>++++++++++++ please circulate + apologies for cross-posting ++++++++++++
>/
>/...we do this because noise makes us feel so much better...
>
>/*tiny noise tiny noise *//*tiny noise tiny
>noise *//*tiny noise tiny noise *//*tiny noise
>tiny noise *//*tiny noise tiny noise *//*tiny
>noise tiny noise *//*tiny noise*/
>
>*/tiny noise/* website has been refreshed!!!!
>you'll find a cleaner look and more complete
>archives.
>Still at the same link *www.tinynoise.com* <http://www.tinynoise.com>
>
>and yes... its true, the 8th edition of tiny noise is coming up....
>
>/*tiny Lisboa tiny Lisboa *//*tiny Lisboa tiny
>Lisboa *//*tiny Lisboa tiny Lisboa *//*tiny
>Lisboa tiny Lisboa *//*tiny Lisboa tiny Lisboa
>*//*tiny Lisboa*//**//**/
>
>*/tiny noise/* 008 *LISBON, PORTUGAL*, Thursday April 10th
>/*tiny noise*/ 008 *LISBON, PORTUGAL*, Thursday April 10th
>9pm -> 2am [free entry]
>@ O Século <http://www.oseculo.net> Center for Advanced Art
>*Rua de O Século, no-80-88 1200-436 Lisboa
>[Bairro Alto]
>MAP
><http://maps.google.com/maps?f=q&hl=en&geocode=&q=Rua+de+O+S%C3%A9culo+no-80…>
>***
>+ *Gigantiq* / lisbon
>+ *PLAN* / lisbon
>+ *EVOL* / barcelona
>+ *Iana Reis* / lisbon
>+ *Fernando Fadigaz* / lisbon
>+ *Vidéodrome par Dominic Gagnon* / montreal
>+ *Playmobil * / lisbon/barcelona
>
>[full artists info below and on the website <http://www.tinynoise.com>]
>
>
>+ /*tiny noise*/ is a project by frontierlab
><http://www.frontierlab.org> + acidfake
>recordings <http://www.acidfake.tk>
>
>/*tiny noise*/ is a nomadic open concept audio
>art platform conceived by Toni Dimitrov [skopje]
>and Kyd Campbell [montreal] in february 2005. It
>started spontaneously as a d.i.y. experiment in
>forming an independent network by using global
>communication tools, personal contacts and
>experiences. The idea of /*tiny noise*/ is to
>spread and connect experimental, provocative and
>adventurous music and sound projects at
>irregular times and in diverse places. /*tiny
>noise */remains open to many sound/music forms,
>especially those enriched by other medias and
>looks to collaborate with other open projects.
>/**/
>
>Basically, /*tiny noise*/ is a network and and
>ongoing nomadic series of events. /*tiny noise
>*/would be happy to come to your city and may
>already be on the way. This is the time to meet
>someone in your own city that you have never met
>before!
>
>/*tiny noise*/ is especially effective at
>getting sound artists out of their studios and
>from behind their computers to make some public
>noise!
>
>info: *tinynoise [at] gmail [dot] com*
>Kyd Campbell
>Toni Dimitrov
>
>*ARTISTS INFO : LISBON **ARTISTS INFO : LISBON
>**ARTISTS INFO : LISBON **ARTISTS INFO : LISBON
>**ARTISTS INFO : LISBON*
>
>*/Vidéodrome par Dominic Gagnon/* [montreal / canada]
>+ autravailatwork.org <http://www.autravailatwork.org>
>+ samples [1
><http://www.youtube.com/watch?v=gCJmQk0GLO8>] [2
><http://www.youtube.com/watch?v=A4NKi09992I>]
>Dominic said: "Listen to this recording
><http://www.youtube.com/watch?v=gCJmQk0GLO8>
>with headphones or a good sound system."
>POSITIVE_TECHNOLOGY [March, 2008]
>/Dominic Gagnon/ is a director, installer and
>performer. He considers creation as a dicipline
>of chaos. Since 1996 he has made public
>presentations of moving images, sound works,
>installations and has performedinternationally
>in galleries, festivals and biennials. Totally
>engaged with his art, Gagnon has produced more
>than 10 films that have been presented
>internationally. Recently he has executed
>performances and interventions within the
>collective Au travail / At work
>(www.autravailatwork.org
><http://www.autravailatwork.org>) that he
>founded.
>For the realization of his projects, Dominic
>Gagnon has made numerous researches and
>inquiries: the decline of regional
>economies(ISO), violence and identity crises
>among young men(Opération Cobra), international
>adoption(Anchorage), mental illness and
>deviancy(Haute-Vitesse), Sado-Massochistic
>practices and fetishism in popular
>culture(Blockbuster History), and family in the
>age of mega-entertainment(Beluga Crash Blues).
>/~ translated and edited from a text by Main Film, 2007/
>*As a sound performer/ Gagnon/ works with
>drawings, light and cameras in order to create
>dynamic low frequency audio moments.
>
>**/Gigantiq - André Gonçalvez + Nuno Moita/* [lisbon / portugal]
>+ myspace.com/gigantiq <http://www.myspace.com/gigantiq>
>+ undotw.org <http://undotw.org/>
>+ grainofsound.com <http://www.tinynoise.com/%0Dhttp://www.grainofsound.com>
>+ video sample <http://www.youtube.com/watch?v=fz7gh9J-9hs>
>/Gigantiq/ are the portuguese sound and visual
>artists, /André Gonçalves/ and /Nuno Moita/, on
>electric guitar, laptop, electronics, field
>recordings and turntables. Working as /Gigantiq/
>since September of 2005 its music is made of
>apparently static masses of sound. And yet it
>moves.
>Releases:
>"Test Loops", CDR, Ristretto 2007
>"Untitled", MP3, Addenda 2006
>Compilations:
>"A Few Steps From Your Shoulder", MP3, Crónica 2008
>"Mood Swings" (w/Shinjiro Yamaguchi), CDR, Flur/Filho Único 2007
>
>*/EVOL /* [barcelona / spain]
>+ vivapunani.org <http://vivapunani.org>
>/EVOL/ is a collective computer music project by
>/Roc Jiménez de Cisneros/ and others, started in
>Barcelona in 1996.
>In 2003, they started working on a series of
>electroacoustic pieces entitled Punani, which
>addresses some of the main aspects of /EVOL/'s
>work, namely: algorithmic composition, noise,
>diverse synthesis techniques, spectro-morphology
>and the musical application of fractal geometry
>and other mathematical phenomena.
>/EVOL/'s work has been released on
>internationally acclaimed record labels such as
>Mego, Entr'acte, RSE, Lucky Kitchen, Diskono,
>Scarcelight, Antifrost, fals.ch or their very
>own Alku.
>
>*/Hyaena Reich [ Iana Reis]/* [lisbon / portugal]
>+ myspace.com/hyaenaxreich <http://www.myspace.com/hyaenaxreich>
>+ geocities.com/xfghv/14-bis <http://www.geocities.com/xfghv/14-bis>
>/Hyaena Reich (Iana Reis)/ is a Portuguese
>composer and performer. She has been developing
>a body of sound work since 1996.
>Her work spins around experimentation and
>improvisation, involving the capture of real
>life sounds and ambients, as well as improvised
>and planned sound sequences with uncanny sound
>sources - metal and wood objects, stones or the
>exploration of sounds in spaces with specific
>acoustic characteristics - being afterwards
>edited and sequenced according to
>soundtrack-building techniques, breaking the
>borders between mere experimental music and
>sound in cinematic space.
>She has a background of Film Studies, Sound
>Engineering and Scriptwriting taken at the
>Lisbon Conservatory, is daughter of film
>directors Margarida Cordeiro and António Reis,
>has studied matters of improvisation,
>experimentalism and musicology with Portuguese
>experimental pioneers Vitor Rua and Jorge Lima
>Barreto (from experimental duo Telectu) and has
>fronted the solo projects Imbolc, ZLKNF and
>Arraial, being also the head of experimentalist
>collective Sabotage en Masse.
>
>*/PLAN /* [lisbon / portugal]
>+ video on youtube <http://www.youtube.com/watch?v=mf1nvGsMfBc>
>/PLAN/ is the artists name of turntablist Luis Alberto. Get excited.
>PLAN collaborates with sound a visual artists
>including : Manuel Mota, David Maranha and
>Nélson Gomez
>
>*/Playmobil [Diana Combo]/* [lisbon / portugal , barcelona / spain]
>/Playmobil/ started to work with deformed vinyl
>records trying to overcome the frustration of
>having an object that is not usable in a
>conventional way, letting the errors printed on
>the surface sound and join what is already
>recorded. In this way she creates different
>layers that combine into a new composition that
>changes the audiences perception about the music
>they are familiar with. Sometimes she tries to
>control the error, hiding it and sometimes she
>just manage to create a result that sounds like
>there is some kind of error, when there is
>none.This process involves the use of old and
>deformed records or old/new records she has or
>buys. She cuts and joins different pieces, burns
>or adds pieces of tape onto the surface to
>create patterns that superimpose themselves on
>the sounds that play.
>
>*/Fernando Fadigaz /* [lisbon / portugal]
>+ myspace.com/fadigaz <http://www.myspace.com/fadigaz>
>+ variz.org <http://www.variz.org>
>Fernando Fadigaz has been performing since the
>end of 80's as Fernando Fadigas, FADIGAZ,
>PRODUCERS and TRA$H CONVERTERS (Live and DJ set
>w/Miguel Sá), WHIT (improv turntublism w/Nuno
>Moita & M. Sá), BAMBI & WOLF (Live w/Miguel
>Bonneville), INVADERS (AV DJ/VJ Techno set w/Dub
>Video Connection) and TOLAN PLAN (Live w/Rumor)
>in several Multimedia Shows, Performances, Art
>Exhibitions, Festivals and Clubs in Portugal,
>Spain, Northern Ireland, Germany, France,
>Republic of Irland and England ... alongside
>M.Sá, Nuno Bernardino, Zentex, Omar Leon, Ballet
>Mecânico, Bandidos Desesperados, Orson & Welles,
>Sami Koivikko, Bruno Pronsato, Portable aka
>BodyCode, Donnacha Costello, Optimo, Trevor
>Jackson, Krikor, Aphex Twin, Kraftwerk,
>Pansonic, Kid 606, Scanner, Jan Jelinek,
>Schneider TM, Rechenzentrum, DJ Olive, Modul,
>Pure, Major Electrico, @C, Rafael Toral, Marco
>Franco, Gigantiq, João Castro Pinto, Frank
>Bretschneider, Kim Cascone, Tujiko Noriko, DAT
>Politics, Nova Huta, Neoangin, Loosers, Lolly
>and Brains, Sigue Sigue Sputnik... bla bla bla.
>
>for more info, images, booking and past edition
>archives, please visit the website and get in
>contact with us at *tinynoise(a)gmail.com*
>www.tinynoise.com <http://www.tinynoise.com>
>
>*tiny thanks **tiny thanks **tiny thanks **tiny
>thanks **tiny thanks **tiny thanks **tiny thanks
>**tiny thanks **tiny thanks **tiny thanks **tiny
>thanks** ** ** ** ** *
>For all tiny noise events, we want to thank all
>of the artists and the kind people that have
>helped up find gear, space and promote. We want
>to thanks all the people who came to the events.
>For 008 in Lisbon we especially want to thank
>Andre Gonçalvez for hosting Kyd in Lisbon and
>for the big sound gear, Diana and Irena from
>Oseculo for the location and artists contacts,
>to Elsa Vieira from Rogue Waves for artists
>contacts and support. And when we see you at the
>show we will thank you too.
>
>
>...we do this because noise makes us feel so much better...
>*
>if you want on or off this mailing list, please
>speak now : tinynoise(a)gmail.com*
>
>--
>+++++++++++++++++++++++++++
>Kyd Campbell
>---------------------------
>kyd(a)frontierlab.org
>http://www.frontierlab.org
>http://www.tinynoise.com
>+++++++++++++++++++++++++++
>
--
____________________________________________________________
helen varley jamieson: creative catalyst
helen(a)creative-catalyst.com
http://www.creative-catalyst.comhttp://www.avatarbodycollision.orghttp://www.upstage.org.nzhttp://www.writerfind.com/hjamieson.htm
____________________________________________________________
>Transmission Asia-Pacific is a meeting of video activists and free
>software developers using online video distribution for social
>justice and media democracy.
>
>Sukabumi, Indonesia, May 19-25, 2008.
>http://transmission.cc/txap
>
>APPLICATION DEADLINE EXTENDED TO APRIL 6 FOR FEMALE APPLICANTS ONLY.
>TRAVEL SCHOLARSHIPS AVAILABLE BASED ON NEED.
>
>Online video distribution is rapidly reshaping social change film
>making, huge opportunities now exist to distribute video work widely,
>independently and at minimal cost. The potential of online
>distribution to advance social justice, human rights, environmental
>and other causes is significant. With this in mind Transmission Asia-
>Pacific (TX-AP) aims to bring together free software web developers
>and video activists from throughout the region to share skills and
>forge collaborations.
>
>Organised by EngageMedia and Ruangrupa TX-AP will bring together 50
>people for five days on the edge of the Gede Pangrango National Park
>near Sukabumi, 120km from Jakarta. TX-AP will be a space for video
>makers to learn about free and open source video tools and interface
>with the technologists developing them. For developers it will be an
>opportunity to share skills and share code in order to be more
>effective. The meeting will allow developers to better understand the
>needs of video makers and for video makers to understand and
>contribute to the processes of development. TX-AP is a meeting of
>peers where everyone brings something to contribute.
>
>The TX-AP meeting will link into the existing Transmission network.
>Transmission is a network of video activists, artists, researchers,
>programmers and web producers who are developing online video
>distribution tools for social justice and media democracy. The
>network aims to build the necessary tools, standards, documentation
>and social networks to make independent online distribution possible.
>http://transmission.cc
>
>The core aims of the meeting are to
>* build a regional network of online video web developers, online
>video projects and video makers who can work together into the future
>* develop the skills of video activists in the areas of encoding,
>online distribution, open formats and Free software.
>* develop and discuss new online video tactics in campaigning
>* increase the uptake and collaboration around shared FOSS online
>video distribution tools such as Content Management Systems
>* build upon existing Transmission projects such as translation
>tools, metadata standard, FOSS codecs, documentation etc. and their
>application in the region
>* ensure programmers leave with an enhanced understanding of online
>video development, understanding of video makers needs and the
>ability to run video distribution software
>
>Who should apply?
>We're looking for activist video makers, organisers and web-
>developers from the Asia-Pacific region. If you are a web developer
>you should have a keen interest in open source technologies, have
>some knowledge of software programming and preferably already be
>working with video. If you are a video maker you should already be
>accomplished in your field and have made several videos. We're
>looking for video makers and web developers who will take back the
>skills they learn to their communities and pass them on.
>
>How to Apply?
>To apply to attend you need to fill out the online form here which
>you can find here:
>http://www.transmission.cc/Asia_Pacific_Application_Form
>
>We particularly encourage women to apply.
>
>Please note that given the range of countries participants will be
>coming from English will be the main language used at the meeting. If
>you have any questions about the application form or the event you
>can contact the organisers here:
>http://www.engagemedia.org/contact-info
>
>APPLICATIONS CLOSE (WOMEN ONLY) ON APRIL 6
>
>Why isn't the meeting open?
>Due to funding and venue limitations we're not able to make the
>meeting open for anyone to attend. Apart from specific trainers and
>Transmission network project leads participants are restricted to the
>Asia-Pacific region. We are also committed to at least 1/3 of
>participants being women and that the meeting as a whole is
>representative of the region, ie that wealthier attendees from a
>couple of countries do not dominate the meeting.
>
>Costs and Scholarships
>There are a limited number of travel scholarships for people to
>attend. In the application form you should specify if you need a
>scholarship and why.
>
>There is also a small, scaled attendance fee to help cover costs such
>as food an accommodation. This is either $75, $50 or $25. This fee
>can be waived if an attendee or organisation is unable to afford it.
>All food, accomodation and local transport will be covered for all
>attendees.
>
>Transmission Asia-Pacific is supported by Hivos and the Open Society
>Institute.
>
>More info: http://transmission.cc/txap
>
>EngageMedia: http://engagemedia.org
>Ruangrupa: http://ruangrupa.org
--
____________________________________________________________
helen varley jamieson: creative catalyst
helen(a)creative-catalyst.com
http://www.creative-catalyst.comhttp://www.avatarbodycollision.orghttp://www.upstage.org.nzhttp://www.writerfind.com/hjamieson.htm
____________________________________________________________
MEDIA RELEASE
Apologies for cross postings
**Us & them & them: Robots, Artists and Scientists**
The Australian Network for Art & Technology (ANAT) is pleased to
announce the next discussion on the Synapse elist which, throughout
2008, is investigating the leading-edge of art and science research
collaboration.
The April discussion will concern robotics and artists' engagement with
the field. As well as surveying contemporary projects, the
conversation will focus on the ramifications of artists working
alongside scientists on robotics, now and into the future.
Discussion Guests;
KIRSTY BOYLE is an artist whose passion for robots has led her to
travel the world, working with like-minded puppeteers, animators and
roboticists. Her work examines robots as subjects of culture with
particular emphasis on how we experience and personalise our
interactions with them. She is currently artist in residence and guest
researcher at the AI Lab, University of Zurich, where she is working on
girlton, a robot combining artificial intelligence with traditional
automata. www.anat.org.au/blog/boyle/
PAUL BROWN is an artist and writer who has specialised in art, science
and technology since the late 1960s. His work has shown at the TATE,
Victoria & Albert and ICA in the UK; ARCO in Spain and the Venice
Biennale as well as being represented in public, corporate and private
collections internationally. He is currently a visiting professor at
the Centre for Computational Neuroscience and Robotics, University of
Sussex, where he is working on a project to evolve robots that can
draw. www.paul-brown.com
SHUHEI MIYASHITA is a scientist who grew up in Tokyo and Tsukuba
Science City, Japan. He holds a Bachelor degree in Electrical and
Electronic Engineering and a Masters in Computational Intelligence and
Systems Science. He is currently a Ph.D candidate at the Artificial
Intelligence Laboratory, University of Zurich, where he is working on
self-assembly robots in order to explore the extent to which artifacts
can be used to represent life-like behaviours. http://shuhei.net/
LEONEL MOURA is an artist who works with robotics and artificial
intelligence in order to produce "Artificial Creativity". He created
his first swarm of autonomous painting robots - able to produce
original artworks based on emergent behaviour - in 2003. Since then he
has produced increasingly autonomous and sophisticated 'artbots',
including RAP (Robotic Action Painter, 2006) created for permanent
exhibition at the American Museum of Natural History in New York.
www.leonelmoura.com/
DOUGLAS REPETTO is an artist and teacher. His work, including
sculpture, installation, performance, recordings, and software is
presented internationally. He is the founder of a number of
art/community-oriented groups including dorkbot: people doing strange
things with electricity, ArtBots: The Robot Talent Show, organism:
making art with living systems, and the music-dsp mailing list and
website. He is currently Director of Research at the Columbia
University Computer Music Center, NYC. http://artbots.org/
MARI VELONAKI is a media artist who engages spectators with digital and
robotic 'characters' in interplays stimulated by sensory-triggered
interfaces (speech 1995, touch 1997, breath 1998, electrostatic charge
2000, vision system 2000, light 2003, robotics 2003). With Dr David
Rye, she co-founded the Centre for Social Robotics at the Australian
Centre for Field Robotics, University of Sydney and is currently an
Australia Council Visual Arts Fellow.
www.synapse.net.au/people/mari_velonaki
To subscribe to the elist visit: www.synapse.net.au and select
'Discussion List'
___________________________________________________
ANAT is assisted by the Australian Government through the Australia
Council for the Arts http://www.ozco.gov.au its arts funding and
advisory body, by the South Australian Government through Arts SA
http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an
initiative of the Australian, State and Territory Governments.
Hey there,
i'm currently working on a theatre project where I need to trigger certain
short film clips at random times.
We want the films and the atmos sound in between the films to be able to be
midi triggered with the keyboard, ie to play the 'chase' sequence, hit key
'a' and the chase sequence is cued to be played.
I'm working with Final Cut Pro to edit these sequences, and the audio guy is
working with Logic. We want to work in surround sound, which is why I'd
like to trigger it with Final Cut, however from my understanding you can't
midi trigger different parts of a sequence with different keys on the
keyboard. (let me know if you can, that'd be great!!)
Does anyone know of a software where you can midi trigger the film and the
sound with different keys? (rather than goto next marker, goto next marker
... and so on until you get to the bit you want to cue.) I usually cue my
visuals in modul8, however this doesn't work with sound)
The film is going out through s-video to a dlp projector, and the sound is
going through a firewire410 soundcard.
Any help is more than welcome.
Cheers.
Dell.
--
Dell McLeod
Founder/Director
delicat productions
5 View St,
RD 2
Waitati.
+64 (0)3 482 2652
+64 (0)27 668 0089
The next UpStage open walk-through will be held on Wednesday 2 April,
at 7pm Brisbane time; find your local time here:
http://tinyurl.com/38h35r - and please check carefully as it's that
time of the year, when time changes ... !!!
At this walk-through, we will announce the 080808 UpStage Festival
and open the call for proposals - come along to find out how you can
be involved.
The walk-through will be on the Swaray stage:
http://upstage.org.nz:8084/stages/swaray.
If you want to log in and learn how to use the tools, please reply to
this email to request a log in prior to the session.
see you there,
h : )
--
____________________________________________________________
helen varley jamieson: creative catalyst
helen(a)creative-catalyst.com
http://www.creative-catalyst.comhttp://www.avatarbodycollision.orghttp://www.upstage.org.nzhttp://www.writerfind.com/hjamieson.htm
____________________________________________________________
Window presents a special one-night only video game show. With a
handpicked selection of innovative, unusual, and experimental games
from Bill Viola, Toshio Iwai, and others, the Play It! section allows
visitors to experience first hand important game works.
Game designer Jeff Nusz will be running a lightning fast, low-tech
workshop that comprises the Make it! section on the same evening.
Arming small teams with a bevy of musical instruments, craft supplies
and a computer, Jeff will assist participants in designing and
building a simple video game in just 2 hours.
Play it! Make it!
Friday, March 28, 7-10 pm
Window, University of Auckland library, 5 Alfred Street
For more information and a catalogue text introducing the games, visit
http://www.window.auckland.ac.nz/archive/2008/03b/online.php
Luke Munn
Online Curator, Window
http://window.auckland.ac.nz/
Hey all, thanks for your comments and replies, we're going to try Modul8
with Ableton live.
I'm thoroughly enjoying looking at the other options you recommended tho,
there's more out there than I found.
Cheers.
Dell.
On Fri, Mar 28, 2008 at 11:01 PM, <ada_list-request(a)list.waikato.ac.nz>
wrote:
> Send Ada_list mailing list submissions to
> ada_list(a)list.waikato.ac.nz
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://list.waikato.ac.nz/mailman/listinfo/ada_list
> or, via email, send a message with subject or body 'help' to
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>
> You can reach the person managing the list at
> ada_list-owner(a)list.waikato.ac.nz
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Ada_list digest..."
>
>
> ADA list Digest Version
>
> Today's Topics:
>
> 1. Re: midi triggering visuals with surround sound (Robert Carter)
> 2. Re: midi triggering visuals with surround sound (Becca Wood)
> 3. Re: midi triggering visuals with surround sound (steve durie)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 28 Mar 2008 19:38:40 +1200
> From: Robert Carter <rob(a)mintmedia.co.nz>
> Subject: Re: [Ada_list] midi triggering visuals with surround sound
> To: "Dell McLeod" <delicat.mail(a)gmail.com>
> Cc: ada_list(a)list.waikato.ac.nz
> Message-ID: <ccb736573c289250be5bf5c85ef41e24(a)mintmedia.co.nz>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> It seems like a common enough thing to want to do, but I can't find
> reference to something in Final Cut or on the Mac that does this.
>
> While searching I found this document:
> http://www.johnmdavis.com/Streamers%20for%20All%20website%20version.pdf
>
> Perhaps you could save your clips from Final Cut and use a more
> performance-orientated program to trigger them. There are a few refered
> to in the above document.
>
> I also found these
> http://www.gephex.org/ - free but perhaps not so easy to install for Mac
> http://www.arkaos.net/download/index.php - free trial
>
> Rob
>
> On 28 Mar 2008, at 12:34 PM, Dell McLeod wrote:
>
> > Hey there,
> > i'm currently working on a theatre project where I need to trigger
> > certain
> > short film clips at random times.
> > We want the films and the atmos sound in between the films to be able
> > to be
> > midi triggered with the keyboard, ie to play the 'chase' sequence, hit
> > key
> > 'a' and the chase sequence is cued to be played.
> >
> > I'm working with Final Cut Pro to edit these sequences, and the audio
> > guy is
> > working with Logic. We want to work in surround sound, which is why
> > I'd
> > like to trigger it with Final Cut, however from my understanding you
> > can't
> > midi trigger different parts of a sequence with different keys on the
> > keyboard. (let me know if you can, that'd be great!!)
> >
> > Does anyone know of a software where you can midi trigger the film and
> > the
> > sound with different keys? (rather than goto next marker, goto next
> > marker
> > ... and so on until you get to the bit you want to cue.) I usually
> > cue my
> > visuals in modul8, however this doesn't work with sound)
> >
> > The film is going out through s-video to a dlp projector, and the
> > sound is
> > going through a firewire410 soundcard.
> >
> > Any help is more than welcome.
> >
> > Cheers.
> >
> > Dell.
> >
> >
> > --
> > Dell McLeod
> > Founder/Director
> > delicat productions
> > 5 View St,
> > RD 2
> > Waitati.
> > +64 (0)3 482 2652
> > +64 (0)27 668 0089
> > _______________________________________________
> > Ada_list mailing list
> > Ada_list(a)list.waikato.ac.nz
> > http://aotearoadigitalarts.org.nz/
> Mob 021 421 129
> rob(a)mintmedia.co.nz
> http://mintmedia.co.nz
> Skype: mintmedia
> PO Box 68917 Newton Auckland
>
>
> ------------------------------
>
> Message: 2
> Date: Fri, 28 Mar 2008 22:57:31 +1200
> From: Becca Wood <becca(a)duotone.co.nz>
> Subject: Re: [Ada_list] midi triggering visuals with surround sound
> To: "Dell McLeod" <delicat.mail(a)gmail.com>
> Cc: ada_list(a)list.waikato.ac.nz
> Message-ID: <afb4b4256214975b8d0948861f719870(a)duotone.co.nz>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> Isadora is a programme written by a composer from NYC Mark Coniglio and
> made specifically for video manipulation in performance, you might
> find it does the trick. It's pretty user-friendly and is made for
> Macs. It can be bought on-line on their website. At a cost - they have
> discounts for non-profit arts organizations students.
>
> http://www.troikatronix.com/isadora.html
>
> Becca Wood
>
>
> On 28/03/2008, at 12:34 PM, Dell McLeod wrote:
>
> > Hey there,
> > i'm currently working on a theatre project where I need to trigger
> > certain
> > short film clips at random times.
> > We want the films and the atmos sound in between the films to be able
> > to be
> > midi triggered with the keyboard, ie to play the 'chase' sequence, hit
> > key
> > 'a' and the chase sequence is cued to be played.
> >
> > I'm working with Final Cut Pro to edit these sequences, and the audio
> > guy is
> > working with Logic. We want to work in surround sound, which is why
> > I'd
> > like to trigger it with Final Cut, however from my understanding you
> > can't
> > midi trigger different parts of a sequence with different keys on the
> > keyboard. (let me know if you can, that'd be great!!)
> >
> > Does anyone know of a software where you can midi trigger the film and
> > the
> > sound with different keys? (rather than goto next marker, goto next
> > marker
> > ... and so on until you get to the bit you want to cue.) I usually
> > cue my
> > visuals in modul8, however this doesn't work with sound)
> >
> > The film is going out through s-video to a dlp projector, and the
> > sound is
> > going through a firewire410 soundcard.
> >
> > Any help is more than welcome.
> >
> > Cheers.
> >
> > Dell.
> >
> >
> > --
> > Dell McLeod
> > Founder/Director
> > delicat productions
> > 5 View St,
> > RD 2
> > Waitati.
> > +64 (0)3 482 2652
> > +64 (0)27 668 0089
> > _______________________________________________
> > Ada_list mailing list
> > Ada_list(a)list.waikato.ac.nz
> > http://aotearoadigitalarts.org.nz/
>
>
>
> ------------------------------
>
> Message: 3
> Date: Fri, 28 Mar 2008 03:01:43 -0700
> From: steve durie <steved(a)posthypnotic.com>
> Subject: Re: [Ada_list] midi triggering visuals with surround sound
> To: Aotearoa Digital Arts <ada_list(a)list.waikato.ac.nz>
> Message-ID: <808D80EC-C045-429E-9CA9-9F48EB40B215(a)posthypnotic.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
>
> Hey Dell,
>
> In my experience with things like this, there is the issue of having
> video able to play back fast enough.
> The solution usually means that the different clips have to be cached
> so that they come up on demand.
> Max/MSP with Jitter might be something to look at. Its designed for
> custom applications and built around audio and midi interfaces. The
> Jitter addon is made to random access control of video at the frame
> level.
> http://www.cycling74.com/products/jitter
>
> There is also Puredata which is an opensource version, and therefore a
> little cheaper. :)
> http://puredata.info/
>
>
> hope this helps,
>
> Steve
> On Mar 27, 2008, at 5:34 PM, Dell McLeod wrote:
>
> > Hey there,
> > i'm currently working on a theatre project where I need to trigger
> > certain
> > short film clips at random times.
> > We want the films and the atmos sound in between the films to be
> > able to be
> > midi triggered with the keyboard, ie to play the 'chase' sequence,
> > hit key
> > 'a' and the chase sequence is cued to be played.
> >
> > I'm working with Final Cut Pro to edit these sequences, and the
> > audio guy is
> > working with Logic. We want to work in surround sound, which is why
> > I'd
> > like to trigger it with Final Cut, however from my understanding you
> > can't
> > midi trigger different parts of a sequence with different keys on the
> > keyboard. (let me know if you can, that'd be great!!)
> >
> > Does anyone know of a software where you can midi trigger the film
> > and the
> > sound with different keys? (rather than goto next marker, goto next
> > marker
> > ... and so on until you get to the bit you want to cue.) I usually
> > cue my
> > visuals in modul8, however this doesn't work with sound)
> >
> > The film is going out through s-video to a dlp projector, and the
> > sound is
> > going through a firewire410 soundcard.
> >
> > Any help is more than welcome.
> >
> > Cheers.
> >
> > Dell.
> >
> >
> > --
> > Dell McLeod
> > Founder/Director
> > delicat productions
> > 5 View St,
> > RD 2
> > Waitati.
> > +64 (0)3 482 2652
> > +64 (0)27 668 0089
> > _______________________________________________
> > Ada_list mailing list
> > Ada_list(a)list.waikato.ac.nz
> > http://aotearoadigitalarts.org.nz/
>
>
>
> ------------------------------
>
> _______________________________________________
> Ada_list mailing list
> Ada_list(a)list.waikato.ac.nz
> http://list.waikato.ac.nz/mailman/listinfo/ada_list
>
>
> End of Ada_list Digest, Vol 61, Issue 13
> ****************************************
>
--
Dell McLeod
Founder/Director
delicat productions
5 View St,
RD 2
Waitati.
+64 (0)3 482 2652
+64 (0)27 668 0089
Why not try using Logic to trigger clips in Modul8 (assuming it takes midi
input)? I've got a set up with Ableton Live sending trigger cues to
Resolume... I'm sure you could set something similar up with the software
you're familiar with.
Message: 3
Date: Fri, 28 Mar 2008 13:34:59 +1300
From: "Dell McLeod" <delicat.mail(a)gmail.com>
Subject: [Ada_list] midi triggering visuals with surround sound
To: ada_list(a)list.waikato.ac.nz
Message-ID:
<c4aeb63e0803271734j7e2a8ecaq1184b5996cadaa32(a)mail.gmail.com>
Content-Type: text/plain; charset="iso-8859-1"
Hey there,
i'm currently working on a theatre project where I need to trigger certain
short film clips at random times.
We want the films and the atmos sound in between the films to be able to be
midi triggered with the keyboard, ie to play the 'chase' sequence, hit key
'a' and the chase sequence is cued to be played.
I'm working with Final Cut Pro to edit these sequences, and the audio guy is
working with Logic. We want to work in surround sound, which is why I'd
like to trigger it with Final Cut, however from my understanding you can't
midi trigger different parts of a sequence with different keys on the
keyboard. (let me know if you can, that'd be great!!)
Does anyone know of a software where you can midi trigger the film and the
sound with different keys? (rather than goto next marker, goto next marker
... and so on until you get to the bit you want to cue.) I usually cue my
visuals in modul8, however this doesn't work with sound)
The film is going out through s-video to a dlp projector, and the sound is
going through a firewire410 soundcard.
Any help is more than welcome.
Cheers.
Dell.
--
Dell McLeod
Founder/Director
delicat productions
5 View St,
RD 2
Waitati.
+64 (0)3 482 2652
+64 (0)27 668 0089
On Fri, Mar 28, 2008 at 5:10 PM, <ada_list-request(a)list.waikato.ac.nz>
wrote:
> Send Ada_list mailing list submissions to
> ada_list(a)list.waikato.ac.nz
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://list.waikato.ac.nz/mailman/listinfo/ada_list
> or, via email, send a message with subject or body 'help' to
> ada_list-request(a)list.waikato.ac.nz
>
> You can reach the person managing the list at
> ada_list-owner(a)list.waikato.ac.nz
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Ada_list digest..."
>
>
> ADA list Digest Version
>
> Today's Topics:
>
> 1. WINDOW presents Play it! Make it! Friday, March 28, 7-10 pm
> (Luke Munn)
> 2. WINDOW presents Play it! Make it! Friday, March 28, 7-10 pm
> (Luke Munn)
> 3. midi triggering visuals with surround sound (Dell McLeod)
> 4. Re: midi triggering visuals with surround sound
> (helen(a)creative-catalyst.com)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 27 Mar 2008 11:41:22 +1300
> From: "Luke Munn" <luke.munn(a)gmail.com>
> Subject: [Ada_list] WINDOW presents Play it! Make it! Friday, March
> 28, 7-10 pm
> To: window(a)list.auckland.ac.nz
> Cc: Aotearoa Digital Arts <ada_list(a)list.waikato.ac.nz>
> Message-ID:
> <a4a85e040803261541v43ddb99bw74d9751bcb4c133c(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Window presents a special one-night only video game show. With a
> handpicked selection of innovative, unusual, and experimental games
> from Bill Viola, Toshio Iwai, and others, the Play It! section allows
> visitors to experience first hand important game works.
>
> Game designer Jeff Nusz will be running a lightning fast, low-tech
> workshop that comprises the Make it! section on the same evening.
> Arming small teams with a bevy of musical instruments, craft supplies
> and a computer, Jeff will assist participants in designing and
> building a simple video game in just 2 hours.
>
> Play it! Make it!
> Friday, March 28, 7-10 pm
> Window, University of Auckland library, 5 Alfred Street
>
> For more information and a catalogue text introducing the games, visit
> http://www.window.auckland.ac.nz/archive/2008/03b/online.php
>
> Luke Munn
> Online Curator, Window
> http://window.auckland.ac.nz/
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 27 Mar 2008 11:41:22 +1300
> From: "Luke Munn" <luke.munn(a)gmail.com>
> Subject: [Ada_list] WINDOW presents Play it! Make it! Friday, March
> 28, 7-10 pm
> To: window(a)list.auckland.ac.nz
> Cc: Aotearoa Digital Arts <ada_list(a)list.waikato.ac.nz>
> Message-ID:
> <a4a85e040803261541v43ddb99bw74d9751bcb4c133c(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Window presents a special one-night only video game show. With a
> handpicked selection of innovative, unusual, and experimental games
> from Bill Viola, Toshio Iwai, and others, the Play It! section allows
> visitors to experience first hand important game works.
>
> Game designer Jeff Nusz will be running a lightning fast, low-tech
> workshop that comprises the Make it! section on the same evening.
> Arming small teams with a bevy of musical instruments, craft supplies
> and a computer, Jeff will assist participants in designing and
> building a simple video game in just 2 hours.
>
> Play it! Make it!
> Friday, March 28, 7-10 pm
> Window, University of Auckland library, 5 Alfred Street
>
> For more information and a catalogue text introducing the games, visit
> http://www.window.auckland.ac.nz/archive/2008/03b/online.php
>
> Luke Munn
> Online Curator, Window
> http://window.auckland.ac.nz/
>
>
> ------------------------------
>
> Message: 3
> Date: Fri, 28 Mar 2008 13:34:59 +1300
> From: "Dell McLeod" <delicat.mail(a)gmail.com>
> Subject: [Ada_list] midi triggering visuals with surround sound
> To: ada_list(a)list.waikato.ac.nz
> Message-ID:
> <c4aeb63e0803271734j7e2a8ecaq1184b5996cadaa32(a)mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hey there,
> i'm currently working on a theatre project where I need to trigger certain
> short film clips at random times.
> We want the films and the atmos sound in between the films to be able to
> be
> midi triggered with the keyboard, ie to play the 'chase' sequence, hit key
> 'a' and the chase sequence is cued to be played.
>
> I'm working with Final Cut Pro to edit these sequences, and the audio guy
> is
> working with Logic. We want to work in surround sound, which is why I'd
> like to trigger it with Final Cut, however from my understanding you can't
> midi trigger different parts of a sequence with different keys on the
> keyboard. (let me know if you can, that'd be great!!)
>
> Does anyone know of a software where you can midi trigger the film and the
> sound with different keys? (rather than goto next marker, goto next marker
> ... and so on until you get to the bit you want to cue.) I usually cue my
> visuals in modul8, however this doesn't work with sound)
>
> The film is going out through s-video to a dlp projector, and the sound is
> going through a firewire410 soundcard.
>
> Any help is more than welcome.
>
> Cheers.
>
> Dell.
>
>
> --
> Dell McLeod
> Founder/Director
> delicat productions
> 5 View St,
> RD 2
> Waitati.
> +64 (0)3 482 2652
> +64 (0)27 668 0089
>
> ------------------------------
>
> Message: 4
> Date: Fri, 28 Mar 2008 01:10:01 -0400
> From: "helen(a)creative-catalyst.com" <helen(a)creative-catalyst.com>
> Subject: Re: [Ada_list] midi triggering visuals with surround sound
> To: ada_list(a)list.waikato.ac.nz
> Message-ID: <380-2200835285101849(a)M2W019.mail2web.com>
> Content-Type: text/plain; charset=iso-8859-1
>
> i don't know but would be interested to hear any solutions people have.
> h : )
>
> Original Message:
> -----------------
> From: Dell McLeod delicat.mail(a)gmail.com
> Date: Fri, 28 Mar 2008 13:34:59 +1300
> To: ada_list(a)list.waikato.ac.nz
> Subject: [Ada_list] midi triggering visuals with surround sound
>
>
> Hey there,
> i'm currently working on a theatre project where I need to trigger certain
> short film clips at random times.
> We want the films and the atmos sound in between the films to be able to
> be
> midi triggered with the keyboard, ie to play the 'chase' sequence, hit key
> 'a' and the chase sequence is cued to be played.
>
> I'm working with Final Cut Pro to edit these sequences, and the audio guy
> is
> working with Logic. We want to work in surround sound, which is why I'd
> like to trigger it with Final Cut, however from my understanding you can't
> midi trigger different parts of a sequence with different keys on the
> keyboard. (let me know if you can, that'd be great!!)
>
> Does anyone know of a software where you can midi trigger the film and the
> sound with different keys? (rather than goto next marker, goto next marker
> ... and so on until you get to the bit you want to cue.) I usually cue my
> visuals in modul8, however this doesn't work with sound)
>
> The film is going out through s-video to a dlp projector, and the sound is
> going through a firewire410 soundcard.
>
> Any help is more than welcome.
>
> Cheers.
>
> Dell.
>
>
> --
> Dell McLeod
> Founder/Director
> delicat productions
> 5 View St,
> RD 2
> Waitati.
> +64 (0)3 482 2652
> +64 (0)27 668 0089
>
>
> --------------------------------------------------------------------
> mail2web.com ? What can On Demand Business Solutions do for you?
> http://link.mail2web.com/Business/SharePoint
>
>
>
>
> ------------------------------
>
> _______________________________________________
> Ada_list mailing list
> Ada_list(a)list.waikato.ac.nz
> http://list.waikato.ac.nz/mailman/listinfo/ada_list
>
>
> End of Ada_list Digest, Vol 61, Issue 11
> ****************************************
>
i don't know but would be interested to hear any solutions people have.
h : )
Original Message:
-----------------
From: Dell McLeod delicat.mail(a)gmail.com
Date: Fri, 28 Mar 2008 13:34:59 +1300
To: ada_list(a)list.waikato.ac.nz
Subject: [Ada_list] midi triggering visuals with surround sound
Hey there,
i'm currently working on a theatre project where I need to trigger certain
short film clips at random times.
We want the films and the atmos sound in between the films to be able to be
midi triggered with the keyboard, ie to play the 'chase' sequence, hit key
'a' and the chase sequence is cued to be played.
I'm working with Final Cut Pro to edit these sequences, and the audio guy is
working with Logic. We want to work in surround sound, which is why I'd
like to trigger it with Final Cut, however from my understanding you can't
midi trigger different parts of a sequence with different keys on the
keyboard. (let me know if you can, that'd be great!!)
Does anyone know of a software where you can midi trigger the film and the
sound with different keys? (rather than goto next marker, goto next marker
... and so on until you get to the bit you want to cue.) I usually cue my
visuals in modul8, however this doesn't work with sound)
The film is going out through s-video to a dlp projector, and the sound is
going through a firewire410 soundcard.
Any help is more than welcome.
Cheers.
Dell.
--
Dell McLeod
Founder/Director
delicat productions
5 View St,
RD 2
Waitati.
+64 (0)3 482 2652
+64 (0)27 668 0089
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