(Apologies for any cross posting)
We take great pleasure in announcing that The Artvertiser source code is now
(finally) available, licensed under the GPLv3.
The Artvertiser is an Improved Reality platform, designed for the live
substitution of advertisements in a video stream with alternative 2D content.
The code was initially developed by Julian Oliver before being significantly
improved by Damian Stewart.
A typical application of The Artvertiser at work might be the Product
Replacement of street billboards with 2D art using a laptop with webcam or
camera-enabled mobile device. You might also want to have your own personal
exhibition in the Louvre, substituting well known paintings with your own
creations and inviting others to enjoy the show.
Counter-propaganda operations are also well suited to the platform, like
changing the imagery of a disliked political campaigner before uploading the
recorded result for all to see. Alternatively, it can be used to product replace
planar images in archival video, like a HollyWood movie or TV advert, using
popular films as an 'exhibition surface'.
You can see a couple of examples of The Artvertiser at work using our own
specially crafted digital binoculars, The Billboard Interception Unit, on the
The entire project tree exists as a git repository, cloned like so on your local
git clone git://repo.or.cz/The-Artvertiser.git
The code should currently build on any modern Linux-based OS with the addition
of a couple of dependencies and - thanks to Damian - should also compile on OS X
with the correct prior tweaks in place. See the README file in the top-level
directory for more information.
A special 'mob' user has been set up allowing complete Read/Write access for
anyone at all. Once you've cloned the repository as above, just:
git checkout mob
.. to move to the mob branch. It's all yours!
We look forward to your improvements, forks, derivations and vandalisms.
Happy (urban) hacking!
Julian and Damian
home: New Zealand
based: Berlin, Germany
currently: Berlin, Germany
.... open calls to two (pay for submission) digital exhibitions.
12th International Digital Print Open Competition/Exhibition
to be held at the New York Hall of Science
October 3, 2010 - January 31, 2011
Organized by Art & Science Collaborations, Inc. (ASCI)
The L.A. Center for Digital Art announces an international call to artists.
All styles of artwork and photography where digital processes of any kind
were integral to their creation are acceptable: digital images of any kind,
digital photogaphy, 3D and 2D digital animation video, short experimental
time based video, video loops, mobile media, interactive media, and internet
Selected winners will be exhibited as the central focus of the
'DigitalArt.LA' expo ( <http://DigitalArt.LA> http://DigitalArt.LA) in a
large group exhibit at the LACDA gallery, September 9-October 2, 2010. Video
winners will also be screened at the Downtown Film Festival Los Angeles. The
show will be widely promoted and will include a reception for the artists.
Juror: Peter Frank, Curator for Contemporary Art, Riverside Art Museum.
Deadline: August 16, 2010.
DigitalArt.LA Participants Include:
iotaCenter . UCR ARTSblock | California Museum of Photography . Dance Camera
West . Downtown Film Festival - Los Angeles . Orange County Center for
Contemporary Art . Vortex Immersion Media . Downtown Art Walk Los Angeles .
L.A. Center Studios . Rosslyn Gallery . Rowan Gallery . Julie Rico Gallery .
The Museum of Hyperreal Art (MOHA) . CB1 Gallery . Pop-Lock Gallery . El
Nopal Press Gallery . Artillery Magazine . Coagula Art Journal . Fabrik
Magazine . AbsoluteArts.com . Peter Frank, Riverside Art Museum
Los Angeles Center For Digital Art
107 West Fifth Street
Los Angeles, CA 90013
2010 Digital Art L.A. International Call for Entries
It's LIQUID News is an e-mail announcement service that provides information
about exhibitions at some of the world's leading art galleries selected.
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International galleries, museums, institutions, private and public groups,
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features a press release, an image, and a link to the announcer's website.
Announcements are distributed directly to over 60,000 international
collectors, consultants, advisers, critics, writers, curators, dealers and
other visual arts professionals. Database demographics: 40% in North
America, 45% in Europe, 15% in other locations (South America, Australia,
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I'd like to announce a new project.
psworld is a modification of the utility, 'ps', found on all UNIX and UNIX-like
ps is used by people and programs to quickly sort and print a table of processes
running on a computer. psworld maps these processes onto visual features in the
world, creating a perceptual dependence between a computer and the world around
As the computer's visible surroundings change, the instability of the operating
An example: The computer running psworld is in a park watching a bird in a tree.
If the process 'Firefox' is attached to the bird's head and the bird suddenly
flies away, the Firefox process will be terminated on the computer. Similarly, a
breakfast scene may include many processes attached to various edibles on the
table. As breakfast is eaten, dependent processes on the computer will be
A breakfast is an example of a highly unstable environment whereas a concrete
wall deep underground, cast in even light, is not.
Here is a project page for psworld, including source code, images and video.
psworld will later become part of a suite of aberrant and impractical tools
known as The GNU Luserland Utilities.
Thanks for reading,
home: New Zealand
based: Berlin, Germany
currently: Berlin, Germany
SPECTRE list for media culture in Deep Europe
Info, archive and help:
To any ADA members in the Waikato region this week...Janine Randerson invites you to the opening of her installation, 'Cascade' at the foyer gallery of the Waikato museum at 5:30-7pm this coming Thursday 22nd July.
'Cascade' has been sponsored by Panasonic so this is a private viewing for their clients and any invited guests of Janine's (like yourselves).
Would love to see a friendly face there -
all the best,
Lecturer, Art & Design History and Theory
Bachelor of Design and Visual Arts
Unitec New Zealand
Te Whare Waananga o Wairaka
If u are in Melbourne next week it would be lovely to see you at the
opening of the Memorial
- in which I have a tapestry of the Laughing Cavalier made by my
Opening Tuesday June 29 2010 6-8pm
For the first exhibition of DEATH BE KIND, curators Claire Lambe and
Elvis Richardson present The Memorial - an elaborate display-case
housing a collection of beloved objects that once belonged to a
deceased relative, friend, acquaintance or lover chosen by over 100
people from all walks of life who have kindly participated in this
The Memorial presentation is reminiscent of the small private museum
and employs the language of display to create symbiotic dialogues
through the relational placement of the works. A complex display case
has been constructed so as to elevate the importance and meanings of
the beloved objects and gently navigate the viewers experience of the
The Memorial retells the stories behind the objects that we keep to
evoke memory of the deceased, how these objects maintain ongoing
relationship with the dead, and how these material possessions remain
important in memory making. Each object has been documented and texts
collected from the holder about their object to create a catalogue of
texts that caption the objects personal meanings in a zine.
Zine also features writers Morgan Fayle, David Luker and Ruth Learner
and artist Marina Lutz.
Plaza de las Letras
C/ Alameda, 15
28014 Madrid (Spain)
+34 913 692 303
Interactivos?'10: Neighborhood Science
*Art and new techologies showcase through July 31, 2010 @ Medialab-Prado
(c/ Alameda, 15, Plaza de las Letras in Madrid)
Madrid, July 2010_
Medialab-Prado presents "Interactivos?'10: Neighborhood Science" digital
art exhibition, where ten prototypes developed by nearly 70 artists,
scientifics, teachers, designers and a variety of professionals,
students and fun of DIY and DIWO (Do It With Others) will be on showcase.
This exhibition aims to offer a new and experimental point of view about
what you can do with low cost tools applied ot the work with the local
environment, urban ecology, citizen collaboration networks, etc.
Visitors will be able to "listen" to satellites surrounding us (Birds
Within); research urban water analisys methods (Lilipod); easily create
solar powered electronic devices (Open Solar Circuits) and participate
in a discarded objects project (re:tag), among others.
Tue - Fri: 10 am - 8 pm
Sat: 11am - 8 pm
Sun: 11 am - 3 pm
Nerea García Garmendia
Comunicación / Press
Área de Las Artes, Ayuntamiento de Madrid
Plaza de las Letras
Alameda, 15 28014 Madrid
Tfno. +34 914 202 754
"Antes de imprimir este documento asegúrate de que es realmente necesario. ¡Gracias por tu colaboración!"
Filter Magazine Issue 74 :: Sustainable Creative Practice :: Out Now
In this issue we consider the issues affecting the sustainability of creative professionals. ANAT's Gavin Artz discusses creative practice and cultural engagement plus he presents the results of recent ANAT studies. Meanwhile Sarah Langston chats to Sydney screen printer Kate Banazi about the benefits of digital platforms for income and audience generation.
The Australia Council's Director of Research and Strategic Analysis, Nick Herd presents an overview of two recent that the economic life of artists in Australia. Sarah Jansen introduces The Edge, a state of the art delivery platform and test space for young and emerging creative professionals, whilst Hasan Bakhshi, Radhika Desai and Alan Freeman argue that the arts industry should be leading the way with new technologies.
Plus: We present Case Studies by Mari Velonaki and David Rye (The Centre for Social Robotics) and Douglas Repetto and Julian Stadon (Dorkbot NYC & Perth) who give us their perspectives and models for sustainability.
Join the discussion at www.filter.org.au
ANAT is assisted by the Australian Government through the Australia Council http://www.australiacouncil.gov.au its arts funding and advisory body, by the South Australian Government through Arts SA http://www.arts.sa.gov.au and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.