May 2010 - Ada_list - University of Waikato Mail Lists

by Dawn Hutchesson

Hi there, Can you please post these to your mailing list! thanks Dawn 1. LIVE. REPEAT. PLAYBACK. ( http://www.colab.org.nz/node/472 ) 25 June 2010 At the still point of the turning world…. The Prague Quadrennial of Performance Design and Space (PQ) is the largest event of its kind in the world - presenting contemporary work in a variety of performance design disciplines and genres. Occurring every four years, since 1967, the Prague Quadrennial will present work from more than 70 countries, in three competitive sections: countries and regions, theatre architecture, and a student section. http://www.pq.cz/en The NZ Commissioner Sue Gallagher is calling for proposals for the Student section and expressions of interest for the National section to take part in LIVE. REPEAT. PLAYBACK., a two-week programme of performance events, workshops, panel sessions, and exhibition in preparation for the 2011 Prague Quadrennial: LIVE. REPEAT. PLAYBACK. exhibition/performance events will take place from 12-28 August at ST PAUL St Gallery, AUT University and will explore the emerging paradigms of performance and media arts through critical enquiry and innovative performative practice in Aotearoa New Zealand. Contact NZ Commissioner Sue Gallagher at: sue.gallagher(a)aut.ac.nzfor more information or go to http://www.colab.org.nz/node/472 for full application forms. All applications due 25 June 2010 2.Online Digital Residency | Call for applications Mash-up, warp, bend, twist CoLab (AUT University's interdisciplinary creative technology centre) and The Big Idea website (the online home of New Zealand's creative community) are calling for applications from creative practitioners and artists interested in being The Big Idea's first online artist-in-residence For an application form visit: http://www.thebigidea.co.nz ( http://www.thebigidea.co.nz/ )( http://www.thebigidea.co.nz/) or for more information contact dawn.hutchesson(a)aut.ac.nz or visit http://www.colab.org.nz. ( http://www.colab.org.nz./ )( http://www.colab.org.nz/) All applications must be received by 5pm (New Zealand CST), Friday, 25 June 2010. Dawn Hutchesson CoLab Manager AUT University Ph: +64 (09) 921-9566 Mobile: 021 275 2243 Convergence Collaboration Communities http://www.colab.org.nz/

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Medialab-Prado receives an Honorary Mention at Prix Ars Electronica 2010

by Medialab-Prado comunicacion

*MEDIALAB-PRADO* Plaza de las Letras C/ Alameda, 15 28014 Madrid (Spain) +34 913 692 303 www.medialab-prado.es * *_ _ __Medialab-Prado receives an Honorary Mention at Prix Ars Electronica 2010 _May 31, 2010_ *The production platform Interactivos? wins an Honorary Mention in the category of "Interactive Art" as a unique space for the collective creation of interactive installations.* Since Interactivos? was held for the first time in 2006, it has had remarkable success with its open innovation model, in which ten ideas chosen through a public open call are developed by groups of collaborators from all over the world. They attend the workshop to contribute their knowledge to carrying out the projects. During the two-week workshop, a context for collective learning and living and working together is created that generates surprising results. To date, 17 workshops have been held around the world adhering to the Interactivos? methodology, giving rise to over 150 projects including augmented reality games, data visualization, performing arts, experimental video games, and sound installations. Artists, designers, educators, researchers, scientists, sociologists, etc. have taken part, each contributing their varying types of knowledge and specializations, making a very productive and enriching learning and creation environment. Ars Electronica has given annual awards since 1987 to the most outstanding projects in digital culture worldwide, including interactive works and installations, digital communities, sound art, and computer animation. In the case of Interactivos? from Medialab-Prado, an exceptional award was given to a platform for experimentation and collective creation of prototypes of interactive installations, whose success has been proved throughout nine international workshops held in various cities around the world (Madrid, New York, Lima, Mexico, Gijón and San Sebastián) over the past four years. The next Interactivos? workshop will be held at Medialab-Prado from 7-23 June 2010, titled *Interactivos?'10: Neighbourhood Science* The call for collaborators will be open until June 4, 2010 (no registration fee). More information: http://medialab-prado.es/article/taller-seminario_interactivos10_ciencia_de… http://www.aec.at/prix_history_en.php?year=2010 -- Nerea García Garmendia Comunicación / Press Medialab-Prado Área de Las Artes, Ayuntamiento de Madrid Plaza de las Letras Alameda, 15 28014 Madrid Tfno. +34 914 202 754 difusion(a)medialab-prado.es www.medialab-prado.es "Antes de imprimir este documento asegúrate de que es realmente necesario. ¡Gracias por tu colaboración!"

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// What are the origins of Hacktivism? //

by Julian Oliver

NZ's digital immunity to the anti-nuclear WANK worm: http://web.archive.org/web/20071020051936/http://iq.org/#Whataretheoriginso… Cheers, -- Julian Oliver home: New Zealand based: Berlin, Germany currently: Berlin, Germany about: http://julianoliver.com

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101010 UpStage Festival - selected performances announced

by helen varley jamieson

Media Release 26 May 2010 For immediate release Performances announced for 101010 UpStage Festival A record 19 performances have been selected for the 101010 UpStage Festival <http://upstage.org.nz/blog/?page_id=680>, the fourth annual showcase of cyberformance using the UpStage platform, which takes place this year on and around 10 October. Artists from 11 countries, traversing seven time zones, will present shows on a wide variety of themes. Common to all shows is the use of UpStage <http://upstage.org.nz/>, a web-based platform that enables remote performers to collaborate in real time for an online audience. Audiences can easily access the performances with only a standard web browser and internet connection, and there will be "real life access nodes" in some locations. Festival curators Vicki Smith, Dan Untitled and Helen Varley Jamieson said that once again the call for proposals had resulted in a diversity of ideas, themes and approaches. "We don't place any restrictions on the artists, other than the length of their shows (not longer than 20 minutes)," says Jamieson. "We leave the form and content open to encourage experimentation and innovation. It also means the programme has something for everyone." This year, the programme has been divided into four groups. "Temporal" groups together shows which explore sound and movement across time and networks. The performances in "Trajectory" follow traces, trails and tracks. Thought-provoking and brain-teasing shows can be found in "Tendrils", while those in "Transgress" invite audiences to cross boundaries or limits. There are dance-based performances, theoretical meditations, comedy, explorations of sexuality, conceptual works, who-dunnits, creative interpretations of technology and numerous interactive works. Several performances will have participatory contexts prior to the festival and some are part of larger projects. The full list of performances is included at the end of this release, and information about each show is online at www.upstage.org.nz <http://www.upstage.org.nz>. Just over half of the shows are by artists who have previously made work in UpStage, with eight shows coming from artists new to UpStage. Many of the new artists are established in other disciplines, including theatre, dance, music and visual arts, and are interested in the challenge of extending their practice into cyberspace. "It's exciting to see the variety of approaches from new artists," says Jamieson, "as well as the directions in which experienced UpStage artists are moving. There is technical experimentation as well as pushing interactivity and the evolving relationship between performers and audience in a real-time online environment." As with previous festivals, there will be RL (real life) access nodes around the world. So far RL nodes have been confirmed in New York, Slovenia, Wellington (New Zealand) and Calgary (Canada); others will be announced as they are confirmed. RL access nodes provide a physical venue where audiences can watch and participate in the festival. Sometimes performances are staged from nodes, combining the online and proximal environments and audiences. The full list of performances, information about each show and links to participate, is available on the UpStage web site: http://www.upstage.org.nz. The schedule of performances will be available closer to the time of the festival. For more information, contact info(a)upstage.org.nz *Performances selected for the 101010 UpStage Festival:* * "A little online communion" by Bishop Bishop (Sheila Bishop), Josh Cajinarobleto & Mitzi MIze (USA) * "MASS-MESS" by Katarina DJ. Urosevic & Jelena Lalic (Serbia) * "S/Zports: A Training for the Possible Wor(l)ds" by Miljana Peric, Julijana Protic, Jelena Milosavljevic-Rubil, Goran Rubil (Serbia), Andrea Ass (Germany) & Suzon Fuks (Australia) * "Vibrations in a viral vitality" - AP033, lead by Jenny Pickett (France) * "Die Totezone (The Deadzone)" by Alexa Wilson (NZ/Germany) & Cat Ruka (NZ) * "Nino, Nina – Nin. that’s who I am" by Helga Hofbauer & Lilly Axster (Vienna) plus others * "X marks the spot" by Vicki Smith (Aotearoa/NZ) & Helen Varley Jamieson (NZ/Germany) * "Transient Spaces" - Schaumbad - Freies Atelierhaus Graz (Austria) * "make-shift" by Paula Crutchlow (UK) & Helen Varley Jamieson (NZ/Germany) * "West Side’s Story" by Joanne, Ellen and Hannah (New Zealand) * "Murder 2.0" by Virtual Theatre (Canada) * "Theatre of Exchange" by Nathalie Fougeras (France/Sweden) & Malin Ståhl (Sweden/UK) * "Plaice or Sole" by Francesco Buonaiuto, Mario Ferrigno (Naples, Italy) * "darko milicevic’s AUDIOvisualILLUSIONS [ interactive multimedia performances]" by Darko Milicevic (Linz, Austria) * "Sprinkler Fountain" by Suzon Fuks (Australia), Miljana Peric (Serbia) and Tara Rebele (USA) * "Aquifer Fountain" by ActiveLayers (Australia, NZ, UK) * "Colourful Wi-Fi Network" by Jung-Hua Liu (UK) * "Strings Attached 2: Who’s driving this thing?" by Cindi L’Abbe & others (New Hampshire, USA) * A show by Kristin Carlson (Canada) & Sheila Paige (USA) *For more information about the performances, the artists * *and the festival in general, please visit* *www.upstage.org.nz <http://www.upstage.org.nz>* -- ____________________________________________________________ helen varley jamieson: creative catalyst helen(a)creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ____________________________________________________________

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"slow media" articles

by Sonja van K

ter info, sonja Call for Papers Transformations Journal: "Slow Media" Abstract submissions due (500 words): 1 July 2010 Given the contemporary fascination with and, indeed, addiction to real-time media dispatch and commentary, what would it mean to speak of "slow media"? But while "slow media" as a term may appear primarily to describe a mode of resistance, it allows us to think about the speed of the media as such. Have our popular media always been increasing in speed? What is the end point of all of this, the apotheosis of real-time: are we, as Bernard Stiegler suggests, approaching the "time barrier"? And, what happens when we break it? For this issue of Transformations, we invite papers that meditate on the speeds and slownesses of the contemporary moment. Abstract submissions due (500 words): 1 July 2010, with a view to submit articles by 1 October 2010. Abstracts should be sent to Grayson Cooke at <mailto:grayson.cooke@scu.edu.au> grayson.cooke(a)scu.edu.au Visit: <http://www.transformationsjournal.org/journal/calls_for_papers.shtml> http://www.transformationsjournal.org/journal/calls_for_papers.shtml <http://www.transformationsjournal.org/journal/calls_for_papers.shtml> <http://www.transformationsjournal.org/journal/calls_for_papers.shtml> Sonja van KerkhoffART: http://www.sonjavank.com BLOG:www.sonjavank.blogspot.com DESIGN: www.sonjavank.com/design VIDEOS: www.youtube.com/sonjavank BOOKMARKS: http://del.icio.us/sonjavank _________________________________________________________________ 30 days of prizes: Hotmail makes your day easier! Enter Now. http://go.microsoft.com/?linkid=9729710

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Call for collaborative network listings

by Sondra Bacharach

Calling all artists!!! Enjoy Public Art Gallery (Wellington) is excited to make an open call for collaborative network listings* in an upcoming publication project. As part of the Wellington Collaboratorium with NY-based artist/writer Gregory Sholette, Enjoy is publishing a journal** on collaborative art practices that will also include a white pages tool for networking and the sourcing of industrial services. Enjoy is calling on all artists and creative practitioners that work or experiment within any manner of collaboration to list details of their practice and contact information, as part of this unique project publication. Spaces for Collaborative network listings are limited and can be reserved for $5. We encourage all artists with collaborative practices to be a part of this resource. Drop your listing + $5 by the gallery, post it to us, or email Enjoy (<jeremy(a)enjoy.org.nz>) for bank details or more info. Deadline for collaborative network listings: 10th of June. Visit the 'news' page at Enjoy's website for more information on listing: <http://www.enjoy.org.nz/node/495> *listings could include brief details/words/links to information about your practice. They should include name of artist/collective and web/e-mail address/s. 25 words MAX. **the journal will feature key texts, a collaborative network listing section, and notes and documentation for a public panel discussion to be chaired by Sholette at Victoria University of Wellington's School of Architecture and Design 25-27 June. The publication will be published in June and will be available in New Zealand and abroad.

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Media Artist/ Filmaker looking for opportunities in New Zealand

by Richard Edkins

Hi I am a artist/ filmmaker from UK currently in New Zealand. My work is on the fringes of Documentary, including films, Video Installations, Photography, Soundscapes, Interactive... My partner is also a photographer. We are looking for opportunities for creative practice, we are very interested in getting involved with collaborative projects, artist in residence... We also have teaching experience (at University, Colleges and public workshops). Our work is on the fringes of Documentary, including films, Video Installations, Photography, Soundscapes, Interactive... You can see some of our work at: www.richardedkins.co.uk www.karenbristoll.co.uk www.environments.org.uk We are currently touring in the south island, but have a vehicle and are interested in projects throughout New Zealand. Please contact us at richard(a)richardedkins.co.uk an advice, tips... also greatly appreciated Thanks Richard www.richardedkins.co.uk www.karenbristoll.co.uk www.environments.org.uk _________________________________________________________________ http://clk.atdmt.com/UKM/go/197222280/direct/01/ We want to hear all your funny, exciting and crazy Hotmail stories. Tell us now

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Call for Papers: ICITST-2010!

by g.akmayeva＠icitst.org

Apologies for cross-postings! Kindly email this Call for Papers to your colleagues, faculty members and postgraduate students. CALL FOR PAPERS ************************************************************ The 5th International Conference for Internet Technology and Secured Transactions (ICITST-2010), Technical Co-Sponsored by IEEE UK/RI Communications Chapter November 8–11, 2010, London, UK (www.icitst.org) ************************************************************ The ICITST is an international refereed conference dedicated to the advancement of the theory and practical implementation of secured Internet transactions and to fostering discussions on information technology evolution. The ICITST aims to provide a highly professional and comparative academic research forum that promotes collaborative excellence between academia and industry. The objectives of the ICITST are to bridge the knowledge gap between academia and industry, promote research esteem in secured Internet transactions and the importance of information technology evolution to secured transactions. The ICITST-2010 invites research papers that encompass conceptual analysis, design implementation and performance evaluation. All the accepted papers will appear in the proceedings published by IEEE and fully indexed by IEEE Xplore. All the ICITST papers are indexed by DBLP. The topics in ICITST-2010 include but are not confined to the following areas: * Application of agents * Application security * Blended Internet security methods * Biometrics * Boundary issues of Internet security * Broadband access technologies * Challenges of content authoring * Data mining security * E-society * Globalisation of information society * Government, and corporate Internet security policy * Internet architecture * Infonomics * IPSec quality of services * Patentability * Regulation, self-regulation, and co-regulation Web services * Secured database systems * Synchronising e-security * Software Architectures * Technology-enabled information * Trust, privacy, and data security * Wireless transactions * Context-Awareness and its Data mining for Ubi-com service * Human-Computer Interface and Interaction for Ubi-com * Smart Homes and its business model for Ubi-com service * Intelligent Multimedia Service and its Data management for Ubi-com * USN / RF-ID for Ubi-com service * Network security issues, protocols, data security in Ubi-com * Database protection for Ubi-com * Privacy Protection and Forensic in Ubi-com * Multimedia Security in Ubi-com * Quality of Service Issues * Authentication and Access control for data protection in Ubi-com * Information visualization * Web services * Service, Security and its Data management for U-commerce * New novel mechanism and Applications for Ubi-com * Information Management * Multimedia Information Systems * Information Retrieval * Natural Language Processing * Digital Libraries * Data and Information Quality Management * Data Grids, Data and Information Quality * Database Management * Web Databases * Temporal and Spatial Databases * Data Mining * Web Mining including Web Intelligence and Web 3.0 * E-Learning, eCommerce, e-Business and e-Government * Web Metrics and its applications * XML and other extensible languages * Semantic Web and Ontology * Human-Computer Interaction * Artificial Intelligence and Expert Systems * Knowledge Management * Ubiquitous Systems * Peer to Peer Data Management * Interoperability * Mobile Data Management * Data Models for Production Systems and Services * Data Exchange issues and Supply Chain * Data Life Cycle in Products and Processes * Case Studies on Data Management, Monitoring and Analysis * Security and Access Control * Embedded Systems * Defence Systems * Information Content Security * Software Architecture * System design and verification * Mobile, Ad Hoc and Sensor Network Security * Distributed information systems IMPORTANT DATES Full Paper Submission Date: May 31, 2010 Extended Abstract (Work in Progress) Submission Date: April 01, 2010 Proposal for Workshops and Tutorials: April 30, 2010 Notification of Workshop and Tutorial Acceptance: March 15, 2010 Proposal for Industrial Presentation: April 30, 2010 Notification of Extended Abstract Acceptance/Rejection: May 15, 2010 Notification of Industrial Presentation Acceptance: May 15, 2010 Notification of Paper Acceptance/Rejection: June 30, 2010 Camera Ready Extended Abstract Due: July 31, 2010 Camera Ready Paper Due: July 31, 2010 Early Registration Deadline: January 01 to July 31, 2010 Late Registration Deadline: July 31 to November 08, 2010 Conference Dates: November 08-11, 2010 The ICITST also encourages organisations to submit their Job Fair Booth Reservations and/or Exhibit Proposals. If your organisation is interested, kindly submit a brief Proposal (not more than 1 side of A4 page) to jobfair(a)icitst.org For more details, please visit www.icitst.org

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Call for Collaborators | Interactivos?'10: Neighborhood Science Workshop

by Medialab-Prado comunicacion

<http://medialab-prado.es>* MEDIALAB-PRADO* Plaza de las Letras C/ Alameda, 15 · 28014 Madrid +34 913 692 303 www.medialab-prado.es *Entrada gratuita *M - V: 10h - 20h S: 11h - 20h D: 11h - 15h *Call for Collaborators: Interactivos?'10: Neighborhood Science Workshop * *Registration deadline: June 4, 2010 Dates of the workshop: June 7 - 23, 2010 in Madrid (Spain) * Join us for the Interactivos?'10 international workshop! This event is focused on the 10 development of selected projects that put into action collaboration and local urban knowledge networks using free software and hardware technologies as well as "Do It Yourself" (DIY) and "Do It With Others"(DIWO) methods. Medialab-Prado offers free lodging for collaborators in a Youth Hostel during the workshop (limited places). No registration fees. According to its field of interest, each collaborator can be part of any team, bringing his/her knowledge and ideas to the workgroup and, at the same time, learning from the group and the teachers: Douglas Repetto, Platoniq and the team formed by Andrés Burbano, Alejandro Araque, Alejandro Duque, and Alejandro Tamayo. More information and submission form: http://medialab-prado.es/article/interactivos10_ciencia_de_barrio_convocato… Selected projects: http://medialab-prado.es/article/interactivos10 * Venue:* Medialab-Prado (Space for Digital Culture) Plaza de las Letras Calle Alameda, 15 28014 Madrid (Spain) -- Nerea García Garmendia Comunicación / Press Medialab-Prado Área de Las Artes, Ayuntamiento de Madrid Plaza de las Letras Alameda, 15 28014 Madrid Tfno. +34 914 202 754 difusion(a)medialab-prado.es www.medialab-prado.es "Antes de imprimir este documento asegúrate de que es realmente necesario. ¡Gracias por tu colaboración!"

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Lecturer/Senior Lecturer in Film, Victoria University of Wellington

by Sean Redmond

Apologies for cross-posting: Lecturer/Senior Lecturer (A137-10Z) School of English, Film, Theatre and Media Studies, Faculty of Humanities and Social Sciences An exciting opportunity exists to join the Film Programme at Victoria University in Wellington, the creative heart of New Zealand. Location: Kelburn Campus Term of Contract: Permanent Closing Date: 28 May 2010 Position Overview Victoria University is seeking to appoint a new academic staff in the Film Programme, at either Lecturer or Senior Lecturer level. Applicants are invited to state their primary areas of expertise (which may include film production), and any secondary interests that may complement the profile of the current programme. The appointee will be expected to have a PhD in Film; have a good research record and the potential to attract new post-graduate enrolments; and have experience in teaching at tertiary level. For appointment at the Senior Lecturer level, applicants would need around five years' research and teaching experience in an academic position and successful experience in post-graduate supervision. Applicants whose primary expertise is in some area of film production may be considered without a PhD, but with an appropriate professional qualification. Additional information here: http://vacancies.vuw.ac.nz/positiondetail.asp?p=5207 For an informal discussion, or for further questions, please feel free to contact Peter Whiteford, Head of School, at Peter.Whiteford(a)vuw.ac.nz or Sean Redmond, Film Programme, at Sean.Redmond(a)vuw.ac.nz

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Ada_list May 2010