural promotion.
>
>
>
>
> Art.10
>
> Publishing this notice
>
> This notice is made up of three pages and will be published via
> Internet at the following address: www.toshare.it. News will also
> be available via all interested parties.
>
>
>
>
> ? two thousands five hundreds gross taxes and national insurance
> contributions
>
>
> SHARE FESTIVAL
> Experiences in digital art & culture
> Accademia Albertina di Belle Arti
> Torino / 23-28 January 2007
> __________________________
>
> The Sharing
> Via Rossini 3 - 10124
> Torino - Italy
> www.toshare.it
>
>
> _______________________________________________
> ::fibreculture::announcements::
> To subscribe or unsubscribe from fibreculture announce, please
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>
> Fibreculture website:
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Sean Cubitt
scubitt(a)unimelb.edu.au
Director
Media and Communications Program
Faculty of Arts
Room 127 John Medley East
The University of Melbourne
Parkville VIC 3010
Australia
Tel: + 61 3 8344 3667
Fax:+ 61 3 8344 5494
M: 0448 304 004
Skype: seancubitt
http://www.mediacomm.unimelb.edu.au/aboutus/staff/seanc.htmlhttp://homepage.mac.com/waikatoscreen/seanc/http://seancubitt.blogspot.com/http://del.icio.us/seancubitt
Editor-in-Chief Leonardo Book Series
http://leonardo.info
"I'm very sorry and from now on I'm going to pay complete attention
to everything" Paris Hilton
heyho
it seems isea2008 has just extended its deadlines for conference papers
etc. the site is up at http://www.isea2008.org
anyone keen for putting any proposals forward? themes include:
locating media
wiki wiki
ludic interfaces
reality jam
border transmissions
i think the board are keen for more nz participation so anyone
interested?
adam
--
adam hyde
'free as in media'
~/.nl
http://www.flossmanuals.nethttp://www.simpel.cchttp://www.radioqualia.net
Dear Ada,
I hope this email finds you all well and enjoying
the Southern march towards Spring.
Please find below the first announcement for AV
Festival 08 in the North East of England.
This doubles as our first call for proposals and
a sneak preview regarding the dates and theme of
the festival, for our friends and colleagues. A
full announcement will be forthcoming in October.
As some of you know, the AV Festival is a
biennial international festival of electronic
arts, featuring visual art, music and moving
image. The next festival will be in February and
March 2008, and will examine the changing face of
broadcasting in the light of the increasing move
towards digitisation across Europe and beyond. It
will explore transmission, the airwaves, spectrum
ecology and the enduring appeal of the
electromagnetic wave.
The first call for proposals is for a new
sound-based commission (fee UK£5000)
<http://www.avfestival.co.uk/opportunities>.
Very soon we'll also be calling for artists to
help us create radio stations across the North
East region, and to work on several other
commissions.
I hope this is of interest to some of you and
that you'll consider responding to either this
call, or our subsequent ones.
Sincere apologies for cross-posting!
Very best wishes
Honor Harger
Director
AV Festival
http://www.avfestival.co.uk/http://www.avfest.co.uk/subscribe/
_________________________
AV FESTIVAL 08 - FIRST ANNOUNCEMENT
SNEAK PREVIEW & CALL FOR PROPOSALS
AV Festival 08
http://www.avfestival.co.uk/
Newcastle, Gateshead, Middlesbrough, Sunderland, UK
First deadline for proposals: 15 October 2007
http://www.avfestival.co.uk/opportunities
AV Festival is an international festival of
electronic arts, featuring visual art, music and
moving image. A biennial event, the festival
takes place in Newcastle, Gateshead, Sunderland
and Middlesbrough in the North East of England.
The next AV Festival will be held 28 February - 8
March 2008.
The theme of AV Festival 08 is Broadcast.
This October, the BBC begin to switch off
analogue television signals in the UK, paving the
way for television to become entirely digital. At
the same time as this profound change in our
experience of broadcasting takes place, the
internet and mobile networks have created
opportunities for us to 'broadcast ourselves' in
entirely new ways. As the landscape of
broadcasting changes irrevocably, AV Festival 08
will be a catalyst for debate about the future of
broadcasting, and an event to celebrate a century
of on-air and online transmission.
AV Festival 08 will include internationally
renowned artists, filmmakers, researchers and
musicians as well as emerging practitioners. It
will feature:
- New commissions of art, music and moving image
- Open Air: an outdoor programme of events
- Concerts & Performances
- Exhibitions in galleries and museums
- A moving image programme
- FM Radio Stations
- Club events and parties
- An industry debate
- Seminars, conferences and talks
- Workshops
We will be making a full announcement about the
festival theme and some aspects of the programme
mid October.
___AV Festival 08: getting involved
AV Festival 08 is providing creative
practitioners with an opportunity to contribute
ideas to the programme. In the next two months,
we will announce a series of opportunities for
artists, musicians, filmmakers, DJs, VJs,
designers, theorists, technologists, scientists,
philosophers and others to contribute to the
festival.
The first of these opportunities is a call for
proposals for a site-specific audio art
commission at the Sunderland Museum & Winter
Gardens. The fee is GBP5000. If you have an idea
for a new work which responds to our theme and
the context of the Winter Gardens, we would like
to hear about it. See below for more details.
In the coming weeks, we will also call for
proposals from artists and producers who want to
get involved with our radio stations, filmmakers
who want to create a new work for the festival,
and critics and philosophers who want to
contribute to our conferences.
___AV Festival 08: call for proposals
AV Festival will commission new work especially
for the festival, as well as present creative
work which has already been produced.
We are now calling for proposals from artists or
musicians for a new site-specific audio artwork
for the Sunderland Winter Gardens. Experienced
artists are invited to submit original ideas for
a work that responds to both the festival's theme
and the unique environment of the Winter Gardens.
The fee for this commission is GBP 5000.
Artists wishing to submit a proposal must
download the brief for this commission from the
AV Festival website, read the guidelines and send
a proposal by email.
DEADLINE: 15 October 2007
DOWNLOAD BRIEF: http://www.avfestival.co.uk/opportunities/
EMAIL PROPOSALS TO: michelle(a)avfestival.co.uk
We will announce further calls for proposals for
other parts of the programme in the coming weeks.
If you want to be kept informed of future
opportunities, please subscribe to our mailing
list by filling up the sign up box on
http://www.avfestival.co.uk
___AV Festival 08: joining our team
Over the coming weeks, we will be inviting
tenders from freelance individuals, or companies,
who want to get involved in the production of AV
Festival 08. We are now inviting tenders for the
first of these contracts: AV Festival Programme
Manager, Middlesbrough.
We are also inviting proposals for several paid
placements for exceptional young people.
There are more details about all these
opportunities at:
http://www.avfestival.co.uk/opportunities
___AV Festival: the story so far
The AV Festival is run by an independent
charitable company called Audio Visual Arts North
East.
AV Festival has run two successful festivals thus far. The first was
held 18 - 22 November 2003 and consisted of over
one hundred events across three towns in two
weeks. It included new a newly commissioned film
by The Light Surgeons which aired on BBC
Television, screenings of Matthew Barney's
Cremaster Cycle, a Mike Figgis film
retrospective, a world premiere by Peter
Greenaway, new work by Richard Fenwick,
performances by the Cinematic Orchestra, DJ Food,
Tina Frank and General Magic, onedotzero
screenings and a lively programme of workshops
and lectures. The archived AV Festival 03 website
can be found at:
http://www.avfest.co.uk/03/new/index2.html
The second AV Festival - LifeLike took place in
over 25 venues from 2-12 March 2006. Over 10
days, AV delivered over 90 events in 3 urban
centres. Curatorially, AV Festival 06
investigated life sciences. It featured
challenging new work by Michael Nyman, Neil
Bromwich & Zoe Walker, D-Fuse, Carsten Nicolai,
and many others. It included 15 ambitious new
commissions from artists, filmmakers and
musicians such as Ryoji Ikeda, Ken Rinaldo, Andy
Gracie and Anthony McCall, Gina
Czarnecki, UMAMi, Time's Up, :zoviet*france:, Suguru Goto and others.
The archived AV Festival 06 website can be found at:
http://www.avfest.co.uk/06/
___AV Festival 08: supporters
AV Festival 08 is organised by Audio Visual Arts
North East, an independent charitable company.
AV Festival 08 forms part of NewcastleGateshead's
world-class festivals and events programme
managed by culture10, based at NewcastleGateshead
Initiative.
AV Festival 08 is supported by Arts Council
England, North East, Newcastle City Council,
Gateshead Council, ONE NorthEast, Middlesbrough
Council, Sunderland City Council, Tyneside
Cinema, Northern Film & Media, UK Film Council.
___AV Festival 08: partnership network
AV Festival has developed close working
relationships with some of the region's key
cultural organisations. Our past or current
partners include:
- University of Teesside, Middlesbrough: http://www.tees.ac.uk
- Tyneside Cinema, Newcastle: http://www.tynecine.org
- Arts Development, Middlesbrough Council
- Arts Development, Sunderland City Council
- The Sage Gateshead, Gateshead : http://www.thesagegateshead.org/
- Forma, Newcastle: http://www.forma.org.uk
- Alt-Gallery, Newcastle: http://www.altgallery.org
- Discovery Museum, Newcastle: www.twmuseums.org.uk/discovery
- Hatton Gallery, Newcastle: http://www.ncl.ac.uk/hatton
- Centre for Life, Newcastle: http://www.life.org.uk
- NO-FI, Newcastle: http://www.no-fi.org.uk
- Isis Arts, Newcastle: http://www.isisarts.org.uk
- Codeworks: http://www.codeworks.net
- CultureLab: http://www.ncl.ac.uk/niassh/culturelab
- Star & Shadow Cinema, Newcastle: http://www.sidecinema.com
- Polytechnic, Newcastle: http://ptechnic.org
- Name, Newcastle: http://www.name-site.com
- Sunderland Museum & Winter Gardens:
- http://www.twmuseums.org.uk/sunderland
- National Glass Centre, Sunderland: http://www.nationalglasscentre.com
- Northern Gallery for Contemporary Art Sunderland: http://www.ngca.co.uk
- Reg Vardy Gallery, Sunderland: http://www.regvardygallery.org/
- CRUMB, Sunderland: http://www.crumbweb.org
- /sLab, Sunderland: http://www.slab.uk.net/
- University of Sunderland: http://www.sunderland.ac.uk
- Washington Arts Centre, Sunderland
- mima, Middlesbrough: http://www.mima.uk.com
- Empire, Middlesbrough: http://www.theempire.co.uk
- Kino Cinema, Middlesbrough: http://www.tenfeettall.co.uk/kino
- Cleveland College of Art & Design, Middlesbrough: http://www.ccad.ac.uk
- UMAMi, Newcastle: http://www.umami.tv
- Dance City, Newcastle: http://www.dancecity.co.uk
- White Hot Communications, Newcastle: http://www.whitehotcomms.co.uk
- Velcrobelly, Newcastle: http://www.velcrobelly.co.uk
- Waygood Gallery, Newcastle: http://www.waygood.org
___AV Festival 08: contacts
For more information contact:
AV Festival
c/o Tyneside Cinema at Gateshead Old Town Hall
West Street
Gateshead
NE8 1HE
UK
Tel: +44 (0)191 2328289, ext 112
Email: info(a)avfestival.co.uk
http://www.avfestival.co.uk/
AV Festival is run by Audio Visual Arts North
East. A Company Limited by Guarantee. Registered
in England No 06141603. Registered Charity Number
1120368. Registered Office: c/o Tyneside Cinema
at Gateshead Old Town Hall, West Street,
Gateshead, NE8 1HE, UK.
ISEA Call for Papers, Panels and Artist Presentations
ISEA invites submissions to the conference of the International
Symposium on Electronic Art 2008 that will be held in Singapore between
25th & 30th July 2008. This symposium consists of three aspects of peer
reviewed conference(s), internationally juried exhibition(s) and
various in-conjunction and partner events.
The conference, as in previous ISEAs, is expected to bring together
artists, theorists, historians, curators and researchers of media arts
from around the world to jointly explore the most urgent and exciting
questions in the field. The conference is held alongside workshops,
courses, exhibitions, performances and other in-conjunction events that
will be held for the duration of ISEA2008 from 25th July to August 3rd
2008.
ISEA welcome contributions from creative practitioners and researchers
from a variety of disciplines and institutional contexts as media arts
benefits from and exemplifies the interdisciplinary linkages between
contemporary art, science, technology and their related philosophies,
pedagogies and institutional practices.
Call for Papers closes on the 30th of September 2007.
The five themes of ISEA2008 are especially focused on eliciting a wide
range of international scholars and artists. The themes are; Locating
Media, Wiki Wiki, Ludic Interfaces, Border Transmissions and Reality
Jam. For more information visit http://www.isea2008.org/cfp.html.
ISEA or also known as International Symposium on Electronic Arts was
initiated in 1988, is the world' s premier media arts event for the
critical discussion and showcase of creative productions applying new
technologies in interactive and digital media. Held biannually in
various cities throughout the world, this migratory event is being held
in Asia for the second time in its history, after Singapore
successfully secured this bid.
ANAT is excited to be a part of the ISEA2008 Symposium - more details
to be announced soon!
ANAT is assisted by the Australian Government through the Australia
Council http://www.ozco.gov.au its arts funding and advisory body, by
the South Australian Government through Arts SA
http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an
initiative of the Australian, State and Territory Governments.
>>
>> From: "Glen Pickering" <gpickering(a)unitec.ac.nz>
>>
>>

>>
>> International Interactive Performance Workshop
>> Troika Ranch’s Live-I (Live Interactive) Workshop
>> Unitec is offering a unique and rare opportunity to work with
>> internationally renowned artists Troika Ranch.
>>
>> Troika Ranch work all the world teaching their unique and
>> innovative style of artistry. They produce live performances,
>> interactive instillations and digital films, all which combine
>> traditional aspects of these forms with advanced technologies. The
>> artists mission in producing this wide range of art experiences is
>> to create artwork that best reflects and engages the contemporary
>> society.
>>
>> Artistic directors Mark Conigilo and Dawn Stoppiello are widely
>> recognised as creative leaders in the field of dance and
>> technology. Their innovative use of digital technologies and
>> unique sensory systems has led to their being dubbed “interactive
>> performance pioneers” by the New York Times and “Multimedia
>> Mavericks” by the Village Voice. They have won numerous awards
>> including the 2003 Time Out New York Dance Audience “Bessie”
>> Award and an honourable mention at the 2004 Prix Ars Electronica
>> Cyberarts competition in Linz, Austria.
>>
>> The three day workshop is an intensive seminar designed for
>> artists and advanced students who want to explore the use of
>> interactive computer technology in the creation and performance of
>> dance, theatre and related live art works. The participants will
>> learn to use their gestures or movements to interactively control
>> computer based media, such as sound synthesizers, video playback
>> devices and theatrical lighting.
>>
>> The purpose of the workshop is threefold. First, to give a
>> practical overview of the available technological tools, describe
>> their function and, as a group, explore their practical uses in
>> live performance. Second, to generate a critical discussion
>> regarding the implications that the use of these tools has on the
>> way in which a work is created and its resulting content. Third to
>> allow the participants the chance to create and perform short
>> studies that make use of the tools in ways that reflect the
>> aesthetic intentions of their own work.
>>
>> Workshop dates/times: December 10th 12th, 10am - 5pm
>> Cost: $ 300
>> To book and for more details please feel free to contact Glenn on
>> (09) 815 4321 ext 7115 or ext 7156.
>> Alternatively you can email me at gpickering(a)gw.unitec.ac.nz.
>>
>>
>>
>> Glen Pickering
>> Outreach Co-ordinator
>> School of Performing and Screen Arts
>> Unitec
>>
>>
> ====This message came from the NZ dance news mailing lists=====
> A dance information service supported by DANZ, Dance Aotearoa New
> Zealand
> === To subscribe go to http://www.danz.org.nz/nzdancenews.php ====
> ===== Check the online dance Diary at http://www.danz.org.nz/
> diary.php ====
>

SPECIAL OFFER - BOOK BEFORE SEPTEMBER 30th
Two days: GBP80 / GBP60 concs
One day: GBP60 / GBP40 concs
DELEGATE RATES AFTER SEPTEMPER 30th
Two days: GBP100 / GBP80 concs
One day: GBP80 / GBP60
Which curatorial criteria should be applied to the creation and curation of urban screens? Do urban screens suit a presentation of elaborate artistic content or will entertainment win over art? These questions along with many others will be addressed on day two of the conference, accompanied by two inspiring screenings from the art & events programme. Read on...
Focus Session: Curating Screen Art for an Urban and Architectural Context, Cornerhouse
Moderator Mike Stubbs (UK) is Director of FACT in Liverpool. His own internationally commissioned artwork includes media installations and large-scale projections for public environments. He will lead the discussion on the role that curators and new media experts could play in the conception of media facades and other urban screens. At present, many existing urban screens lack the comprehensive sophistication that allows exploration of spatial, architectural or medial potentials.
Sylvia Kouvali (GR) is the initiator and curator of Yama, the first international space for publicising contemporary art in Turkey that opened in July 2007. Based on this experience, Kouvali will present a dialogue on how democratic or populist the content of the imposing and omnipresent screen can be and how much one can really show in public.
Michelle Kasprzak (CA/UK) is a curator, writer, and artist. She argues that presenting artwork on urban screens comes with a special set of considerations, challenges, and advantages that are unique to that context. Kasprzak will examine the opportunities that are opened up to artists and curators within this emerging format.
Dooeun Choi (KR) is the curator at Art Center Nabi which opened in 2000 as the first media art centre in Seoul, Korea. She will introduce COMO, an extended media platform located in the centre. Since 2004, the LED displays have been known as a unique multi-media installation which integrates art and architecture to create a new convergence. The focus is not on the outcomes but the creative energy emerging from free and imaginative human communication.
Otherworldly & Best of Transmedia, All screens
Curated by Michelle Kasprzak, Otherworldly premiered on the public screen at Federation Square, Melbourne, and features contributions by artists that take viewers on a journey through spaces that are at once familiar and alien. Best of Transmedia is a programme for which artists produced moving-image work that is very short (often a minute or less), and that could be sandwiched between advertisements. But as with most limitations, the condition of using urban screens as a platform fosters innovative work.
Communication <--> Spaces, All Saints
Dooeun Choi has curated Communication <--> Spaces, a time-based visual poem and collaboration between the Korean motion graphics designer Weong-Woong Cheong and artist Bill Seaman. The work poetically explores notions of the space of communication, underlined by traditional Korean music and experimental dance music.
Register your interest now at www.manchesterurbanscreens.org.uk
Urban Screens Manchester has been curated by Dr Susanne Jaschko .
Urban Screens Manchester has been supported by Cornerhouse and BBC.
It has been funded by Arts Council England, Manchester City Council, Marketing Manchester. With support from MDDA and Manchester Knowledge Capital.
--------------------------------------------------------------------------------
.................................................
Sarah Turner
International PR
Urban Screens Manchester 07
www.manchesterurbanscreens.org.uk
+49 (0)162 526 5624
Begin forwarded message:
> From: Kunstradio <kunstradio(a)kunstradio.at>
> Date: September 20, 2007 8:43:12 AM CDT (CA)
> To: specials(a)cheapmeat.net
> Subject: [Kunstradio Newsletter] Art's Birthday 2008 Jingle
>
> KUNSTRADIO NEWSLETTER
>
> ***** CALL FOR ENTRIES: ART’S BIRTHDAY 2008 JINGLE COMPETITION *****
>
> Kunstradio and other member organisations of the European
> Broadcasting Union’s Ars Acustica Group are getting ready for Art’s
> Birthday 2008 on 17th January next year! For this occasion the
> European Broadcasting Union (EBU) has launched a competition in
> order to find the official Art’s Birthday Jingle.
>
> The theme of Art’s Birthday 2008 will be ”Forever Young”.
> Musicians, sound artists and composers in Europe have the chance to
> focus on visionary thoughts and ideas on how pop culture and pop
> music may sound in the future. This year, the future and our pop
> culture will be the main topics creating a futuristic and inventive
> radio event that involves interactivity with European listeners and
> musicians and artists all over Europe.
>
> Your jingle proposals should last between 5 and 10 seconds – please
> submit them directly to Kunstradio until 10th November 2007:
>
> Kunstradio – Radiokunst
> Argentinierstrasse 30a
> A - 1040 Vienna, Austria
> kunstradio(a)kunstradio.at
> http://kunstradio.at
>
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Begin forwarded message:
> From: "roger malina" <rmalina(a)alum.mit.edu>
> Date: 18 September 2007 11:24:06 PM
> To: "roger malina" <rmalina(a)alum.mit.edu>
> Subject: Fwd: Leonardo Lovely Weather Call for Publications: Art
> and Climate
>
>
> LEONARDO "LOVELY WEATHER"CALL FOR PUBLICATIONS: ART &CLIMATE
>
> Art & Climate Leonardo project: http://www.olats.org/fcm/artclimat/
> artclimat_eng.php
>
> The Leonardo Lovemy Weather Art and Climate Project and Leonardo
> Publications are inviting paper, special issue and book
> proposals that deal with artistic approaches to weather, climate
> and their modifications.
>
> As a result of massive urbanization and the development of the
> modern lifestyle, it has been possible to observe a deterioration
> of sensitivity to meteorology and climate. Weather's and climate's
> existence is similar to the one of landscape which does not
> exist in nature without the mind which grasps an expanse of land as
> a landscape. The perception of weather and climate is the
> perception of an arrangement, a configuration of the real. Weather
> and climate are thus a multidimensional phenomenon in which
> are combined the contributions of nature, culture, history and
> geography, but also the imaginary and the symbolic. Art could
> help us to question our perceptions and relationships to weather,
> climate and their changes.
>
> Leonardo seeks to document the works of artists, researchers, and
> scholars involved in the exploration of weather and climate,
> and is soliciting texts for Leonardo Journal and Leonardo
> Transactions, special issue proposals for the Leonardo Electronic
> Almanac and book proposals for Leonardo Book Series.
>
> Sub-themes :
>
> Following sub-themes have been defined (not restrictive):
>
> - Environments (weather and climate works enabling new
> experiences of environments) ;
>
> - Meteorological and climate sciences (artworks questioning and
> linking to these sciences) ;
>
> - Weather and climate technologies (artworks questioning and
> linking to these technologies) ;
>
> - Social and political action : weather and climate works
> which may spur new thinking for action on environments ;
>
> - Sustainability (artworks engaged in alternative energy
> resources or climate memories for example) ;
>
> - Weather and climate perceptions and/or narratives (poetical
> and/or political perceptions/ narratives of weather and climate
> phenomena)
>
> « Lovely Weather » Editorial group on Art & Climate (John
> Cunningham, Annick Bureaud, Ramon Guardans, Drew Hemment, Julien
> Knebusch(coordinator)
> , Roger Malina, Jacques Mandelbrojt, Andrea Polli and Janine
> Randerson).
>
> A moderated discussion on the topic, moderated by Janine Randerson
> is being held on the YASMIN network: http://www.media.uoa.gr/yasmin
>
> A uthor instructions :
>
> Leonardo Journal:
> http://leonardo.info/isast/journal/editorial/edguides.html,
> R.Malina,Exec Ed
>
> Leonardo Transactions :
> http://www.leonardo-transactions.com/ Ernest Edmonds Editor in Chief
>
> Leonardo Electronic Almanach,:
> http://leoalmanac.org/cfp/calls.asp , Nisar Keshvani EIC
>
> Leonardo Book Series:
> http://leonardo.info/isast/leobooks/guidelines.html , Sean Cubbitt,
> EIC
>
> Art & Climate Leonardo project: http://www.olats.org/fcm/artclimat/
> artclimat_eng.php
>
> General Inquiries should be sent to Julien Knebusch at
> leonardolovelyweather(a)gmail.com
>
>
>
>
>
>
>
Sean Cubitt
scubitt(a)unimelb.edu.au
Director
Media and Communications Program
Faculty of Arts
Room 127 John Medley East
The University of Melbourne
Parkville VIC 3010
Australia
Tel: + 61 3 8344 3667
Fax:+ 61 3 8344 5494
M: 0448 304 004
Skype: seancubitt
http://www.culture-communication.unimelb.edu.au/media-communications/http://homepage.mac.com/waikatoscreen/seanc/http://seancubitt.blogspot.com/http://del.icio.us/seancubitt
Editor-in-Chief Leonardo Book Series
http://leonardo.info
"I'm very sorry and from now on I'm going to pay complete attention
to everything" Paris Hilton
Hear my train 'a comin' new work by Brit Bunkley opens at Mary Newton Gallery on 11 September. It features a new series of digital 3-D prints, moving image works and 3-D objects. The work develops his themes of paranoia and whimsy in the New Zealand countryside.
Originally motivated by the need to accurately visualize proposals for public art commissions in the early 90's, Brit Bunkley began using digital media. Now he uses it in all it's many forms ranging from video installation to photographic prints. Hear my train a' comin' includes digital 3-D prints - computer generated sculptures, fabricated from 3D Studio Max files - duplicates of the same files rendered as videos and two dimensional photographic prints.
The exhibition's 2-D prints resemble carefully rendered ink drawings or etchings. The images are of animals (domestic, predators and pests) created as virtual "wire frame" objects. Some have strange "growths" and tattoo inspired incisions; others have oblique words borrowed from rock lyrics digitally "cut" into their bodies.
Bunkley's work replicates dreamscapes featuring architecture and animals as tropes of angst, denial and hope. The content is often darkly whimsical and satirical, as well as obliquely social-political, psychological and environmental.
Hear my train a' comin' opens on 12 September and runs until 29 September 2007.
www.marynewtongallery.com