Ada_list December 2010

ada_list@list.waikato.ac.nz

7 participants
13 discussions

Ambience conference, Sweden, 28-30 November 2011.

by Sonja van K

CALL FOR CONFERENCE AND EXHIBITION PARTICIPATION – FIRST CALL WELCOME TO AMBIENCE´11 …where art, technology and design meet An international conference, and exhibition, which welcomes researchers and artists/designers/architects to the University of Borå...s 28-30 November 2011. The main topics of the conference are: - Digital architecture - Interaction design - New media art - Smart textilesWe welcome submissions which focus on the above topics from the perspective of art/design/architecture as well as from a technology perspective.Submitting Extended abstracts of papers and exhibition proposals should be submitted no later than: April 1 2011. more info: www.ambience11.se Contact Ambience11: info(a)ambience11.se Each submitted abstract will be reviewed by members of the Conference Program Committee and authors will be notified of acceptance for presentation or rejection by July 1, 2011. The Ambience conference focuses on the intersections and interfaces between technology, art and design. The first international conference in the Ambience series was held in Tampere, Finland in 2005. In Tampere 2005 the basic theme was “Intelligent ambience, including intelligent textiles, smart garments, intelligent home and living environment”. In Borås 2008 it was “Smart Textiles – Technology & Design” and in Borås 2011 it will be the new expressional crossroads where art, design, architecture and technology meet; digital architecture, interaction design, new media art and smart textiles. With a foundation in artistic practice the conference will be organized as a meeting place where art, design, architect and technology communities can come together to discuss and share ideas on the interfaces between art and technology development; a place where art, design, architecture and technology can meet and interact, to inform each other, and to bring new ideas back to their own community. The conference will include sessions for paper presentations as well as an exhibition for the presentation of art, design and architectural work. We welcome contributions from the areas of art, design and architecture where new technology plays a key role and also contributions from areas of technology where focus is on applications in contemporary art, design and architecture. Keynote speakers will introduce discussions about, and critical reflections on, the future development of the intersections between artistic practice and technology. Concerts and performances will also display artistic perspectives on modern technology. The conference is organized by The University of Borås in cooperation with Tampere University of Technology and is a part of the Smart Textiles Initiative – www.smarttextiles.se

10 years, 10 months

wikileaks documentary

by Sonja van K

The documentary on wikileaks is 57 min long and worth it! http://svtplay.se/v/2264028/wikirebels___the_documentary?cb,a1364145,1,f,-1… na, sonja Sonja van KerkhoffART: http://www.sonjavank.com BLOG:www.sonjavank.blogspot.com DESIGN: www.sonjavank.com/design VIDEOS: www.youtube.com/sonjavank BOOKMARKS: http://del.icio.us/sonjavank

10 years, 10 months

Dec 27-30, 2010, The 27th Chaos Communication Congress

by Sonja van K

The 27th Chaos Communication Congress (27C3) is the annual four-day conference organized by the Chaos Computer Club (CCC). It takes place at the bcc Berliner Congress Center in Berlin, Germany. 27th Chaos Communication Congress December 27th to 30th, 2010 bcc Berliner Congress Center, Berlin, Germany The Congress offers lectures and workshops on a multitude of topics and attracts a diverse audience of thousands of hackers, scientists, artists, and utopians from all around the world. We want you to come together in Peace Missions all over the world: Allow those unable to attend the Congress in Berlin to celebrate their own Hack Center Experience, watch the streams, participate via twitter or chats, drink Tschunk, cook and have a good time. If you have other cool ideas how to make the distributed 27C3 the coolest congress ever, just comment on what you can bring, what you'd like to see and what you need from 27C3 Berlin orga. See the Google map and add your location to it! For a virtual interactive coming together just use the #behindenemylines @freenode. more about this >> http://events.ccc.de/congress/2010/wiki/Peace_Missions http://events.ccc.de/congress/2010/wiki/Main_Page dec 27-30 if you go to speakers http://events.ccc.de/congress/2010/Fahrplan/speakers.en.html and then click on the title of their presentation, there's at least an abstract and in some cases a whole presentation. or click on one the themes and get the speakers catagorized in this manner: community: hacking: http://events.ccc.de/congress/2010/Fahrplan/track/Hacking/index.en.html Sonja van KerkhoffART: http://www.sonjavank.com BLOG:www.sonjavank.blogspot.com DESIGN: www.sonjavank.com/design VIDEOS: www.youtube.com/sonjavank BOOKMARKS: http://del.icio.us/sonjavank

10 years, 10 months

rita angus residency

by S Brennan

From: Hamish Tocher <Hamish.Tocher(a)weltec.ac.nz> Date: 9 December 2010 11:11:55 AM To: "'ada_list(a)list.waikato.ac.nz'" <ada_list(a)list.waikato.ac.nz> Subject: Call for Applications: Rita Angus Artist's Residency 2011 The Wellington Institute of Technology is delighted to announce that applications are now open for the Rita Angus Artist’s Residency for 2011. The Residency supports an artist to produce a new body of work that reflects upon the interplay between technology and culture. The Residency also encourages the artist to enter into dialogue with the Wellington arts community and to exhibit and discuss their practice. The Rita Angus Residency is being offered in association with the Wellington Institute of Technology’s School of Creative Technologies. For more information, and to apply, visit the website athttp://www.weltec.ac.nz/residency/rita_angus_residency.html Applications should be received by 5pm,Monday 7 March, 2011. Direct enquiries and applications tohamish.tocher(a)weltec.ac.nz. Hamish Tocher Senior Lecturer Wellington Institute of Technology Private Bag 39803, Lower Hutt 5045 Wellington, New Zealand Phone: +64 4 920 0466 Extn 782 DDI: +64 4 920 2782 Email: hamish.tocher(a)weltec.ac.nz www.weltec.ac.nz

10 years, 10 months

[Fwd: ride share available - PN - Wanganui Friday night]

by Julian Priest

Hi all, Ana is picking people up from Palmerston North 7.30pm Friday night and has space for 2 more. contact her by mail anaterry(a)es.co.nz or on 0220139197 cheers /julian ---- Date: Tue, 07 Dec 2010 17:22:12 +1300 From: Ana <anaterry(a)es.co.nz> To: julian <julian(a)greenbench.org> Subject: ride share available - PN - Wanganui Friday night hi julian I'm picking up someone at 7.50pm from PN Aiport on Friday night .... will have room for 2 at a pinch. Please forward onto participants cheers Ana

10 years, 10 months

final symposium programme

by Julian Priest

Hi all, the complete programme is now available here: http://symposium10.aotearoadigitalarts.org.nz/programme and also included below. look forward to seeing you in Whanganui, cheers /julian Overview Welcome to the 7th ADA Network Symposium. In this 3-day event we explore the relationships between energy and information in media arts. We ask how sustainable is the technology that supports media art? What new forms of practice are developing at the intersection of energy conservation and production, technology, and art? And how can we balance a global arts practice with the ethical complexities of global air travel, and the social complexities of remote participation? These issues will be examined through keynote presentations, discussions, artist presentations, workshops, a screening programme and two exhibitions. A wide range of artists and researchers from Whanganui and New Zealand will present current projects in art and sustainable energy, in conference sessions including Sustainable Media (Art), Energy Networks, and Social Energy. Friday is dedicated to a day-long workshop with American artist John Hopkins that will explore Whanganui and its river, via waka. Following the workshop the Sarjeant Gallery will present Ozinal (2010) (a radio station from the sun) by Joyce Hinterding and David Haines, courtesy of the artists and Breenspace. Saturday’s program includes a remote conversation with London-based media artist Graham Harwood, a panel discussion on sustainable media and the dichotomies of immediacy, followed by a series of short interrelated presentations, and a keynote presentation by Australian theorist Douglas Kahn. After lunch an artist talk at The Green Bench on the exhibition ‘Burn’ will also be a feature of the day. In the evening an outdoor video screening programme and a live VJ performance will showcase national and international artists whose works explore aspects of energy and sustainability. Sunday’s program features a keynote presentation by Australian artists David Haines and Joyce Hinterding, a themed session on Energy Networks, a second series of short presentations followed by a themed session on Social Energy. The final session will conclude with a discussion on the implications of energy issues for current media art practices in New Zealand and elsewhere. DAY 1 : Friday, 10 December 10am: Registrations at the Putiki boat ramp, 1 Tikarangi street. Tea and Coffee. 10:30am – 4pm: Energy, Creative Action, and Sustainable Systems Workshop: John Hopkins This workshop will draw on Hopkins’ international experience in facilitating creative encounters in the context of the Temporary Autonomous Zone. With an open structure for engaged and focused dialogue, the workshop will explore a powerful energy-based worldview that can open up new awareness of social, cultural, and natural systems. The dynamics of collaborative human relations confined within an attentive space is guaranteed* to generate provocative and inspiring outcomes. Creativity is, by definition, about the formative flow of energy between living organisms. We will move through a variety of environments (including on the river by waka) as we share life-time in the workshop. The workshop will augment the processes of any creative practitioner with a profound, situated, and practice-oriented conceptual toolbox that address the following areas and more: (Keywords in no particular order): energy, creativity, thermodynamics, technology and techno-social systems, art, attention, entropy, learning, media, networks, participation, process, virtuality, creative action, human presence, Light, human encounter, mediation, concentration, optimization, pathways, meals, sustainability, simplicity, synchronicity, auspiciousness, and serendipity. *on the condition that you bring along your entire Self, not merely your body, mind, and spirit 1.00pm: After lunch the workshop continues at The Green Bench, Guyton Street. (Participants may join the workshop at this point.) This is a parallel event with ADA, supported by Creative Communities Wanganui, run by Green Bench & One River. 5:30 – 7:00pm: Sarjeant Gallery opening of Ozinal (2010), a radio station from the Sun by artists Joyce Hinterding and David Haines. Video Stills (left to right): Brit Bunkley, ‘Cargo Paradox of Plenty’; Superflex, ‘Burning Car’; Erin Coates, ‘Voyage to the Common Wealth’. DAY 2 : Saturday, 11 December 9:15am: Registrations and coffee, War Memorial Hall, Watt Street 9:45am: Introductions and welcome 10:00 – 10:45am: Remote keynote presentation: Graham Harwood – Coal Fired Computers (300,000,000 Computers – 318,000 Black Lungs) (Moderator Julian Priest). Presentation and discussion. British artist and media activist, Graham Harwood is best known for his collaborative work ‘Rehearsal of Memory’ (1995) produced with maximum security mental patients at Ashworth Hospital and as the founder of Mongrel an internationally recognised artists group specialising in digital media. In the Coal Fired Computers project he continues his exploration of power structures in relation to media ecology and exposes the conditions of the marginalised and working classes. 10.45 – 11:15am: Morning Tea 11:15 – 12.30pm: Themed session – Sustainable Media (Moderator Su Ballard) conversation: Trudy Lane, Sophie Jerram and Bridie Lonie Is the world indifferent to media? In what ways do we make our practices mean something at a scale beyond the local? Information technology and air transport each use about 2% of global energy at present. ADA symposia have always foregrounded the value of personal interconnection in a physical space, and the need to bring people together regularly to sustain our already distributed network. This conversation builds on this experience to address the dichotomy of immediacy. How do we participate in (and keep up with) global arts practice if long distance air travel is increasingly ethically problematic? Is remote participation sustainable – environmentally, socially, and mentally? Alternatively, can we embrace ‘slow’ media? We ask: what would a slow media arts practice look like? Trudy Lane is an artist, organiser and designer whose practice has become increasingly focused on ecological issues. She seeks to create inspiring models of encounter between specialized cultures of knowledge. Bridie Lonie teaches in Art History and Theory at Dunedin School of Art, her current research explores theories of the commons as a way to work with things that do not think as we do, or perhaps at all, but act on us as we do on them. Sophie Jerram is a Wellington-based artist and curator. She is the co-founder with composer Dugal McKinnon of Now Future, which seeks to instigate and realise arts led projects that address key issues in sustainability and ecology. 12.30-2:00pm: Shared lunch, followed by artists’ talk at The Green Bench (Burn Exhibition) 2:00-3:00pm: Short Presentations Session I (Moderator Stella Brennan) 1. Ian Clothier – Park Speaks (via skype from Pukeura park, New Plymouth) 2. Sally McIntyre – Visible City, Melbourne 3. Richard Edkins – Environments project 4. John Hopkins – Neoscenes 5. Kerry Ann Lee – Am Park Shanghai Project 6. Shane Farrow – The Film Archives + Digital Archiving 7. Gregers Peterson – Digital Archiving 3:00-3:30pm: Jude Chambers: Introduction to CNZ’s new ‘Media arts’ Contestable Funding Category 3:30-4:00pm: Afternoon tea 4:00-5:00pm: ADA AGM (open to all ADA members) 6:00 – 7:00pm: Keynote presentation: Douglas Kahn ‘Music from Brains’ Imagine: John Lennon, Yoko Ono, Chuck Berry and others on the television studio floor in 1972, electrodes clinging to their heads, making music with their brains. Draw the historical curtain back and find Norbert Wiener and John Cage, mentors of the physicist Edmond Dewan and the composer Alvin Lucier, respectively. Dewan had already performed his brainwaves on national television with Walter Cronkite in 1964, and Lucier composed his “brainwave piece”, Music for Solo Performer the following year. For each, brainwaves formed one flank of an audible and naturally-occurring electromagnetic spatiality, the other being on a geophysical scale, with the intervening space caught between Cold War and Counter-Culture. Chair: Zita Joyce Respondent: Su Ballard Douglas Kahn is Research Professor at the National Institute of Experimental Arts (NIEA), the University of New South Wales. Prior to NIEA, he was Founding Director of Technocultural Studies and Professor of Science and Technology Studies at the University of California, Davis. He is the author of Noise, Water, Meat: A History of Sound in the Arts (1999) and co-editor of Wireless Imagination (1992). Current projects include a book sourced from Source: Music of the Avant-garde, edited with the composer Larry Austin; a collection, edited with the art historian Hannah Higgins, of essays and documents on the arts and early computing, Mainframe Experimentalism; and a book on the arts and aesthetics deployed across the electromagnetic spectrum, Earth Sound Earth Signal, all for University of California Press. 7:30 – 8:30pm: Dinner 9.30 – 10.30pm: Energetics and Informatics Public Video Screening outside the Sarjeant Gallery (artists and works in order of screening): Amelia Hitchcock – The opposite of green 1:53 Karen Curley – Licht und Klang 3:00 Erin Coates – Voyage to the Common Wealth 4:10 Julian Priest – Information Comes from the Sun 2:00 Sophie Jerram – Refined Life 7:16 Brit Bunkley – Cargo Paradox of Plenty 3:00 Don Hunter – Carfall 2:00 Ubermorgen – DEEPHORIZON 3:33 Superflex – Burning Car 9:30 Dylan Thomas Herkes – Curse of The Tape Man! 2:33 Naomi Lamb live VJ performance to silence 10:00 Video stills (left to right): Amelia Hitchcock, ‘The Opposite of Green’; Dylan Thomas Herkes, ‘Curse of The Tape Man!’; Don Hunter, ‘Carfall’. DAY 3 : Sunday, 12 December: 10:00 – 10.45am: Keynote presentation David Haines and Joyce Hinterding – The Sun (Moderator Janine Randerson) Joyce and David share a long standing interest in the energetic nature of the world and produce works based on experiments that come from firsthand experiences, sensations and an exploration of fundamental principles. This methodology often includes misunderstandings and subjective understandings that produce works that incorporate both truth and fiction. In this keynote, Joyce and David talk about how their work with the sun has been achieved through an expanded investigation of frequencies. David Haines and Joyce Hinterding live and work in the Blue Mountains, NSW, Australia. Their collaborative work has produced large-scale immersive video and sound works that explore the tension between the fictive and the phenomenal. These works incorporate Joyce’s investigations into energetic forces and David’s concern with the intersection of hallucination and landscape. EarthStar was awarded an Award of Distinction at Ars Electronica, 2009. They are represented by Breenspace. 10.45 – 11.15am: Morning tea 11.15 – 12.30pm: Themed session – Energy Networks (Moderator Julian Priest) Conversation: Scott Willis and Gregers Petersen With the rise of renewable energy technologies there is renewed interest in convergence between the electricity networks and information networks and the potential for the emergence of a distributed energy infrastructure. As we approach this infrastructural change the session looks at parallels between the technological cultures around recent wireless community network initiatives and the upcoming community power generation projects. What are the social interrelationships that make the production of these forms of infrastructure possible? Gregers Petersen is an anthropologist who explores notions of ownership and property in the boundary location between a free software project (OpenWrt.org) and commercial companies. The research is part of a large project focused on the intersection between open source software development, commercial interests and institutional entrepreneurs. Gregers Petersen has a long lasting engagement in the world of free wireless networks, with strong ties to the Freifunk movement in Europe (freifunk.net) and the global WSFII network. He is a doctoral candidate in Anthropology at Copenhagen Business School, Open Source co-ordinator of Denmark’s National Art Museum, and co-ordinator of Ungdomshuset Vegan Community Kitchen. Scott Willis is Project Manager of Blueskin Power, a community initiated Renewable Generation project building a NZ blueprint for a resilient national energy system. He has an MA in social anthropology. Julian Priest is an artist and independent researcher. He was co-founder of early wireless network community consume.net and an advocate for the freenetworking movement. He has been active in radio spectrum politics in support of an open spectrum in the public interest with OpenSpectrumUK. His current artistic practice concerns the boundaries of technology and environment with a focus on energy, and expeditionary methodologies. He shows, performs and writes internationally, is director of the Green Bench project room in Whanganui, and board member of the Aotearoa Digital Arts Trust. 12.30 – 1.30pm: Shared lunch 1.30 – 2:30pm: Short Presentations Session II (Moderator Stella Brennan) 1. Jeff Nusz – Screens online gallery for art interactives (Remote presentation) 2. Sophie Jerram – Article Biennale (of temporary and unstable art) in Stavanger Norway 3. Naomi Lamb – Migration of a VJ 4. Pete Gray (WDC) – ‘Only connect!: Breaking down the digital barriers, one bit at a time.’ 5. Trudy Lane – Preserving energy sources 6. Richard Thompson – Energy co-operative in Whanganui 7. Janie Walker – Hikurangi Foundation: Sustainability and climate change in Aotearoa NZ 8. Michael Poa – One River: the impact of hyrdro-electric power on the Whanganui River 2:30 – 3.00 Afternoon tea 3.00-4.30pm: Themed Session – Social Energy (Moderator Zita Joyce), participants: Eric Kluitenberg – Electrosmog Festival of Sustainable Immobility Caro McCaw – Storytelling, narrative and media art Sally McIntyre – Social energy in / through radio and small-scale participatory media projects John Hopkins – The architectures of participation Network culture has quickly established itself over the last 20 years as a result of the technological innovations of the Internet and Digital Media. The spread of network technologies has been driven by people and the uses they put the new media to. ADA is itself a social network, based currently in both the technology of email, and the social connectivity of face to face meetings. This panel explores participatory art and media, and the social energy of symposia such as this, to examine how artists use social networks as a medium for art, and also a tool for support and connection. This panel will begin with a presentation from Eric Kluitenberg, head of the media program at De Balie – Centre for Culture and Politics in Amsterdam, reflecting on the complexities of generating and maintaining social energy across the distributed remote Electrosmog festival, in which ADA participated in March 2010. 4.30 – 6:00pm: Closing discussion: Implications of energy issues for current media art practices in New Zealand and elsewhere. 6:00pm: Conference closing, Dinner DAY 4: Monday, 13 December : 10:00 – 12:00 Art and Energy: An open discussion and critique forum with Douglas Kahn and Caroline McCaw around individual artists / musicians / others works and how they respond to or relate to the themes of the symposium. All welcome, bring work (complete or in progress) and ideas to discuss. Forum will be held at The Green Bench, Guyton Street.

10 years, 10 months

// The Artvertiser: Installers now available for OS X and Windows //

by Julian Oliver

Hi, It is with great pleasure that Damian and I wish to announce the availability The Artvertiser software for both the Windows and OS X operating systems. The Artvertiser is a fast and free realtime image-substitution platform for use by artists and activists. It provides possibility for the substitution of any planar image -in either live or archival video- with alternative images, movies or 3D content. As such, billboard advertisements, political campaigns or product placement in feature films all become valid targets for alteration and subsequent upload. A detailed installation guide and the first of a series of Improved Reality trainee videos can be found here: http://theartvertiser.com/install The project page is here: http://theartvertiser.com The Windows and OS X Artvertiser software should be considered BETA. It was developed initially on GNU/Linux. Please let us know of any hiccups using contact details in the above installation guide! Happy artvertising! The Artvertiser Team -- Julian Oliver home: New Zealand based: Berlin, Germany currently: Berlin, Germany about: http://julianoliver.com

10 years, 10 months

15 dec, 14uur, performance in museum beelden aan zee, Scheveningen

by Sonja van K

Performance: Material Underfoot "What is underfoot?" 15 dec, 14-14:30 uur Public participate in a performance in front of and inside the video installation. Sonja is in the exhibition space until 5 p.m. After that I'll be around and people can ask me questions, etc. Tram 9 in the direction of Scheveningen from central station, circustheater tramstop and then about a 5 minute walk. googlemaps: http://www.beeldenaanzee.nl/route.php?lang=nl&item=route About the exhibition: The unwanted Land by installations by: Tiong Ang - David Bade - Dirk de Bruyn - Sonja van Kerkhoff - Renée Ridgway - Rudi Struik www.theunwantedland.com or http://www.beeldenaanzee.nl/index1.php?lang=nl About my video installation, Kāinga a roto in the exhibition: www.sonjavank.com/kainga.htm The exhibition continues until 13 Feb 2011 Entry fee to museum: 9.50 Euros (adults), 4.75 Euros (13-18 yrs) Sonja van KerkhoffART: http://www.sonjavank.com BLOG:www.sonjavank.blogspot.com DESIGN: www.sonjavank.com/design VIDEOS: www.youtube.com/sonjavank BOOKMARKS: http://del.icio.us/sonjavank

10 years, 10 months

"Besides the Screen: Moving Images during Distribution, Exhibition and Consumption"

by Sonja van K

Kia ora koutou, I thought some of you might find the programme of interest. I'm not going over. na, sonja "Besides the Screen: Moving Images during Distribution, Exhibition and Consumption" New media technologies impact cinema well beyond the screen; they also promote the reorganization of its logic of distribution, modes of consumption and viewing regimes. Once, it was video and television broadcast that disturbed traditional cinematographic experience, revealing the image as soon as it was captured and bringing it into the home of the audience. Nowadays, computer imaging and online networks cause an even stronger effect to the medium, increasing the public agency in the movie market dynamics. In order to understand how these significant changes in the modes of accessing and distributing moving images might affect cinematographic experience, economy and historiography, we are obliged to rethink not only of its future, but its past as well. Besides the Screen is a one-day international symposium that aims to map research projects on new and old forms of moving image distribution, exhibition and consumption. The conference will be hosted in Goldsmiths College in November, with the support of the Graduate School and the Media and Communications Department. there is more info on their blog. i don't think it is being streamed: http://besidesthescreen.blogspot.com Saturday, 20th November 9:30 - 10:30 Registration (& coffee) [MRB Foyer] 10:30 - 10:45 Welcome! [MRB Screen 1] 10:45 - 12:30 First Panel Session Panel 1a [MRB Screen 1]: Distribution & TVKeith Beattie, Exhibiting Direct Cinema: The Realignment of US Broadcast Television and the Development of the Observational ModeJP Kelly, In the “Perpetual Now”: 24 and the Distribution of Real-TimeMelanie Kennedy, High School Musical as a Made-for-Television Tween MusicalHannah Andrews, The BBC Film Network: User-generated Content and the Public Service BroadcasterPanel 1b [MRB Screen 2]: Marketing and/or Participation Adnan Hadzi, Why Openness Matters: the Deptford.TV ProjectMarc Stumpel, File-sharing or attention-sharing? Implications of the hybrid economyStephanie Janes, Viral Marketing Strategies in Hollywood Cinema12:30 - 14:00 Lunch break [MRB] 14:00 - 15:45 Second panel session Panel 2a [MRB Screen 1]: The (Archived) ImageMaarten Brinkerink, Open Images: Establishing an Audiovisual CommonsAna Carvalho, The ephemeral in AV realtime practices: an analysis into the possibilities for its documentationEvelin Stermitz, ArtFem.TVClaudy Op den Kamp, The forgotten ones: is audiovisual archival public domain material really freely available?Panel 2b [MRB Screen 2]: The Shape of (Image) SpaceStefania Charitou, Projection dislocatedSudeep Dasgupta, The Screen beside Itself: Situational Transformations in Visual CultureZlatan Krajina, How to Tame the Sun: Visual Indulgences at a Screen-Place as Strategies of Appropriation16:00 - 17:00 Keynote [MRB Screen 1]Julia Knight, Distribution, Diversity and Digitalisation17:00 – 18:30 Networking & Drinks [RHB 247] Sunday, 21st November 9:30 - 10:30 Registration (& coffee) [BPB Foyer] 10:30 - 12:15 Third Panel Session Panel 3a [BPB 1]: Remix, Appropriation & the AmateurFelix Seyfarth, Television 2.0: Exploring user-generated video and online participationMarin Hirschfeld, Redacted and the Problems with Appropriating Amateur Digital DiscoursesNicola Evans, Rambo RemixPatricia Moran, The image time: procedure of cultural remixPanel 3b [BPB 2]: (New?) Image AestheticsPatricia Iuva, Trailer aestheticLuca Barbeni, Until the End of CinemaVito Campanelli, The DivX and MP3 Experience12:15 - 13:45 Lunch Break [BPB Foyer] 13:45 - 15:30 Fourth Panel Session Panel 4a [BPB 1]: The Image on the MoveSimone Knox, Besides, On and Through the Screen: The Transnational Distribution and Consumption of CinemaLaura Rodriguez Isaza, Touring the Film Festival Circuit: Migrating Patterns of Latin American CinemaLeandro Valiati, Cultural Economics and Movies: Indicators and empirical researchPanel 4b [BPB 2]: As Art: Authenticity, Originality & ExhibitionBojana Romic, New Exhibition Spaces: viral video goes offline?Frantisek Zachoval, ART-y-CHOK-eCatrien Schreuder, Pixels and Places: Video Art in Public SpaceDominik Hasler, Party as art? AntiVJ and the migration of VJing into the sphere of fine arts15:30 - 16:00 Conference Closing

10 years, 10 months

Booki - a message from Adam Hyde

by Stella

hi, Booki has been entered into the Transmediale Open Web Awards...if you dont know Booki (http://www.booki.cc) its a collaborative online book production platform created by FLOSS manuals. Two NZers are at its heart, me and Doug - plus John Curwood (Hamilton) maintains the booki user guide *and* we did a code sprint in Wellington earlier this year...so ADAers please vote for booki! please please please register : http://www.drumbeat.org/user/register and vote for us: http://www.drumbeat.org/project/open-web-publishing and pass this around!!!! :) adam

10 years, 10 months

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Ada_list December 2010