December 2008 - Ada_list - University of Waikato Mail Lists

Nationwide Protest Against Internet Censorship

by ANAT Communications

The Australian Federal Government is pushing forward with a plan to force Internet Service Providers [ISPs] to censor the Internet for all Australians. This plan will waste tens of millions of taxpayer dollars and slow down Internet access. Despite being almost universally condemned by the public, ISPs, State Governments, Media and censorship experts, Communications Minister Stephen Conroy is determined to force this filter into your home. ANAT urges all Australians to join in the protest against the plan. NATION-WIDE PROTESTS: Sat Dec 13 ADELAIDE 12 Noon @ Parliament House http://www.facebook.com/event.php?eid=39343300875 Brisbane 11am @ Brisbane Square http://www.facebook.com/event.php?eid=42526399601 Melbourne 12 Noon @ State Library http://www.facebook.com/event.php?eid=46838735931 Sydney 11am @ Town Hall http://www.nocensorship.info/forum Hobart 11am @ Parliament Lawns http://www.facebook.com/event.php?eid=39329861995 Perth 12 Noon @ Stirling Gardens http://www.facebook.com/event.php?eid=42526399601 ANAT supports the safety of children online, but calls for the Australian Government to listen to the concerns of the Australian people. There are technical issues. There are free-speech concerns. For more information visit Australians Against Internet Censorship (AAIC) http://www.facebook.com/group.php?gid=35119201737&ref=mf ___________________________________________________________________ ANAT is assisted by the Australian Government through the Australia Council http://www.ozco.gov.au its arts funding and advisory body, by the South Australian Government through Arts SA http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments. If you would like to change your contact details or be added or removed from this list please email anat(a)anat.org.au

12 years, 2 months

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Slowflow

by Julian Priest

Hi all, I'm putting together a waka/bicycle tour down the Whanganui river in February, taking in a few sites of counter cultural interest, and hoping to make some work on the way. We also invite people to come for just a day or 2 cycling or even join us for camping on one of the community days around the weekend of 15th, 16th Feb. Hope to see some of you there! cheers /julian Julian Priest http://greenbench.org * Slowflow - Te Ia Korero Info and registration at: http://greenbench.org/project/slowflow Slowflow is a trip down the Whanganui River, Aotearoa/New Zealand between Feb 10 th and Feb 16th 2009. Slowflow invites artists, technologists and environmentalists on a 6 day journey down the Whanganui River by double hulled 22 person waka haurua (canoe) and bicycle, creating a setting for a flow of conversations - Te Ia Korero. Slowflow imagines living in a post carbon future where physical transport has slowed to human speed, energy use is constrained and renewable, production is collaborative and relocalised, and information communication is instantaneous, global and accessible. Taking a few days out from global hypermobility, slowflow models the contemporary ecotopian dream as a mobile temporary autonomous zone and paddles and cycles it through a landscape of narratives. The journey starts high up the Whanganui River beneath the volcano Ruapehu and passes through the native bush for 3 days. Emerging from the forest and shifting to bicycles, it continues to sites of counter cultural interest, Jerusalem, the abandoned Ahu Ahu Ohu commune and the Wanganui Police Computer, before reaching the river mouth and the wider network of the sea. On each day a local expert is invited to give a short talk about the historical context of each site. Particpants are asked to bring a project to make or experiment with on the trip. Whether it be a piece of technology, a piece of media, an art work, doumentation of the trip, or some writing, the collective commonwealth of works will form the basis of an exhibition, a web site and a publication.

12 years, 3 months

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[Fwd: We Cannot Continue Without Your Support]

by helen varley jamieson

-------- Original Message -------- Subject: We Cannot Continue Without Your Support Date: Sat, 20 Dec 2008 16:56:31 GMT From: turbulence(a)turbulence.org To: helen(a)creative-catalyst.com !! APOLOGIES FOR CROSS-POSTING !! Dear Friends, Mark Amerika says: Turbulence is a permanent part of the digital art and electronic literature curriculum I have developed at the University of Colorado and a major component of our special topics courses too. The students who pass through our media arts program are amazed at everything Turbulence has achieved over the years. A common response is something like I had no idea artists made work like this. And then, with a little more direction, they too begin making networked art projects. To us, Turbulence is one of the most important cultural institutions on the planet! (Helen) and Jo have single (double)-handedly played a huge role in making it possible for higher arts educators like myself to successfully teach the networked arts. We know for a fact that many of you use our resources to teach digital art and new media. And many others have written to tell us how great an impact weve had on their careers. Please, show us how much we matter by making a donation right now. 2008 was our most active year yet. We launched 30 COMMISSIONED WORKS on Turbulence.org and Networked_Music_Review; co-presented two exhibitions MIXED REALITIES (with Ars Virtua and Huret & Spector Gallery) and LUMENS (with Greylock Arts and MCLA Gallery 51); co-presented two symposia FLOATING POINTS 5: MIXED REALITIES (with Emerson College) and PROGRAMMABLE MEDIA II: NETWORKED_MUSIC (with Pace Digital Gallery); co-presented UPGRADE! BOSTON (with Massachusetts College of Art and Design); and participated in Upgrade! International: CHAIN REACTION (Skopje Macedonia). WE WOULD VERY MUCH LIKE TO CONTINUE, BUT CANNOT WITHOUT YOUR HELP. No amount is too small! Pay via PayPal on Turbulence or send a check to New Radio and Performing Arts, Inc., 124 Bourne Street, Roslindale, MA 02131. Thanks for your generous support. Warm Regards, Jo-Anne Green and Helen Thorington, Co-directors, New Radio and Performing Arts, Inc. --- For removal from the http://www.turbulence.org mail list, click here: http://www.greenspun.com/spam/remove-2.tcl?domain=Turbulence&email=helen%40… --- -- ____________________________________________________________ helen varley jamieson: creative catalyst helen(a)creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz http://www.writerfind.com/hjamieson.htm ____________________________________________________________

12 years, 4 months

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[info@e-artnow.org: Fluxus artist Henning Christiansen has passed away]

by Julian Oliver

FYI //---------------------------------------------------------------------> Askeby, Denmark, December 18th. 2008 The Danish composer and Fluxus-artist Henning Christiansen has passed away. Tuesday night (December 10th) Henning Christansen quietly passed away after a short suffering of apoplexy. He leaves behind his wife Ursula Reuter Christiansen, four children and grandchildren not to mention an overwhelming production of compositions and art works from the 60's until today. Henning Christiansen was active as a composer from the 60's as well as an active member of the Fluxus-movement. He worked with artists such as Joseph Beuys and Nam June Paik as well as with his wife Ursula Reuter Christiansen. His overall goal was to work collaboratively and to trespass conventional boundaries. He resented the idea of an isolated artistic genius and his entire production can be seen as a subsequent and vibrant example of praxis in a constant flux. This is visible from his engagement in Fluxus, over numerous collaborative performances to his position as a professor at the Art Academy in Hamburg. Henning Christiansen remained active till the very last day. He presented a large retrospective exhibition last year in Copenhagen, last month he participated in the music festival Wundergrund, and is currently showing in Berlin at Gelbe Music and at the Nordic Embassies. A book on the lifework of Henning Christiansen is being made at this very moment and is due in the spring 2009. Henning Christiansen resided almost 40 years on the Danish Island Møn. He was 76 year old at his passing and the funeral is Thursday, December 18th at 1 pm in Fanefjord Church. For further information please contact Bjornstjerne Reuter Christiansen: +45 28 18 20 70 or bstar(a)superflex.net Here you can listen to some of Henning's music: http://mailer.e-artnow.org/?RDCT=1e7f35584443853b8739 Here you can see some images of his latest activities: http://mailer.e-artnow.org/?RDCT=69f1f2f393e365a18e90 //<--------------------------------------------------------------------- -- Julian Oliver home: New Zealand based: Madrid, Spain currently: Madrid, Spain about: http://julianoliver.com

12 years, 4 months

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CreativeFreedom.org.nz Launches

by Bronwyn Holloway-Smith

Hi ADA, This is a new initiative that I think many of you will be interested to hear about... Cheers Bronwyn Apologies for cross-posting. ------------------------------------------------- CreativeFreedom.org.nz Launches With Campaign Against Guilt Upon Accusation Laws In NZ The Creative Freedom Foundation launches today in New Zealand to unite artists who are against the removal of New Zealander's rights through proposed changes in Copyright law, done in the name of protecting creativity. The Creative Freedom Foundation's first campaign is against a proposed law in New Zealand: Section 92 of the Copyright Amendment Act. S92 assumes 'Guilt Upon Accusation' – cutting off internet connections and websites based on accusations of Copyright infringement, without evidence or even a trial. Foundation Co-Founder and Director, Bronwyn Holloway-Smith says: "The result of this law could be that one rogue employee or even one virus infected computer could bring down a whole organisation's internet and it's highly likely that schools, businesses, hospitals, and phone services will be harmed by this." On 28 February 2009, S92 will come into effect in New Zealand if there is no positive action on the part of the Government to change it. To date the Government has shown support for the bill and, unless there is major public protest against it, it will "roll over" in to law. Although the Creative Freedom Foundation has just launched, it is already gathering steady support. Artist, Curator, and PHD Candidate Dan Untitled says: "25% of computers are infected with viruses that download and distribute material without the owners knowledge. What if that owner is a school or hospital? Clearly, this situation is ridiculous. Laws like this are outrageous, and as an artist I don't want them done in my name. For me, the decision to support the CFF was clear cut. What they are doing is fantastic – I fully endorse it, and encourage others to as well." A petition against /Guilt Upon Accusation/ laws in New Zealand has been started by the Foundation. It can be signed on their website: http://www.creativefreedom.org.nz View the PDF here: http://creativefreedom.org.nz/library/media-release/creativefreedom-org-nz-…

12 years, 4 months

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Neural 15th anniversary: issue #31 + joint action with S.W.A.M.P.

by DOUGLAS EASTERLY

(btw - there is also a nice Cloudland review in this issue) Neural magazine celebrates 15 years of publishing with issue #31 and joining S.W.A.M.P. group (Doug Easterly and Matt Kenyon) for a collective micro-printing action. Subscribers will receive a numbered/limited edition of a S.W.A.M.P.'s "Notepad" sheet of paper with an envelope. It looks like an everyday yellow legal paper, but each line is constructed of micro-printed text and contains the personal details of Iraqi civilian casualties. Subscribers are triggered to write a letter or memo or draw a picture on it and send it to the White House, then signing up for a free replacement sheet on the S.W.A.M.P. website, if they want. Once in circulation each sheet then acts as a "Trojan horse" - slipping the unwanted and unacknowledged civilian body count data into official governmental archives. This is a joint action that proves how paper and pixel together can make the difference. . . . . . . . . . . . . . . . . . . . . . . . . . Issue #31, winter 2008 http://www.neural.it/art/2008/12/neural_31_1.phtml . . . . . . . . . . . . . . . . . . . . . . . . . 1 YEAR SUBSCRIPTION! 3 issues + S.W.A.M.P.'s "Notepad" sheet Europe 24,90 Euro - World 46,50 U.S. Dollars. http://www.neural.it/subscribe.phtml . . . . . . . . . . . . . . . . . . . . . . . . . BACK ISSUES: http://www.neural.it/art/2006/01/neural_back_issues.phtml . . . . . . . . . . . . . . . . . . . . . . . . . [Neural n. 31 contents] http://www.neural.it/art/2008/12/neural_31_1.phtml . . . . . . . . . . . . . . . . . . . . . . . . . <new.media.art> . S.W.A.M.P. (interview), . !Mediengruppe Bitnik (interview), . ISEA 2008, Singapore, report . Ars Electronica 2008, report . news (Smiles Less Noise, Taiwa Hensokuki, Machines that Almost Fall Over, AEO, Motion-Extraction-Reanimation Series) . reviews (Bodies in Code, HMKV 1996-2008, Darko Fritz Archives in Progress, Holy Fire, Software Studies: A Lexicon) . centerfold: 'Fulgurator' with Barack Obama by Julius Von Bismarck . . . . . . . . . . . . . . . . . . . . . . . . . <e.music> . Negativland (interview), . Memories of the Future, New Forms of Cultural Production, . The Hype Machine, p2p blogging . news: (Graphite Sequencer, Wind-up Birds, Sun Run Sun, Fold Loud, Physical Sequencer) . reviews: (Anthibotis - Occultural Anthology vol. 2, curated by Vicky Bennett - Smiling Through My Teeth, Dj Spooky - Sound Unbound M. Schumacher - Five Sound Installations, Filmachine) . reviews cd: (Ryoji Ikeda, Andrea Polli and Joe Gilmore, Janek Schaefer, Alva Noto, COH aka Ivan Pavlov + Cosey Fanni Tutti, @c, Bj Nielsen and Stilluppsteypa, Helmut Schafer and Zbigniew Karkowski, Black to Comm, Brandon LaBelle, Jos Smolders, Berlin Electronics, Kenneth Gaburo, Simon Wickham-Smith, Critikal, Frank Rothkamm, Silvia Fassler and Billy Roisz, Michael Santos, Martin Neukom, Josh Russell) . . . . . . . . . . . . . . . . . . . . . . . . . <hacktivism> . Matthew G. Kirschenbaum (interview), . Free Passwords: The Bumpy Guide to Porn Sharing, . Shopdropping, violating the consumer temples, . news (Cyberskin, Double-Taker (Snout), Real Snail Mail, Goldenbergian Voting Machine, Tantalum Memorial). . reviews: (Public Netbase: non stop future, Setun, The Exploit, a theory of Networks, Feedback, Television against Democracy, Digital Media and Democracy) -- Alessandro Ludovico Neural Magazine - English (http://neural.it/) Italian (http://www.neural.it/neural_it/ ) Latest Printed Issue - http://www.neural.it/art/2008/07/neural_30.phtml Subscribe - http://www.neural.it/subscribe.phtml

12 years, 4 months

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Re: [Ada_list] Live media art history 09

by Sean Cubitt

Still a chance to get in on the southern hemisphere's chance to mark our place in the history of media art: it would be really fantastic to have at least one panel addressing the ADA group, and the work announced in the book The full call and details on sub,issions are at http://www.mediaarthistory.org/ The call for papers is linked on the right hand side -- the link goes to http://moodle.donau-uni.ac.at/relive/openconf.php If you need a shortcut. We're asking for abstracts in the first instance, and full papers later if you want them refereed for the conference proceedings, after which we'll be cherry picking for various publications schemes we have in hand (so don't be intimidated by the bit on te form that asks you to attach the whole paper) Deadline is 19th december: yeah, I know, I should have sent this round earlier, but life is a bow-woow (though I have to say my bow-wow is still living the life of Riley, which begs the question whose life Riley has ended up with, quite possibly the dog's, or perhaps in a long chain of substituted lives she has riley's and I have hers, which might explain a great deal of hanging about in the rain and chasing rabbits) Enough, enough: you can tell I'm in heavy admin mode. A swinging solstice to everyone Nga mihi Sean Prof Sean Cubitt scubitt(a)unimelb.edu.au Director Media and Communications Program Faculty of Arts Room 127 John Medley East The University of Melbourne Parkville VIC 3010 Australia Tel: + 61 3 8344 3667 Fax:+ 61 3 8344 5494 M: 0448 304 004 Skype: seancubitt http://www.culture-communication.unimelb.edu.au/media-communications/ http://homepage.mac.com/waikatoscreen/ http://seancubitt.blogspot.com/ http://del.icio.us/seancubitt Editor-in-Chief Leonardo Book Series http://leonardo.info

12 years, 4 months

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Re Submission - Super Human Symposium Call for Abstracts

by Amanda Matulick

HI Ada, On the 5th of Dec we sent the following submission and it does not seem to have been listed. Can you tell me why? We want to spread the word about this and many of your members may be interested. ______________________________________________________________________ Super Human Symposium Call for Abstracts Super Human Revolution of the Species is an international event comprising a symposium, exhibition, masterclass and public talk investigating collaborative art and science practices and their relationship with the human body. Symposium abstracts are invited from either individual or team-based researchers, artists and scientists. Submitted abstracts will undergo a double-blind referee process, with successful applicants invited to submit their paper prior to final acceptance. The Call for abstracts deadline is 20 March 2009. Taking place in Melbourne on 22 - 25 November 2009, the Super Human symposium will present an invigorating and inspiring mix of keynote speakers and collaborative research projects engaging with one or more of the symposium themes: Augmentation, Cognition and Nanoscale Interventions. Questions that the symposium will address include, but are not limited to: How do scientific and artistic bodies of knowledge intersect with human, social bodies? Does art serve simply as a representational tool for the sciences or is there more to the picture than that? Does research into bodies and their systems offer an insight into aesthetics, or is it confined to the purely functional? Please visit http://www.anat.org.au/events/119 to download the pdf. Please submit all abstracts (and any questions) to the Conference Convenor: as(a)anat.org.au. ____________________________________________________ Can you please advise, or post asap? Many thanks, Amanda Amanda Matulick Communications Manager & Managing Editor Filter Magazine Australian Network for Art and Technology (ANAT) PO Box 8029, Station Arcade, South Australia 5000 Level 2, 142 North Terrace, Adelaide, SA, 5000 ph: 61 8 8231 9037 fax: 61 8 8231 9766 http://www.anat.org.au communicate(a)anat.org.au ANAT is assisted by the Australian Government through the Australia Council http://www.ozco.gov.au its arts funding and advisory body, by the South Australian Government through Arts SA http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

12 years, 4 months

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Framework 07-12-08

by grant finlay

This latest episode of framework contains some of my work... Regards, Grant Finlay. http://grantfinlay.podomatic.com [playlist] framework - 07.12.08 *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.resonancefm.com/framework * *framework is supported by /soundtransit/: http://www.soundtransit.nl * ---------------------------------------------------------- /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley this edition of */framework:afield/* has been produced in vancouver, canada, by *meri von kleinsmid*. meri says: /The theme of this edition of framework is the five Chinese elements, or phases (also known as Wu Xing). They are: Wood, Fire, Earth, Metal and Water. They are of ancient and modern philosophical importance./ /Presented here are sound works that are literally or thematically connected to the elements. They are grouped in two cycles, which rotate in the order of the elements as listed above./ /This programme was conceived and compiled by composer Meri von KleinSmid. (_www.merivonkleinsmid.net <http://www.merivonkleinsmid.net/>_)/ again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 354 rue de l'andelle 27910 perruel france framework(a)talk21.com ---------------------------------------------------------- *07.12.08* *(time / artist / track / label)* 00:38 -- 01:23 / luis caballero barreto / cutting trees [excerpt] / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 01:23 -- 05:00 / lasse-marc riek / children making fire / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 05:00 -- 014:42 / mathew adkins / aerial / [sonus.ca] _www.sonus.ca <http://www.sonus.ca/>_ 14:42 -- 16:59 / matthias kispert / railyard workshop / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 16:59 -- 23:39 / peter cusack / kashgar metalwork street / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 23:39 -- 27:33 / dallas simpson / water power / [sonus.ca] _www.sonus.ca <http://www.sonus.ca/>_ 27:33 -- 30:10 / thomas andre / 17th century wooden stairs / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 30:26 -- 32:10 / grant finlay / fireworks / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 32:10 -- 34:56 / arno peeters / czech-mayrau-elevator down the mineshaft / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 34:56 -- 37:34 / ioannis kalantzis / ades / [sonus.ca] _www.sonus.ca <http://www.sonus.ca/>_ 37:34 -- 40:20 / stephen cornford / metal fence #1 / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ 40:20 -- 40:39 / dylan harris / water :: the anger of water / [dylanharris.org] _www.dylanharris.org <http://www.dylanharris.org/>_ 40:39 -- 52:22 / arno camel / passing water / [sonus.ca] _www.sonus.ca <http://www.sonus.ca/>_ 52:22 -- 55:00 / derek holzer / mountain stream / [soundtranstit.nl] _www.soundtransit.nl <http://www.soundtransit.nl/>_ ---------------------------------------------------------- framework intro submissions: 1) take yourself and a recording device to a location of your choice 2) record for AT LEAST one minute before you - 3) read aloud the following text: *welcome to framework.* *framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen! **/[3b) please also feel free to translate this text into your native tongue!]/* 4) continue your recording for AT LEAST two minutes after you have finished speaking 5) send the recording on any format to the above address, or as an mp3 via email thanks!

12 years, 4 months

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Fwd: [op] EXPANDING DOCUMENTARY CONFERENCE 2009 - UPDATE

by Phil Dadson

Begin forwarded message: > From: <a.goldson(a)auckland.ac.nz> > Date: 4 December 2008 3:15:59 PM > To: <op(a)list.auckland.ac.nz> > Subject: [op] EXPANDING DOCUMENTARY CONFERENCE 2009 - UPDATE > > Forgive any cross-posting > > EXPANDING DOCUMENTARY CONFERENCE 2009 - UPDATE > Submissions are rolling in steadily for our February event, which > promises to be an exciting and eclectic mix of presentations – both > documentary works-in-progress and presentations on the documentary. > All submissions will be peer-reviewed by a panel of assessors: > John Di Stefano (Massey University) > Dr Annie Goldson (University of Auckland) > Ella Henry (Te Ara Poutama, Auckland University of Technology) > Dr Geraldene Peters (Auckland University of Technology) > Ann Shelton (Massey University) > Additionally, Dr Misha Kavka (University of Auckland) once again has > been appointed as the Conference Respondent and will summarize themes > and directions of the event. > > > ***************** > > > CALL FOR SUBMISSIONS > Exploring Documentary in Aotearoa/New Zealand > Sunday 22 February, 2009 > The seventh biennial documentary conference will be held in Auckland, > at the Gus Fisher Gallery, 74 Shortland St, Auckland. The event is a > collaboration between Massey University [School of Fine Arts] and the > University of Auckland [Film Television & Media Studies and NICAI], in > association with the DocNZ Film Festival. > > The conference format this year will be slightly different from > previous years. It will consist of a one-day event that will be part > of the DocNZ Summit (22-25 February). As in previous years, the > conference will interweave selected documentary presentations by > filmmakers, photographers and artists, along with academic papers. > > In addition to the conference day, the DocNZ Summit will also feature > opportunities for presentations by documentary practitioners and > academics. The Summit will focus its presentations on more topical > issues. Please visit the DocNZ Summit website for more information. > http://www.docnz.org.nz/summit/ > > DOCUMENTARY WORKS > > Film/videomakers, photographers and artists are invited to show > documentary works still in production (rough-cuts, representative > takes, edited sequences, etc.) or, if completed, works that have not > yet shown widely. An open discussion session will follow > presentations. In addition to film and video works, we will also > feature documentary works in photography and related art-genres. We > welcome projects from every aspect of the documentary spectrum – > community, activist, indigenous, mainstream, oral history, > avant-garde, experimental, art-house, contemporary art, etc. – but > each will be chosen for their particular and unique quality. We are > looking for exciting, innovative works. > > > DOCUMENTARY PAPERS > > In addition to documentary works, we are also interested in selected > written presentations that continue debates and discussions around > documentary theory and practices. We are seeking papers from academics > and others writing on documentary from a variety of perspectives. > Papers may focus on documentary within film studies, history, > anthropology, cultural studies, art history, media studies, fine art > studies, etc. > > The final selection for all presentations will be determined through a > peer-review process. > > SUBMISSIONS > > 1. All proposals must be sent in electronic format ONLY (i.e. via > email). > > 2. All proposals should be no longer than 250 words. > > 3. Include visual documentation if appropriate. > > 4. Include a CV for each applicant for each submission > > 5. Please send all proposals to BOTH email addresses: > > a.goldson(a)auckland.ac.nz <mailto:a.goldson@auckland.ac.nz> and > j.j.distefano(a)massey.ac.nz <mailto:j.j.distefano@massey.ac.nz> > > 6. Final date for all electronic submissions: DECEMBER 15 2008 (no > extensions) > > PLEASE CHECK FOR UPDATES: > http://expanding-documentary-conference.blogspot.com > > > ------ End of Forwarded Message > _______________________________________________ > op mailing list > op(a)list.auckland.ac.nz > https://list.auckland.ac.nz/mailman/listinfo/op > www.sonicsfromscratch.co.nz

12 years, 4 months

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Ada_list December 2008