=========================
DEADLINE EXTENDED: ISEA2015
=========================
((( ISEA2015 ))) 21st International Symposium on Electronic Art
Due to numerous requests, the submission deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, panels, institutional presentations, workshops and tutorials is extended to January 12, 2015. (The deadline for artworks continues to be December 20, 2014).
August 14-18 2015, Vancouver, Canada.
http://ISEA2015.org
Submission types:
=========================
The 21st International Symposium on Electronic Art (ISEA) will be held August 14-18, 2015, in Vancouver, Canada. The ISEA2015 symposium will be hosted by Simon Fraser University’s Faculty of Communication Arts and Technology (FCAT), and a vast variety of local academic and artistic partners. ISEA is the largest nomadic international gathering on 'electronic and emergent media'. Since its start in the Netherlands in 1988 it has taken place on 4 continents and in over 20 different cities. The event annually brings together artists, designers, academics, technologies, scientists, and general audiences. The symposium consists of a peer reviewed conference, a series of exhibitions and partner events - from large-scale interactive artwork in public spaces to cutting edge electronic music performance.
For this extended deadline, ISEA2015 welcomes submissions for two broad categories:
1 - A set of workshops and tutorials will occur on Friday the 14th, and Saturday the 15th of August 2015. See the call for workshops, tutorials, and institutional presentations for more details on how to propose yours: http://isea2015.org/call-for-proposals/workshops-tutorials/
2 - The academic symposium will occur from Sunday the 16th to Tuesday the 18th of August 2015. It includes the following activities for which we solicit submissions:
* Long Art or Research Papers (8 pages) with Oral Presentation
* Short Art or Research Papers (4 pages) with Oral Presentation
* Extended Abstracts (2 pages) with Demonstration or Poster Presentation
* Round Tables and Square Panels
* Institutional Presentations
ISEA2015 submissions in the Long paper, Short paper, and Extended abstract categories need to be the full length version of the paper (not only the abstract). The Proceedings are an important outcome for ISEA, which is the main trace of the symposium and contribution to the larger academic and artistic community at large. Each submission will be thoroughly reviewed by members from our International Program Committee. Accepted submission will be published in the ISEA2015 Proceedings (with an ISBN/ISSN). These proceedings will be available online, at no cost, prior to the symposium.
For more details on how to contribute in any of the above categories, see our call for papers and panels here: http://isea2015.org/call-for-proposals/papers-posters-and-panels/
Submissions are to be made through our ISEA2015 EasyChair portal: https://www.easychair.org/conferences/?conf=isea2015
While, every submission relevant to the ISEA community will be reviewed and considered, the ones relevant to the ISEA2015 theme of DISRUPTION will be given priority: http://isea2015.org/about/theme/
Important dates:
=========================
- 20 December 2014: Submission deadline for artworks
- 12 January 2015: Submission deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, panels, institutional presentations, workshops and tutorials
- 15 February, 2015: Notifications of acceptance of long art or research papers, short art or research papers, panels, institutional presentations, workshops and tutorials
- 21 March, 2015: Notifications of acceptance for art or research extended abstracts with demonstration or poster presentation, art or research demonstrations
- 14-18 August, 2015: ISEA2015 Symposium
=========================
Symposium Organizers
======================
Dr. Philippe Pasquier (Symposium Director)
School of Interactive Arts and Technology (SIAT)
Simon Fraser University, Vancouver, Canada.
Dr. Thecla Schiphorst (Symposium Director)
School of Interactive Arts and Technology (SIAT)
Faculty of Communication, Arts & Technology (FCAT),
Simon Fraser University, Vancouver, Canada.
Kate Armstrong (Artistic Director)
Independent Curator, Director of the Social + Interactive Media (SIM) Centre,
Emily Carr University of Art+Design,
Vancouver, Canada.
Malcolm Levy (Artistic Director)
Independent Curator, Director of Hybridity,
Vancouver, Canada.
=======================
ISEA INTERNATIONAL
The series of ISEA symposia is coordinated by ISEA International. Founded in the Netherlands in 1990, ISEA International (formerly Inter-Society for the Electronic Arts) is an international non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and technology. ISEA International Headquarters is supported by the University of Brighton (UK).
=========================
The submission period of the <
http://www.mediaarthistory.org/recreate-2015/re-create-cfp>
Call for Proposals for Media Art Histories, Re-Create 2015 has been
extended to January 12, 2015.
CALL FOR PROPOSALS -
<http://www.mediaarthistory.org/appel-a-communications>APPEL
À COMMUNICATIONS (site version française)
CALL FOR PROPOSALS -
<http://www.mediaarthistory.org/appel-a-communications>APPEL
À COMMUNICATIONS (site version française)
ATTENTION : The deadline for submissions is extended till JANUARY 12, 2015
RE-CREATE 2015 The 10th anniversary and sixth international conference on
the histories of Media, Art Science and Technology
Hexagram, Concordia University and Université du Québec à Montréal in
collaboration with Media@McGill and CIRMMT- McGill Montréal, Canada. 5-8
November 2015 <http://moodle.donau-uni.ac.at/recreate/openconf.php>Re-Create
CFP Submission Site
Re-Create 2015, the sixth international Conference on the Histories of
Media, Art Science and Technology will mark the 10th Anniversary of the Re
conference series. Re-Create 2015 is devoted to exploring what theories,
methodologies and techniques can be used to understand past, present and
indeed, future paradigms of creative material practice involving
technologies within research contexts from a historical and critical point
of view.
The title Re-Create is an abbreviation for the term "research-creation",
part of a growing international movement which goes by many names:
"practice-led research," "research-led practice," and "artistic research,"
among others.
While the link between research and practice seems to be a new horizon, the
media-based arts have long been at the intersection of the humanities,
sciences, and engineering and present a critical site in which to take up
the changing relationships between knowledge, power, and economy.
Research normally signifies modes of acquiring new knowledge that
coherently and systematically advance a field and is grounded and validated
by both social frameworks (peers) and existing bodies of knowledge.
Similarly, research in conjunction with material practice demands that
making be historically, theoretically and methodologically framed and
valorized.
Re-Create 2015 seeks to interrogate the historical entanglement of research
and making within a wide and diverse set of international sites,
disciplines and contexts: from non-institutional creative research
initiatives driven by artists and designers in the streets, to the
labyrinths of industry funded research labs and universities. From unknown
or ignored histories of research-based practices in Latin America, Asia and
Indigenous communities to government funded initiatives, the conference
will thus critically explore the ongoing and productive tensions between
theory, method and making in the histories of media, art, science and
technology.
Potential contributors to the conference should focus thematic panel
sessions or individual papers on one of the following areas of
concentration:
LAB STUDIES : Studies on how artists and designers have historically worked
in industry, universities and collective, grass roots-based research
environments
CURATORIAL ACTIONS AND PRACTICES : How have research paradigms historically
entered into curatorial practices and how have they been framed, exhibited
and articulated?
ANTI-INSTITUTIONAL RESEARCH : Historical profiles of non-institutionally
based research-driven explorations.
THEORETICAL FRAMEWORKS : How have theoretical paradigms in media, art,
science and technology historically evolved structuralism in the 1960s or
media studies to current work in affect theory, media archaeology, critical
post-humanist approaches derived from STS, appropriation and remix
aesthetics, feminist new materialism, queer and postcolonial studies,
enactive and distributed cognition?
METHODOLOGIES : What can methodological tools emerging from the human and
social sciences like ethnography, historiography, archaeology, genealogy
and other qualitative techniques provide to the historical and critical
positioning of practice?
INTERDISCIPLINARY INTERSECTIONS AND IMPACTS : Exploration of the formation
and rise of interdisciplinary research fields (image science, sound
studies, science studies, sensory studies, environmental studies) and their
impact on the construction of media art histories.
DIGITAL HUMANITIES : What is the historical relationship between the
digital humanities and the histories of media, art, science and technology?
SITES: How historically have sites of research and practice in media art,
science and technology evolved outside of the predominant spheres of Europe
and North America and what forms have they taken?
CONFERENCE PROGRAM
The conference program will include competitively selected peer-reviewed
individual papers, panel presentations and poster sessions as well as a
number of keynotes and invited speakers and a parallel satellite program of
events with Hexagram partners including core cultural institutions in
Montreal. In the interest of maintaining a concentrated conference program,
there will be a series of plenary sessions as well as accompanying poster
sessions. Each of the plenaries as well as the poster sessions will mix
together scholars and practitioners representing different cultural
perspectives. The conference will be held in English and French, with live
translation.
CALL FOR PROPOSALS
Re-Create 2015 welcomes contributions from researchers, artists, designers,
scholars and technologists working across diverse disciplines, sites and
practices. We particularly encourage scholars and creators from
international contexts outside of Europe and North America.
ABOUT THE CONTEXT AND THE HOST
The conference will take place in Montreal hosted by Hexagram, the
international network for media, art, design and digital culture (<
http://hexagram.ca/>http://hexagram.ca). It is the largest network of its
kind in Canada and one of the largest internationally dedicated to
research-led creative practices. Ten years after the inaugural Re-Fresh
conference at the Banff New Media Institute in 2005, the return of the
conference to Canada and specifically to Quebec, offers a pertinent context
to address the evolution of research in the histories of media, art,
science and technology (<http://www.mediaarthistory.org/mah-conf-series>
http://www.mediaarthistory.org/mah-conf-series).The conference will be held
across the two core Hexagram sites at Concordia University and the
Université du Québec à Montréal (UQAM). The venues are within walking
distance from each other, centrally located in vibrant, downtown Montreal -
the digital arts and culture capital of North America.
SUBMISSIONS
250 word abstracts of proposals, panel presentations and posters should be
submitted in either Text, RTF, Word or PDF formats. Texts can be submitted
in French and in English. The DEADLINE for submissions is January 12, 2015.
Submitters will be informed by mid February 2015. INFORMATION about the
submission process and general information can be found at: <
http://moodle.donau-uni.ac.at/recreate/openconf.php>Re-Create Submission
Site
Conference partners include Media@McGill, CIRMMT-McGill, Cinémathèque
québécoise, DHC-Art, Elektra/ACREQ, Goethe-Institut Montreal and others to
be announced.
Conference chairs and Hexagram Co-Directors: Chris Salter, artist,
Concordia University Research Chair and Associate Professor, Design and
Computation Arts, Concordia University (QC/CA/US/DE) and Gisèle Trudel
(QC/CA), artist and professor, École des arts visuels et médiatiques,
Université du Québec à Montréal.
Re-Create Local Organizing Committee: Thierry BARDINI, Barbara CLAUSEN,
Ricardo DAL FARRA, Jean DUBOIS, Jean GAGNON, Alice JIM, Jason LEWIS,
Jonathan LESSARD, Louise POISSANT, Chris SALTER, Cheryl SIM, Jonathan
STERNE, Alain THIBAULT, Gisele TRUDEL, Marcelo WANDERLEY Re-Create 2015
International Advisory Board: Marie-Luise ANGERER, Monika BAKKE, Samuel
BIANCHINI, Georgina BORN, Andreas BROECKMANN, Annick BUREAUD, Michael
CENTURY, Joel CHADABE, Dooeun CHOI, Ian CLOTHIER, Sarah COOK, Nina
CZEGLEDY, Sara DIAMOND, Diana DOMINGUES, Jean Paul FOURMENTRAUX, Sébastien
GENVO, Orit HALPERN, Jens HAUSER, Denisa KERA, Felipe César LONDONO,
Natalie LOVELESS, Glenn LOWRY, Rafael LOZANO-HEMMER, Roger MALINA, Sally
Jane NORMAN, Nicolas NOVA, Jussi PARIKKA, Christiane PAUL, Simon PENNY,
Andrew PICKERING, Sundar SARRUKAI, Yukiko SHIKATA, Michel VAN DARTEL, ZHANG
GA, Ionat ZURR
MAH Honorary Board: Douglas DAVIS, Jasia REICHARDT, Itsuo SAKANE, Peter
WEIBEL
MAH Conference Series Board: Sean CUBITT, Oliver GRAU, Linda HENDERSON,
Erkki HUHTAMO, Douglas KAHN, Martin KEMP, Machiko KUSAHARA, Tim LENOIR,
Gunalan NADARAJAN, Paul THOMAS
=========================
CALL FOR PARTICIPATION: ISEA2015
=========================
((( ISEA2015 ))) 21st International Symposium on Electronic Art
August 14-18 2015, Vancouver, Canada.
http://ISEA2015.org
Submission types:
=========================
We are delighted to announce the 21st International Symposium on Electronic Art (ISEA) will be held August 14-18, 2015, in Vancouver, Canada. The ISEA2015 symposium will be hosted by Simon Fraser University’s Faculty of Communication Arts and Technology (FCAT), and a vast variety of local academic and artistic partners. ISEA is the largest nomadic international gathering on 'electronic and emergent media'. Since its start in the Netherlands in 1988 it has taken place on 4 continents and in over 20 different cities. The event annually brings together artists, designers, academics, technologies, scientists, and general audiences. The symposium consists of a peer reviewed conference, a series of exhibitions and partner events - from large-scale interactive artwork in public spaces to cutting edge electronic music performance.
ISEA2015 welcomes submissions for three broad categories:
1 - An exciting art program that will run throughout the duration of the symposium. We welcome submission of artworks, installations and performances alike. Please see our call for artworks to find out how you can be part of it: http://isea2015.org/call-for-proposals/call-for-artworks/
2 - A set of workshops and tutorials will occur on Friday the 14th, and Saturday the 15th of August 2015. See the call for workshops, tutorials, and institutional presentations for more details on how to propose your own: http://isea2015.org/call-for-proposals/workshops-tutorials/
3 - The academic symposium will occur from Sunday the 16th to Tuesday the 18th of August 2015. It includes the following activities for which we solicit submissions:
* Long Art or Research Papers (8 pages) with Oral Presentation
* Short Art or Research Papers (4 pages) with Oral Presentation
* Extended Abstracts (2 pages) with Demonstration or Poster Presentation
* Round Tables and Square Panels
* Institutional Presentations
ISEA2015 submissions in the Long paper, Short paper, and Extended abstract categories need to be the full length version of the paper (not only the abstract). The Proceedings are an important outcome for ISEA, which is the main trace of the symposium and contribution to the larger academic and artistic community at large. Each submission will be thoroughly reviewed by members from our International Program Committee. Accepted submission will be published in the ISEA2015 Proceedings (with an ISBN/ISSN). These proceedings will be available online, at no cost, prior to the symposium.
For more details on how to contribute in any of the above categories, see our call for papers and panels here: http://isea2015.org/call-for-proposals/papers-posters-and-panels/
Submissions are to be made through our ISEA2015 EasyChair portal: https://www.easychair.org/conferences/?conf=isea2015
While, every submission relevant to the ISEA community will be reviewed and considered, the ones relevant to the ISEA2015 theme of DISRUPTION will be given priority: http://isea2015.org/about/theme/
Important dates:
=========================
- 20 December, 2014: Submission deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, art or research demonstrations, panels, institutional presentations, workshops and tutorials
- 20 December 2014: Submission deadline for artworks
- 15 January 2015: Notifications of acceptance of workshops, tutorials and institutional presentations
- 15 February, 2015: Notifications of acceptance of full art or research papers, short art or research papers and panels, institutional presentations
- 21 March, 2015: Notifications of acceptance for art or research extended abstracts with demonstration or poster presentation, art or research demonstrations
- 14-18 August, 2015: ISEA2015 Symposium
=========================
Symposium Organizers
======================
Dr. Philippe Pasquier (Symposium Director)
School of Interactive Arts and Technology (SIAT)
Simon Fraser University, Vancouver, Canada.
Dr. Thecla Schiphorst (Symposium Director)
School of Interactive Arts and Technology (SIAT)
Faculty of Communication, Arts & Technology (FCAT),
Simon Fraser University, Vancouver, Canada.
Kate Armstrong (Artistic Director)
Independent Curator, Director of the Social + Interactive Media (SIM) Centre,
Emily Carr University of Art+Design,
Vancouver, Canada.
Malcolm Levy (Artistic Director)
Independent Curator, Director of Hybridity,
Vancouver, Canada.
=======================
ISEA INTERNATIONAL
The series of ISEA symposia is coordinated by ISEA International. Founded in the Netherlands in 1990, ISEA International (formerly Inter-Society for the Electronic Arts) is an international non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and technology. ISEA International Headquarters is supported by the University of Brighton (UK).
=========================
The net artists Gretta Louw and Helen Varley Jamieson warmly invite you to
the Gastatelier, PLATFORM (Munich) on Friday 12 December at 19.00, for an
evening of networked performance: an exhibition tour and the launch of
"CyPosium - the book", with online performative readings.
You can also attend the book launch online:
http://www.cyposium.net/event/launch-cyposium-the-book/
The exhibition "Net Work" is curated by Gretta Louw, the current guest
artist at PLATFORM. The exhibition deals with work that is located at the
intersection of performance and net art. The emerging genre of networked
performance makes strong statements about the development of art history,
and also about our relationship to technology and its impact on culture,
society, labor and psychology. The exhibition presents works by Gretta
Louw, Luke Munn, Igor Stromajer, Annie Abrahams and plan b (Sophia New and
Daniel Belasco Rogers) and a new project developed by Louw during her
residency at PLATFORM: "The Net Work Copendium" is an-always evolving
collection of short films by artists working with digital networks and
performativity and gives the viewer a unique introduction to this
avant-garde form of art production.
Edited by Annie Abrahams and Helen Varley Jamieson, "CyPosium- the book"
presents selected material from the CyPosium, a one-day symposium held in
2012 to discuss cyberformance - live performance events connecting remote
participants via the internet (http://www.cyposium.net). The contributors
are Adriene Jenik, Alan Sondheim, Alberto Vazquez, Annie Abrahams, Auriea
Harvey and Michaël Samyn, Cherry Truluck, Clara Gomes, Helen Varley
Jamieson, James Cunningham, Joseph DeLappe, Liz Bryce, Maria
Chatzichristodoulou, Maja Delak und Luka Prinčič, Miljana Perić, Rob Myers,
Roger Mills, Ruth Catlow, Stephen A. Schrum und Suzon Fuks. Some of these
contributors, and organisers of the CyPosium, will appear live on Friday
evening from their locations around the world, to read extracts from the
book.
"CyPosium - the book" is published by Link Editions in partnership with La
Panacée (Montpellier). Copies can be odered through Lulu.com, and the
online e-book is free: http://linkeditions.tumblr.com/cyposium
Friday 12 Dezember, 19:00
Gastatelier, PLATFORM
Kistlerhofstr. 70 > Haus 60 > 3. Stock
81379 München
platform-muenchen.de
=========================
CALL FOR PARTICIPATION: ISEA2015
=========================
ISEA2015 21st International Symposium on Electronic Art
August 14-18, 2015, Vancouver, Canada.
http://ISEA2015.org
Submission types:
=========================
We are delighted to announce the 21st International Symposium on Electronic Art (ISEA) will be held August 14-18, 2015, in Vancouver, Canada. The ISEA2015 symposium will be hosted by Simon Fraser University, and a vast variety of local academic and artistic partners. ISEA is the largest nomadic international academic gathering on 'electronic and emergent media' , world-wide. Since its start in the Netherlands in 1988 it has taken place on 4 continents and in over 20 different cities. ISEA brings together scholarly, artistic, and scientific domains in an interdisciplinary discussion that showcases creative productions applying new technologies in art, interactivity, and electronic and digital media.
ISEA2015 welcomes submissions for three broad categories:
1 - An exciting art program that will run throughout the duration of the symposium. We welcome submission of artworks, installations and performances alike. Please see our call for artworks to find out how you can be part of it: http://isea2015.org/call-for-proposals/call-for-artworks/
2 - A set of workshops, and tutorials will occur on Friday the 14th, and Saturday the 15th of August 2015. See the call for workshops, tutorials, for more details on how to propose your own: http://isea2015.org/call-for-proposals/workshops-tutorials/
3 - The academic symposium will occur from Sunday the 16th to Tuesday the 18th of August 2015. It includes the following activities for which we solicit submissions: http://isea2015.org/call-for-proposals/papers-posters-and-panels/
* Long Art or Research Papers (8 pages) with Oral Presentation
* Short Art or Research Papers (4 pages) with Oral Presentation
* Extended Abstracts (2 pages) with Demonstration or Poster Presentation
* Round Tables and Square Panels
* Institutional Presentations
ISEA2015 submissions in the Long paper, Short paper, and Extended abstract categories need to be the full length version of the paper (not only the abstract). The Proceedings are an important outcome for ISEA, which is the main trace of the symposium and contribution to the larger academic and artistic community at large. Each submission will be thoroughly reviewed by members from our International Program Committee. Accepted submissions will be published in the ISEA2015 Proceedings (with an ISBN/ISSN). These proceedings will be available online, at no cost, prior to the symposium.
For more details on how to contribute in any of the above categories, see our call for papers and panels here: http://isea2015.org/call-for-proposals/papers-posters-and-panels/
Submissions are to be made through our ISEA2015 EasyChair portal: https://www.easychair.org/conferences/?conf=isea2015
While, every submission relevant to the ISEA community will be reviewed and considered, the ones relevant to the ISEA2015 theme of DISRUPTION will be given priority: http://isea2015.org/about/theme/
Important dates:
=========================
- 20 December, 2014: Submission deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, art or research demonstrations, panels, institutional presentations, workshops and tutorials
- 20 December 2014: Submission deadline for artworks
- 15 January 2015: Notifications of acceptance of workshops and tutorials
- 15 February 2015: Notifications of acceptance of full art or research papers, short art or research papers and panels, institutional presentations
- 21 March 2015: Notifications of acceptance for art or research extended abstracts with demonstration or poster presentation, art or research demonstrations
- 14-18 August, 2015: ISEA2015 Symposium
=========================
Symposium Organizers
======================
Dr. Philippe Pasquier (Symposium Director)
School of Interactive Arts and Technology (SIAT)
Simon Fraser University, Vancouver, Canada.
Dr. Thecla Schiphorst (Symposium Director)
School of Interactive Arts and Technology (SIAT)
Faculty of Communication, Arts & Technology (FCAT),
Simon Fraser University, Vancouver, Canada.
Kate Armstrong (Artistic Director)
Independent Curator, Director of the Social + Interactive Media (SIM) Centre,
Emily Carr University of Art+Design,
Vancouver, Canada.
Malcolm Levy (Artistic Director)
Independent Curator, Director of Hybridity,
Vancouver, Canada.
=======================
ISEA INTERNATIONAL
The series of ISEA symposia is coordinated by ISEA International. Founded in the Netherlands in 1990, ISEA International (formerly Inter-Society for the Electronic Arts) is an international non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and technology. ISEA International Headquarters is supported by the University of Brighton (UK).
=========================
International Workshop on Movement and Computing (MOCO15)
> Intersecting Art, Meaning, Cognition, Technology
August 14-15 2015, Vancouver Canada
Simon Fraser University
http://moco.iat.sfu.ca/
=======================================
Building on the success of the first International Workshop on Movement and Computing (MOCO’14) at IRCAM, we are happy to announce the second edition, MOCO’15 at Simon Fraser University. MOCO’15 will be co-located with ISEA2015 (http://isea2015.org/)
MOCO aims to gather academics and practitioners interested in the computational study, modeling, representation, segmentation, recognition, classification, or generation of movement information. We invite participants interested in exploring how movement experience can contribute to computational knowledge through movement modeling and representation. We welcome researchers that are positioned within emerging interdisciplinary domains between art & science.
While human movement itself focuses on bodily experience, developing computational models for movement requires abstraction and representation of lived embodied cognition. Selecting appropriate models between movement and its rich personal and cultural meanings remains a challenge in movement interaction research. This two day workshop seeks to explore an equal and richly nuanced epistemological partnership between movement experience and movement cognition and computational representation.
This second edition of MOCO will bring together people working in interdisciplinary intersections of Human Computer Interaction, Computer Graphics, Machine Learning, Artificial Intelligence, Robotics, Affective Computing, Cognitive Science, Neuroscience, Psychology, and Artists from Media Art, Choreography, Composition, Dance and Design. The workshop aims at promoting scientific and artistic collaborations within this inter-disciplinary boundary. It will offer opportunities to disseminate emerging research works through presentations, demonstrations, and group discussions.
= Suggested Topics
=======================================
* Expressive movement-based interaction
* Machine learning for movement
* Modeling movement qualities
* Gestural control
* Movement generation
* Movement and sound interaction
* Sensori-motor learning with audio/visual feedback
* Embodied cognition and movement
* Visualizing movement
* Modeling kinaesthetic empathy
* Somatic practice and design
* Whole-body interaction
* Expressive movement analysis and synthesis
* Design for movement in digital art
* Semantic models for movement representation
* Laban Movement Studies and computation
* Dance and neuroscience
* Biosensing, biocontrol and movement
* Movement expression in avatar, artificial agents, virtual humans or robots.
* Music and movement
* Movement computation in ergonomics, sports, and health
= Participation to the workshop
=======================================
The workshop is an opportunity to present a research or a collaborative work. Participants will have the possibility to make a presentation of the results of their research on one of the themes of the workshop, and to interact with their scientific, artistic peers, in a friendly and constructive environment.
If you are interested in an oral presentation of your work, please submit a paper and/or a demo and/or a poster.
= Submission
=======================================
The submission categories are:
• Long paper with oral presentation (8 pages maximum)
• Research note with oral presentation (4 pages maximum)
• Short paper with poster presentation (2 pages maximum)
• Demonstration (one of the above paper 2 pages minimum + Demo proposal form).
All submissions should be PDF and use the MOCO’15 template – adapted from ACM SIGCHI template
http://moco.iat.sfu.ca/authors/
Authors can submit a demonstration proposal in addition to any paper submission by adding the Demo proposal form as supplementary material to their submission. They have to provide the demo proposal form with a link to a video about the work. The demo proposal form is mandatory for all demo submissions and must include technical set-up and space requirements.
Online submission: All submissions must be done through EasyChair
https://easychair.org/conferences/?conf=moco15
All submission must be anonymous and will be peer-reviewed. The MOCO proceedings will be indexed and published in the ACM digital library.
= Important Dates: =======================================
Submission deadline: 1st of March 2015 (5:00pm PST)
Notification: 1st of May 2015
Early bird registration: 1st june 2015
Early program: 31st June 2015
= Venue
=======================================
Simon Fraser University, Woodward's,
Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver Canada.
http://www.sfu.ca/sfuwoodwards.html
MOCO15 will be co-located with ISEA2015 (http://isea2015.org/)
= Workshop Chairs
=======================================
* Thecla Schiphorst, SIAT, SFU, Vancouver, Canada
* Philippe Pasquier, SIAT, SFU, Vancouver, Canada
* Sarah Fdili Alaoui, SIAT, SFU, Vancouver, Canada
* Frederic Bevilacqua, Ircam, Paris, France
* Jules Françoise, Ircam, Paris, France
Contact email: moco15(a)easychair.org
= Local Organization Committee
=======================================
> School of Interactive Arts and Technology
* Thecla Schiphorst, SIAT, SFU, Vancouver, Canada
* Philippe Pasquier, SIAT, SFU, Vancouver, Canada
* Sarah Fdili Alaoui, SIAT, SFU, Vancouver, Canada