CALL FOR CONFERENCE AND EXHIBITION PARTICIPATION – FIRST CALL
WELCOME TO AMBIENCE´11
…where art, technology and design meet
An international conference, and exhibition, which welcomes researchers
and artists/designers/architects to the University of Borå...s
28-30 November 2011.
The main topics of the conference are:
- Digital architecture
- Interaction design
- New media art
- Smart textilesWe welcome submissions which focus on the above
topics from the perspective of art/design/architecture as well as from a
technology perspective.Submitting
Extended abstracts of papers and exhibition proposals should be
submitted no later than:
April 1 2011.
more info:
www.ambience11.se
Contact Ambience11: info(a)ambience11.se
Each submitted abstract will be reviewed by members of the
Conference Program Committee and authors will be notified of acceptance
for presentation or rejection by July 1, 2011.
The Ambience conference focuses on the intersections and interfaces
between technology, art and design. The first international conference
in the Ambience series was held in Tampere, Finland in 2005. In Tampere
2005 the basic theme was “Intelligent ambience, including intelligent
textiles, smart garments, intelligent home and living environment”.
In
Borås 2008 it was “Smart Textiles – Technology & Design” and
in
Borås 2011 it will be the new expressional crossroads where art, design,
architecture and technology meet; digital architecture, interaction
design, new media art and smart textiles.
With a foundation in artistic practice the conference will be organized
as a meeting place where art, design, architect and technology
communities can come together to discuss and share ideas on the
interfaces between art and technology development; a place where art,
design, architecture and technology can meet and interact, to inform
each other, and to bring new ideas back to their own community.
The conference will include sessions for paper presentations as well as
an exhibition for the presentation of art, design and architectural
work.
We welcome contributions from the areas of art, design and architecture
where new technology plays a key role and also contributions from areas
of technology where focus is on applications in contemporary art, design
and architecture.
Keynote speakers will introduce discussions about, and critical
reflections on, the future development of the intersections between
artistic practice and technology. Concerts and performances will also
display artistic perspectives on modern technology.
The conference is organized by The University of Borås in cooperation
with Tampere University of Technology and is a part of the Smart
Textiles Initiative – www.smarttextiles.se
The 27th Chaos Communication Congress (27C3) is the annual four-day conference organized by the Chaos Computer Club (CCC).
It takes place at the bcc Berliner Congress Center in Berlin, Germany.
27th Chaos Communication Congress December 27th to 30th, 2010
bcc Berliner Congress Center, Berlin, Germany
The Congress offers lectures and workshops
on a multitude of topics and attracts a diverse audience of thousands
of hackers, scientists, artists, and utopians from all around the
world.
We want you to come together in Peace Missions all over the world:
Allow those unable to attend the Congress in Berlin to celebrate their
own Hack Center Experience, watch the streams, participate via twitter
or chats, drink Tschunk, cook and have a good time.
If you have other cool ideas how to make the distributed 27C3
the coolest congress ever, just comment on what you can bring, what
you'd like to see and what you need from 27C3 Berlin orga. See the Google map and add your location to it!
For a virtual interactive coming together just use the #behindenemylines @freenode.
more about this >> http://events.ccc.de/congress/2010/wiki/Peace_Missionshttp://events.ccc.de/congress/2010/wiki/Main_Page
dec 27-30
if you go to speakers
http://events.ccc.de/congress/2010/Fahrplan/speakers.en.html
and then click on the title of their presentation, there's at least an abstract and in some cases a whole presentation.
or click on one the themes and get the speakers catagorized in this manner:
community:
hacking:
http://events.ccc.de/congress/2010/Fahrplan/track/Hacking/index.en.html
Sonja van KerkhoffART: http://www.sonjavank.comBLOG:www.sonjavank.blogspot.com DESIGN: www.sonjavank.com/design VIDEOS: www.youtube.com/sonjavank
BOOKMARKS: http://del.icio.us/sonjavank
From: Hamish Tocher <Hamish.Tocher(a)weltec.ac.nz>
Date: 9 December 2010 11:11:55 AM
To: "'ada_list(a)list.waikato.ac.nz'" <ada_list(a)list.waikato.ac.nz>
Subject: Call for Applications: Rita Angus Artist's Residency 2011
The Wellington Institute of Technology is delighted to announce that
applications are now open for the Rita Angus Artist’s Residency for
2011.
The Residency supports an artist to produce a new body of work that
reflects upon the interplay between technology and culture. The
Residency also encourages the artist to enter into dialogue with the
Wellington arts community and to exhibit and discuss their practice.
The Rita Angus Residency is being offered in association with the
Wellington Institute of Technology’s School of Creative Technologies.
For more information, and to apply, visit the website athttp://www.weltec.ac.nz/residency/rita_angus_residency.html
Applications should be received by 5pm,Monday 7 March, 2011. Direct
enquiries and applications tohamish.tocher(a)weltec.ac.nz.
Hamish Tocher
Senior Lecturer
Wellington Institute of Technology
Private Bag 39803, Lower Hutt 5045
Wellington, New Zealand
Phone: +64 4 920 0466 Extn 782
DDI: +64 4 920 2782
Email: hamish.tocher(a)weltec.ac.nz
www.weltec.ac.nz
Hi all,
Ana is picking people up from Palmerston North 7.30pm Friday night and
has space for 2 more.
contact her by mail anaterry(a)es.co.nz or on 0220139197
cheers
/julian
----
Date: Tue, 07 Dec 2010 17:22:12 +1300
From: Ana <anaterry(a)es.co.nz>
To: julian <julian(a)greenbench.org>
Subject: ride share available - PN - Wanganui Friday night
hi julian
I'm picking up someone at 7.50pm from PN Aiport on Friday
night .... will have room for 2 at a pinch.
Please forward onto
participants
cheers
Ana
Hi all,
the complete programme is now available here:
http://symposium10.aotearoadigitalarts.org.nz/programme
and also included below.
look forward to seeing you in Whanganui,
cheers
/julian
Overview
Welcome to the 7th ADA Network Symposium. In this 3-day event we explore
the relationships between energy and information in media arts. We ask
how sustainable is the technology that supports media art? What new
forms of practice are developing at the intersection of energy
conservation and production, technology, and art? And how can we balance
a global arts practice with the ethical complexities of global air
travel, and the social complexities of remote participation? These
issues will be examined through keynote presentations, discussions,
artist presentations, workshops, a screening programme and two
exhibitions. A wide range of artists and researchers from Whanganui and
New Zealand will present current projects in art and sustainable energy,
in conference sessions including Sustainable Media (Art), Energy
Networks, and Social Energy.
Friday is dedicated to a day-long workshop with American artist John
Hopkins that will explore Whanganui and its river, via waka. Following
the workshop the Sarjeant Gallery will present Ozinal (2010) (a radio
station from the sun) by Joyce Hinterding and David Haines, courtesy of
the artists and Breenspace.
Saturday’s program includes a remote conversation with London-based
media artist Graham Harwood, a panel discussion on sustainable media and
the dichotomies of immediacy, followed by a series of short interrelated
presentations, and a keynote presentation by Australian theorist Douglas
Kahn. After lunch an artist talk at The Green Bench on the exhibition
‘Burn’ will also be a feature of the day. In the evening an outdoor
video screening programme and a live VJ performance will showcase
national and international artists whose works explore aspects of energy
and sustainability.
Sunday’s program features a keynote presentation by Australian artists
David Haines and Joyce Hinterding, a themed session on Energy Networks,
a second series of short presentations followed by a themed session on
Social Energy. The final session will conclude with a discussion on the
implications of energy issues for current media art practices in New
Zealand and elsewhere.
DAY 1 : Friday, 10 December
10am: Registrations at the Putiki boat ramp, 1 Tikarangi street. Tea and
Coffee.
10:30am – 4pm: Energy, Creative Action, and Sustainable Systems
Workshop: John Hopkins
This workshop will draw on Hopkins’ international experience in
facilitating creative encounters in the context of the Temporary
Autonomous Zone. With an open structure for engaged and focused
dialogue, the workshop will explore a powerful energy-based worldview
that can open up new awareness of social, cultural, and natural systems.
The dynamics of collaborative human relations confined within an
attentive space is guaranteed* to generate provocative and inspiring
outcomes. Creativity is, by definition, about the formative flow of
energy between living organisms. We will move through a variety of
environments (including on the river by waka) as we share life-time in
the workshop. The workshop will augment the processes of any creative
practitioner with a profound, situated, and practice-oriented conceptual
toolbox that address the following areas and more:
(Keywords in no particular order): energy, creativity, thermodynamics,
technology and techno-social systems, art, attention, entropy, learning,
media, networks, participation, process, virtuality, creative action,
human presence, Light, human encounter, mediation, concentration,
optimization, pathways, meals, sustainability, simplicity,
synchronicity, auspiciousness, and serendipity.
*on the condition that you bring along your entire Self, not merely your
body, mind, and spirit
1.00pm: After lunch the workshop continues at The Green Bench, Guyton
Street. (Participants may join the workshop at this point.)
This is a parallel event with ADA, supported by Creative Communities
Wanganui, run by Green Bench & One River.
5:30 – 7:00pm: Sarjeant Gallery opening of Ozinal (2010), a radio
station from the Sun by artists Joyce Hinterding and David Haines.
Video Stills (left to right): Brit Bunkley, ‘Cargo Paradox of Plenty’;
Superflex, ‘Burning Car’; Erin Coates, ‘Voyage to the Common Wealth’.
DAY 2 : Saturday, 11 December
9:15am: Registrations and coffee, War Memorial Hall, Watt Street
9:45am: Introductions and welcome
10:00 – 10:45am: Remote keynote presentation: Graham Harwood – Coal
Fired Computers
(300,000,000 Computers – 318,000 Black Lungs)
(Moderator Julian Priest). Presentation and discussion.
British artist and media activist, Graham Harwood is best known for his
collaborative work ‘Rehearsal of Memory’ (1995) produced with maximum
security mental patients at Ashworth Hospital and as the founder of
Mongrel an internationally recognised artists group specialising in
digital media. In the Coal Fired Computers project he continues his
exploration of power structures in relation to media ecology and exposes
the conditions of the marginalised and working classes.
10.45 – 11:15am: Morning Tea
11:15 – 12.30pm: Themed session – Sustainable Media
(Moderator Su Ballard) conversation: Trudy Lane, Sophie Jerram and
Bridie Lonie
Is the world indifferent to media? In what ways do we make our practices
mean something at a scale beyond the local? Information technology and
air transport each use about 2% of global energy at present. ADA
symposia have always foregrounded the value of personal interconnection
in a physical space, and the need to bring people together regularly to
sustain our already distributed network. This conversation builds on
this experience to address the dichotomy of immediacy. How do we
participate in (and keep up with) global arts practice if long distance
air travel is increasingly ethically problematic? Is remote
participation sustainable – environmentally, socially, and mentally?
Alternatively, can we embrace ‘slow’ media? We ask: what would a slow
media arts practice look like?
Trudy Lane is an artist, organiser and designer whose practice has
become increasingly focused on ecological issues. She seeks to create
inspiring models of encounter between specialized cultures of knowledge.
Bridie Lonie teaches in Art History and Theory at Dunedin School of Art,
her current research explores theories of the commons as a way to work
with things that do not think as we do, or perhaps at all, but act on us
as we do on them.
Sophie Jerram is a Wellington-based artist and curator. She is the
co-founder with composer Dugal McKinnon of Now Future, which seeks to
instigate and realise arts led projects that address key issues in
sustainability and ecology.
12.30-2:00pm: Shared lunch, followed by artists’ talk at The Green Bench
(Burn Exhibition)
2:00-3:00pm: Short Presentations Session I (Moderator Stella Brennan)
1. Ian Clothier – Park Speaks (via skype from Pukeura park, New Plymouth)
2. Sally McIntyre – Visible City, Melbourne
3. Richard Edkins – Environments project
4. John Hopkins – Neoscenes
5. Kerry Ann Lee – Am Park Shanghai Project
6. Shane Farrow – The Film Archives + Digital Archiving
7. Gregers Peterson – Digital Archiving
3:00-3:30pm: Jude Chambers:
Introduction to CNZ’s new ‘Media arts’ Contestable Funding Category
3:30-4:00pm: Afternoon tea
4:00-5:00pm: ADA AGM (open to all ADA members)
6:00 – 7:00pm: Keynote presentation: Douglas Kahn ‘Music from Brains’
Imagine: John Lennon, Yoko Ono, Chuck Berry and others on the television
studio floor in 1972, electrodes clinging to their heads, making music
with their brains. Draw the historical curtain back and find Norbert
Wiener and John Cage, mentors of the physicist Edmond Dewan and the
composer Alvin Lucier, respectively. Dewan had already performed his
brainwaves on national television with Walter Cronkite in 1964, and
Lucier composed his “brainwave piece”, Music for Solo Performer the
following year. For each, brainwaves formed one flank of an audible and
naturally-occurring electromagnetic spatiality, the other being on a
geophysical scale, with the intervening space caught between Cold War
and Counter-Culture.
Chair: Zita Joyce Respondent: Su Ballard
Douglas Kahn is Research Professor at the National Institute of
Experimental Arts (NIEA), the University of New South Wales. Prior to
NIEA, he was Founding Director of Technocultural Studies and Professor
of Science and Technology Studies at the University of California,
Davis. He is the author of Noise, Water, Meat: A History of Sound in the
Arts (1999) and co-editor of Wireless Imagination (1992). Current
projects include a book sourced from Source: Music of the Avant-garde,
edited with the composer Larry Austin; a collection, edited with the art
historian Hannah Higgins, of essays and documents on the arts and early
computing, Mainframe Experimentalism; and a book on the arts and
aesthetics deployed across the electromagnetic spectrum, Earth Sound
Earth Signal, all for University of California Press.
7:30 – 8:30pm: Dinner
9.30 – 10.30pm: Energetics and Informatics Public Video Screening
outside the Sarjeant Gallery
(artists and works in order of screening):
Amelia Hitchcock – The opposite of green 1:53
Karen Curley – Licht und Klang 3:00
Erin Coates – Voyage to the Common Wealth 4:10
Julian Priest – Information Comes from the Sun 2:00
Sophie Jerram – Refined Life 7:16
Brit Bunkley – Cargo Paradox of Plenty 3:00
Don Hunter – Carfall 2:00
Ubermorgen – DEEPHORIZON 3:33
Superflex – Burning Car 9:30
Dylan Thomas Herkes – Curse of The Tape Man! 2:33
Naomi Lamb live VJ performance to silence 10:00
Video stills (left to right): Amelia Hitchcock, ‘The Opposite of Green’;
Dylan Thomas Herkes, ‘Curse of The Tape Man!’; Don Hunter, ‘Carfall’.
DAY 3 : Sunday, 12 December:
10:00 – 10.45am: Keynote presentation David Haines and Joyce Hinterding
– The Sun
(Moderator Janine Randerson)
Joyce and David share a long standing interest in the energetic nature
of the world and produce works based on experiments that come from
firsthand experiences, sensations and an exploration of fundamental
principles. This methodology often includes misunderstandings and
subjective understandings that produce works that incorporate both truth
and fiction. In this keynote, Joyce and David talk about how their work
with the sun has been achieved through an expanded investigation of
frequencies.
David Haines and Joyce Hinterding live and work in the Blue Mountains,
NSW, Australia. Their collaborative work has produced large-scale
immersive video and sound works that explore the tension between the
fictive and the phenomenal. These works incorporate Joyce’s
investigations into energetic forces and David’s concern with the
intersection of hallucination and landscape. EarthStar was awarded an
Award of Distinction at Ars Electronica, 2009. They are represented by
Breenspace.
10.45 – 11.15am: Morning tea
11.15 – 12.30pm: Themed session – Energy Networks (Moderator Julian Priest)
Conversation: Scott Willis and Gregers Petersen
With the rise of renewable energy technologies there is renewed interest
in convergence between the electricity networks and information networks
and the potential for the emergence of a distributed energy
infrastructure. As we approach this infrastructural change the session
looks at parallels between the technological cultures around recent
wireless community network initiatives and the upcoming community power
generation projects. What are the social interrelationships that make
the production of these forms of infrastructure possible?
Gregers Petersen is an anthropologist who explores notions of ownership
and property in the boundary location between a free software project
(OpenWrt.org) and commercial companies. The research is part of a large
project focused on the intersection between open source software
development, commercial interests and institutional entrepreneurs.
Gregers Petersen has a long lasting engagement in the world of free
wireless networks, with strong ties to the Freifunk movement in Europe
(freifunk.net) and the global WSFII network. He is a doctoral candidate
in Anthropology at Copenhagen Business School, Open Source co-ordinator
of Denmark’s National Art Museum, and co-ordinator of Ungdomshuset Vegan
Community Kitchen.
Scott Willis is Project Manager of Blueskin Power, a community initiated
Renewable Generation project building a NZ blueprint for a resilient
national energy system. He has an MA in social anthropology.
Julian Priest is an artist and independent researcher. He was co-founder
of early wireless network community consume.net and an advocate for the
freenetworking movement. He has been active in radio spectrum politics
in support of an open spectrum in the public interest with
OpenSpectrumUK. His current artistic practice concerns the boundaries
of technology and environment with a focus on energy, and expeditionary
methodologies. He shows, performs and writes internationally, is
director of the Green Bench project room in Whanganui, and board member
of the Aotearoa Digital Arts Trust.
12.30 – 1.30pm: Shared lunch
1.30 – 2:30pm: Short Presentations Session II (Moderator Stella Brennan)
1. Jeff Nusz – Screens online gallery for art interactives (Remote
presentation)
2. Sophie Jerram – Article Biennale (of temporary and unstable art) in
Stavanger Norway
3. Naomi Lamb – Migration of a VJ
4. Pete Gray (WDC) – ‘Only connect!: Breaking down the digital barriers,
one bit at a time.’
5. Trudy Lane – Preserving energy sources
6. Richard Thompson – Energy co-operative in Whanganui
7. Janie Walker – Hikurangi Foundation: Sustainability and climate
change in Aotearoa NZ
8. Michael Poa – One River: the impact of hyrdro-electric power on the
Whanganui River
2:30 – 3.00 Afternoon tea
3.00-4.30pm: Themed Session – Social Energy (Moderator Zita Joyce),
participants:
Eric Kluitenberg – Electrosmog Festival of Sustainable Immobility
Caro McCaw – Storytelling, narrative and media art
Sally McIntyre – Social energy in / through radio and small-scale
participatory media projects
John Hopkins – The architectures of participation
Network culture has quickly established itself over the last 20 years as
a result of the technological innovations of the Internet and Digital
Media. The spread of network technologies has been driven by people and
the uses they put the new media to. ADA is itself a social network,
based currently in both the technology of email, and the social
connectivity of face to face meetings. This panel explores participatory
art and media, and the social energy of symposia such as this, to
examine how artists use social networks as a medium for art, and also a
tool for support and connection.
This panel will begin with a presentation from Eric Kluitenberg, head of
the media program at De Balie – Centre for Culture and Politics in
Amsterdam, reflecting on the complexities of generating and maintaining
social energy across the distributed remote Electrosmog festival, in
which ADA participated in March 2010.
4.30 – 6:00pm: Closing discussion: Implications of energy issues for
current media art practices in New Zealand and elsewhere.
6:00pm: Conference closing, Dinner
DAY 4: Monday, 13 December :
10:00 – 12:00 Art and Energy: An open discussion and critique forum with
Douglas Kahn and Caroline McCaw around individual artists / musicians /
others works and how they respond to or relate to the themes of the
symposium. All welcome, bring work (complete or in progress) and ideas
to discuss. Forum will be held at The Green Bench, Guyton Street.
Hi,
It is with great pleasure that Damian and I wish to announce the availability
The Artvertiser software for both the Windows and OS X operating systems.
The Artvertiser is a fast and free realtime image-substitution platform for use
by artists and activists. It provides possibility for the substitution of any
planar image -in either live or archival video- with alternative images, movies
or 3D content.
As such, billboard advertisements, political campaigns or product placement in
feature films all become valid targets for alteration and subsequent upload.
A detailed installation guide and the first of a series of Improved Reality
trainee videos can be found here:
http://theartvertiser.com/install
The project page is here:
http://theartvertiser.com
The Windows and OS X Artvertiser software should be considered BETA. It was
developed initially on GNU/Linux. Please let us know of any hiccups using
contact details in the above installation guide!
Happy artvertising!
The Artvertiser Team
--
Julian Oliver
home: New Zealand
based: Berlin, Germany
currently: Berlin, Germany
about: http://julianoliver.com
Kia ora koutou,
I thought some of you might find the programme of interest. I'm not going over.
na, sonja
"Besides the Screen: Moving Images during Distribution, Exhibition and Consumption"
New
media technologies impact cinema well beyond the screen; they also
promote the reorganization of its logic of distribution, modes of
consumption and viewing regimes. Once, it was video and television
broadcast that disturbed traditional cinematographic experience,
revealing the image as soon as it was captured and bringing it into the
home of the audience. Nowadays, computer imaging and online networks
cause an even stronger effect to the medium, increasing the public
agency in the movie market dynamics.
In order to understand how
these significant changes in the modes of accessing and distributing
moving images might affect cinematographic experience, economy and
historiography, we are obliged to rethink not only of its future, but
its past as well. Besides the Screen is a one-day international
symposium that aims to map research projects on new and old forms of
moving image distribution, exhibition and consumption. The conference
will be hosted in Goldsmiths College in November, with the support of
the Graduate School and the Media and Communications Department.
there is more info on their blog. i don't think it is being streamed: http://besidesthescreen.blogspot.com
Saturday, 20th November
9:30 - 10:30 Registration (& coffee) [MRB Foyer]
10:30 - 10:45 Welcome! [MRB Screen 1]
10:45 - 12:30 First Panel Session
Panel 1a [MRB Screen 1]: Distribution & TVKeith Beattie, Exhibiting Direct Cinema: The Realignment of US Broadcast Television and the Development of the Observational ModeJP Kelly, In the “Perpetual Now”: 24 and the Distribution of Real-TimeMelanie Kennedy, High School Musical as a Made-for-Television Tween MusicalHannah Andrews, The BBC Film Network: User-generated Content and the Public Service BroadcasterPanel 1b [MRB Screen 2]: Marketing and/or Participation
Adnan Hadzi, Why Openness Matters: the Deptford.TV ProjectMarc Stumpel, File-sharing or attention-sharing? Implications of the hybrid economyStephanie Janes, Viral Marketing Strategies in Hollywood Cinema12:30 - 14:00 Lunch break [MRB]
14:00 - 15:45 Second panel session
Panel 2a [MRB Screen 1]: The (Archived) ImageMaarten Brinkerink, Open Images: Establishing an Audiovisual CommonsAna Carvalho, The ephemeral in AV realtime practices: an analysis into the possibilities for its documentationEvelin Stermitz, ArtFem.TVClaudy Op den Kamp, The forgotten ones: is audiovisual archival public domain material really freely available?Panel 2b [MRB Screen 2]: The Shape of (Image) SpaceStefania Charitou, Projection dislocatedSudeep Dasgupta, The Screen beside Itself: Situational Transformations in Visual CultureZlatan Krajina, How to Tame the Sun: Visual Indulgences at a Screen-Place as Strategies of Appropriation16:00 - 17:00 Keynote [MRB Screen 1]Julia Knight, Distribution, Diversity and Digitalisation17:00 – 18:30 Networking & Drinks [RHB 247]
Sunday, 21st November
9:30 - 10:30 Registration (& coffee) [BPB Foyer]
10:30 - 12:15 Third Panel Session
Panel 3a [BPB 1]: Remix, Appropriation & the AmateurFelix Seyfarth, Television 2.0: Exploring user-generated video and online participationMarin Hirschfeld, Redacted and the Problems with Appropriating Amateur Digital DiscoursesNicola Evans, Rambo RemixPatricia Moran, The image time: procedure of cultural remixPanel 3b [BPB 2]: (New?) Image AestheticsPatricia Iuva, Trailer aestheticLuca Barbeni, Until the End of CinemaVito Campanelli, The DivX and MP3 Experience12:15 - 13:45 Lunch Break [BPB Foyer]
13:45 - 15:30 Fourth Panel Session
Panel 4a [BPB 1]: The Image on the MoveSimone Knox, Besides, On and Through the Screen: The Transnational Distribution and Consumption of CinemaLaura Rodriguez Isaza, Touring the Film Festival Circuit: Migrating Patterns of Latin American CinemaLeandro Valiati, Cultural Economics and Movies: Indicators and empirical researchPanel 4b [BPB 2]: As Art: Authenticity, Originality & ExhibitionBojana Romic, New Exhibition Spaces: viral video goes offline?Frantisek Zachoval, ART-y-CHOK-eCatrien Schreuder, Pixels and Places: Video Art in Public SpaceDominik Hasler, Party as art? AntiVJ and the migration of VJing into the sphere of fine arts15:30 - 16:00 Conference Closing
hi,
Booki has been entered into the Transmediale Open Web Awards...if you
dont know Booki (http://www.booki.cc) its a collaborative online book
production platform created by FLOSS manuals. Two NZers are at its
heart, me and Doug - plus John Curwood (Hamilton) maintains the booki
user guide *and* we did a code sprint in Wellington earlier this
year...so ADAers please vote for booki!
please please please register :
http://www.drumbeat.org/user/register
and vote for us:
http://www.drumbeat.org/project/open-web-publishing
and pass this around!!!! :)
adam