Ada_list October 2016

ada_list@list.waikato.ac.nz

6 participants
6 discussions

by cooperation.wellington-amba＠diplomatie.gouv.fr

Call for contributions I am pleased to announce that the IRCAM Forum Hors les Murs, supported this year by the Institut français in Paris and Institut français in Taiwan, will be held in Taiwan from 14 to 16 December in partnership with WocMat and the Kainan University. The IRCAM Forum is a community of more than 6,000 artists and researchers from all around the world who use the technologies developed at this world-recognized institute. More information: http://forumnet.ircam.fr/ We organize each year two international meetings : one at IRCAM and one Hors les Murs in collaboration with universities, research centers, technological institutes, and music academies specialized in new technologies in the fields of sound and music.We want this joint meeting to be an opportunity for the community of music design software’s users and developers to gather: namely digital artists from the Kainan University and other universities, research centers, digital arts, arts centers as much as scientists from countries of the Asia Pacific regions on the lookout for new technologies.We had already organized, with the help of the Institut français, the Forum Hors les Murs in Seoul in 2014 and in Buenos Aires and Sao Paulo in 2015. You will find further details on these previous events here. The call for contributions is still open until November 3, and we would be grateful if you could inform your network (such as universities, music academies, music schools, or art schools) about this. We remain at your disposal for any suggestions of meetings or appointments that we could schedule. I would like to thank you in advance for your interest and support on this project for which we are looking forward to being successful. Should you have any information that might be interesting to us, please contact us. I attach our general document for present the Forum Ircam Hors les murs. More informations and update in our website. Best regards, Paola Palumbo

4 years, 11 months

FWD from Carol Brown: Singularity *architecture | data | dance | 2nd November Q Theatre

by Vicki Smith

Kia ora Please find below and attached information about a forthcoming dance, architecture, music and creative technologies event that we are excited to be bringing to Auckland for one night only. http://www.qtheatre.co.nz/singularity <http://www.qtheatre.co.nz/singularity> Carol Brown Carol Brown Dances http://www.carolbrowndances.com <http://www.carolbrowndances.com/> https://www.facebook.com/ArcSec-1078257322289378/ <https://www.facebook.com/ArcSec-1078257322289378/> Singularity :Singularity is a unique hyper real dance-architecture experience that alters the way we view contemporary performance, data and space. Singularity, premiers at Rangatira Theatre for one night only. Blending data, dance, music and architecture it is an immersive event.  Using interactive holographic environments and creative technologies directed by architect Uwe Rieger, designed and programmed by Yinan Liu and Ying Miao, and choreographed by Carol Brown with dancers Zahra Killeen-Chance, Adam Naughton and Solomon Holly-Massey, clouds of data will become wormholes, kites, watery walls and particle streams in response to dancers’ movement.   Employing disruptive technologies to move data beyond a two-dimensional computer screen, Singularitywill present a visual and tactile experience that makes tangible the multiple ways that data flows permeate our lives.   With music by French techno composer Jérôme Soudan, and sound design by Russell Scoones, sonic atmospheres and rhythms will also shape the event. Costume design is by Kasia Pol.  The arc/sec Lab for Digital Spatial Operations at the University of Auckland’s School of Architecture and Planning has developed the Singularity technical system led by Uwe Rieger. The audience can find out more about the project following the performance.  Singularity Wednesday 2 November Q Theatre (Rangatira), 305 Queen Street, Auckland Performance, 7.30-8.30pm Post-performance talk, 9pm Warning: loud noise/music, strobe lighting and haze Cost: $20-30* *Service fees apply Bookings: qtheatre.co.nz <http://www.qtheatre.co.nz/> | 09 309 9771.

4 years, 11 months

ADA AGM tomorrow Wednesday - 1pm NZT

by Birgit Bachler

Kia ora koutou katoa, dear ADA members, this is a friendly reminder that the ADA AGM will take place tomorrow Wednesday, Oct 26 2016 at 1pm NZT. You are welcome to join the AGM online via Skype ( https://join.skype.com/PwKoc75rYl4z) or attend at one of the physical nodes in Wellington, Dunedin or Nelson in person. Please find agenda, venue addresses and more info here: http://piratepad.net/s7rmtb7pUC We look forward to seeing you tomorrow! Ng ā mihi, kind regards, Birgit _____ /\ | __ \ /\ / \ | | | | / \ / /\ \ | | | |/ /\ \ / ____ \| |__| / ____ \ /_/ \_\_____/_/ \_\ ______ ______ [__T___] [__B___] | | | | |______| |______| / /| / /| /_____/ | /_____/ | || | | || | | | | | |

4 years, 12 months

Body of Work to NZ

by Hana Miller

Hello people of ADA I'm putting together plans for an NZ presentation of *Body of Work :* a performance where time is accumulated; a hybrid, a synthesis of biological organism and technical machine; a cyborg blurring the lines between who choreographs and who is choreographed. The work is a collaboration between NZ artists myself and Jacob Perkins, and Australian artists Atlanta Eke and Daniel Jenatsch. Here <http://www.realtimearts.net/article/issue127/11949> is a descriptive article about the work and how it explores technology, contemporaneity, cybernetics. We have performed it at Adelaide International Arts Festival, Dark Mofo at MONA, Dance Massive Melbourne, Carriageworks Sydney and Les Plateaux Paris. There has been a lot of interest in the work internationally but it is not known in NZ, despite being a half NZ work. We are now putting together a plan to show the work in WGTN and AKL next year and would really like to connect with others with similar interests! Reaching out to the ADA list for any suggestions, ideas and possible opportunities for interarts and interdisciplinary connecting. Many thanks Hana -- Hana Miller *RDYSTDY* www.rdystdy.com <http://www.readysteadystudio.com> P.O. Box 14725. Wellington 6241. New Zealand. +64 (0)21 766 827

5 years

Fwd: Darcy Lange at Tate Modern

by Julian Priest

Hi all, details of screening of Darcy Lange's works curated by Mercedes Vincente at Tate Modern. apologies for cross posting, cheers /julian -------- Forwarded Message -------- Subject: Darcy Lange at Tate Modern Date: Mon, 10 Oct 2016 23:15:30 +0100 Dear friends and colleagues, Here it is the program dedicated to Darcy Lange at Tate Modern 20-22 October. Best wishes, Mercedes This message contains graphics. If you do not see the graphics, click here to view <http://links.e.tate.org.uk/servlet/MailView?ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIz…> . [image: Tate logo] Shop <http://links.e.tate.org.uk/ctt?kn=7&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&b…> *DARCY LANGE: ENDURING TIME* <http://links.e.tate.org.uk/ctt?kn=6&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&b…> [image: Darcy Lange A Documentation of Bradford Working Life, UK (The Second Situation: Whiteheads Woollen Mills, 2nd Study: Traditional Combing—Alah Dad) 1974, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate] <http://links.e.tate.org.uk/ctt?kn=20&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> This Tate Film Pioneers series is a rare opportunity to explore the breath of New Zealand artist Darcy Lange’s socially-engaged film and video practice. Lange created remarkable studies of people at work that draw from conceptual art, documentary traditions and structuralist videomaking. Presented without commentary, his long, often unedited observations of workers aimed to convey the image of work ‘as work, as an occupation, as an activity, as creativity and as a time consumer’ and stressed the ‘responsibility to keep questioning the nature and power of realism’. Curated by Mercedes Vicente with Tate Film *BOOK NOW* <http://links.e.tate.org.uk/ctt?kn=22&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> A series ticket for all five screenings (£20 / £16 concessions) is available and can be booked by tel + 44 (0)20 7887 8888 or in person. [image: Darcy Lange Studies of Family Groups (Basil Cox) 1972, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate] <http://links.e.tate.org.uk/ctt?kn=5&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&b…> *CLASS AND LABOUR* Starr Cinema *20 October, 19.00* A selection of Lange’s early films exploring everyday work and social dynamics. Book now <http://links.e.tate.org.uk/ctt?kn=16&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> [image: Darcy Lange Cantavieja, Study of Work in a Spanish Village, Maestrazgo, Spain (Ploughing with Bulls) 1975, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate] <http://links.e.tate.org.uk/ctt?kn=11&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> *PEOPLE AT WORK IN AGRICULTURAL COMMUNITIES* Starr Cinema *21 October, 19.00* A programme dedicated to Lange’s studies of rural life in Spain and New Zealand. Book now <http://links.e.tate.org.uk/ctt?kn=8&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&b…> [image: Darcy Lange Study of Three Birmingham Schools (Ladywood Comprehensive School) 1976, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate] <http://links.e.tate.org.uk/ctt?kn=26&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> *TEACHING, LEARNING AND SELF-REPRESENTATION I* Starr Cinema *22 October, 17.00* Video studies of the performative and ideological dimensions of teaching. Book now <http://links.e.tate.org.uk/ctt?kn=2&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&b…> [image: Darcy Lange, Studies of Teaching in Four Oxfordshire Schools (Charles Mussett, Art Teacher, Radley College, Class Study) 1977, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate] <http://links.e.tate.org.uk/ctt?kn=12&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> *TEACHING, LEARNING AND SELF-REPRESENTATION II* Starr Cinema *22 October, 20.00* Video studies of the performative and ideological dimensions of teaching. Book now <http://links.e.tate.org.uk/ctt?kn=17&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> [image: Darcy Lange A Documentation of Bradford Working Life, UK (The Second Situation: Whiteheads Woollen Mills, 4th Study: Spinning—Theresa Hird) 1974, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate] <http://links.e.tate.org.uk/ctt?kn=15&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> *PEOPLE AT WORK IN BRITISH FACTORIES* Starr Cinema *22 October, 14.00* A screening of Lange’s expansive series of works documenting industrial labour. Tate Film is pleased to screen this series in its entirety as a free programme. Guests may enter and exit the cinema as they please throughout the duration of the screening. Free <http://links.e.tate.org.uk/ctt?kn=13&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> [image: Youtube] <http://links.e.tate.org.uk/ctt?kn=9&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&b…> Headline image: *Darcy Lange A Documentation of Bradford Working Life, UK (The Second Situation: Whiteheads Woollen Mills, 2nd Study: Traditional Combing—Alah Dad)* 1974, photographic still. Courtesy Govett-Brewster Art Gallery and Darcy Lange Estate All works courtesy in this series Govett-Brewster Art Gallery or Darcy Lange (Jnr) from material preserved and made available by Ngā Taonga Sound & Vision. Tate Film is supported by LUMA Foundation If you have any questions about this email from Tate contact Tate Visitor Information <http://links.e.tate.org.uk/ctt?kn=23&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> If you wish to stop receiving Tate emails please unsubscribe <http://links.e.tate.org.uk/servlet/OneClickOptOutServlet?m=52443687&r=MjI1M…> We would love to know more about you to make our emails more relevant please update your details <http://links.e.tate.org.uk/ctt?kn=14&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> Tate's full website privacy policy <http://links.e.tate.org.uk/ctt?kn=10&ms=NTI0NDM2ODcS1&r=MjI1MTYxMTIzMTc4S0&…> © Copyright Tate 2016 -- Mercedes Vicente PhD Candidate Critical Writing in Art and Design Royal College of Art

5 years

AGM 2016 - Wed 26 Oct 1pm

by Birgit Bachler

Dear ADA member, our Aotearoa Digital Arts Annual General Meeting will take place on *Wednesday, **26 October 2016, 1pm NZDT* and it would be great to see you there. How can you attend? 1. Join our AGM online 2. Come to the central physical node in Wellington atVUW School of Design, 139 Vivian Street, Room VS220 (thanks to Walter Langelaar) 3. Join another remote node in your town or host your own The finalized agenda and all further details will be published closer to the meeting date on _http://piratepad.net/s7rmtb7pUC_ Please RSVP to Birgit me(a)birgitbachler.com and let us know if you have any further questions. Thanks Birgit & Ted _____ /\ | __ \ /\ / \ | | | | / \ / /\ \ | | | |/ /\ \ / ____ \| |__| / ____ \ /_/ \_\_____/_/ \_\ ______ ______ [__T___] [__B___] | | | | |______| |______| / /| / /| /_____/ | /_____/ | || | | || | | | | | |

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Ada_list October 2016